Leslie Charteris - Follow the Saint

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In which the Saint dallies with millionaires and murder, is the life ans soul of a "Tea Party", and discovers the intricacies of a double double-cross.

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Simon refolded the newspaper and dumped it resignedly on the bar; and as he did so it lay in such a way that the headlines summarizing the epochal utterance of Mr Ebenezer Hogsbotham stared up at him with a complacent prominence that added insult to injury.

The Saint stared malevolently back at them; and in the mood which circumstances had helped to thrust upon him their effect had an almost fateful inevitability. No other man on earth would have taken them in just that way; but there never had been another man in history so harebrained as the Saint could be when his rebellious instincts boiled over. The idea that was being born to him grew momentarily in depth and richness. He put down his glass, and went to the telephone booth to consult the directory. The action was rather like the mental tossing of a coin. And it came down heads. Mr Hogsbotham was on the telephone. And accordingly, decisively, his address was in the book…

The fact seemed to leave no further excuse for hesitation. Simon went back to the bar, and his head sang carols with the blitheness of his own insanity.

"Put that poison away, Hoppy," he said. "We're going places."

Mr Uniatz gulped obediently, and looked up with a contented beam.

"Dijja t'ink of sump'n to do, boss?" he asked eagerly.

The Saint nodded. His smile was extravagantly radiant.

"I did. We're going to burgle the house of Hogsbotham."

II

It was one of those lunatic ideas that any inmate of an asylum might have conceived, but only Simon Templar could be relied on to carry solemnly into execution. He didn't waste any more time on pondering over it, or even stop to consider any of its legal aspects. He drove his huge cream and red Hirondel snarling over the roads to Chertsey at an average speed that was a crime in itself, and which would probably have given a nervous breakdown to any passenger less impregnably phlegmatic than Mr Uniatz; but he brought it intact to the end of the trip without any elaborations on his original idea or any attempt to produce them. He was simply on his way to effect an unlawful entry into the domicile of Mr Hogsbotham, and there to do something or other that would annoy Mr Hogsbotham greatly and at the same time relieve his own mood of general annoyance; but what that something would be rested entirely with the inspiration of the moment. The only thing he was sure about was that the inspiration would be forthcoming.

The telephone directory had told him that Mr Hogsbotham lived at Chertsey. It also located Mr Hogsbotham's home on Greenleaf Road, which Simon found to be a narrow turning off Chertsey Lane running towards the river on the far side of the town. He drove the Hirondel into a field a hundred yards beyond the turning and left it under the broad shadow of a clump of elms, and returned to Greenleaf Road on foot. And there the telephone directory's information became vague. Following the ancient custom by which the Englishman strives to preserve the sanctity of his castle from strange visitors by refusing to give it a street number, hiding it instead under a name like 'Mon Repos', 'Sea View', 'The Birches', 'Dunrovin', 'Jusweetu', and other similar whimsies the demesne of Mr Hogsbotham was apparently known simply as 'The Snuggery'. Which might have conveyed volumes to a postman schooled in tracking self-effacing citizens to their lairs, but wasn't the hell of a lot of help to any layman who was trying to find the place for the first time on a dark night.

Simon had not walked very far down Greenleaf Road when that fact was brought home to him. Greenleaf Road possessed no street lighting to make navigation easier. It was bordered by hedges of varying heights and densities, behind which lighted windows could sometimes be seen and sometimes not. At intervals, the hedges yawned into gaps from which ran well-kept drives and things that looked like cart-tracks in about equal proportions. Some of the openings had gates, and some hadn't. Some of the gates had names painted on them; and on those which had, the paint varied in antiquity from shining newness to a state of weatherbeaten decomposition which made any name that had ever been there completely illegible. When the Saint realized that they had already passed at least a dozen anonymous entrances, any one of which might have led to the threshold of Mr Hogsbotham's Snuggery, he stopped walking and spoke eloquently on the subject of town planning for a full minute without raising his voice.

He could have gone on for longer than that, warming to his subject as he developed the theme; but farther down the road the wobbling light of a lone bicycle blinked into view, and he stepped out from the side of the road as it came abreast of them and kept his hat down over his eyes and his face averted from the light while he asked the rider if he knew the home of Hogsbotham.

"Yes, sir, it's the fourth 'ouse on yer right the way yer goin'. Yer can't miss it." said the wanderer cheerfully, with a native's slightly patronizing simplicity, and rode on.

The Saint paused to light a cigarette, and resumed his stride. The lines of his face dimly illumined in the glow of smouldering tobacco were sharp with half humorous anticipation.

"Hogsbotham may be in London investigating some more nightclubs," he said. "But you'd better get a handkerchief tied round your neck so you can pull it up over your dial — just in case. We don't want to be recognized, because it would worry Claud Eustace Teal, and he's busy."

He was counting the breaks in the hedges as he walked. He counted three, and stopped at the fourth. A gate that could have closed it stood open, and he turned his pocket flashlight on it cautiously. It was one of the weatherbeaten kind, and the words that had once been painted on it were practically indecipherable, but they looked vaguely as if they might once had stood for 'The Snuggery'.

Simon killed his torch after that brief glimpse. He dropped his cigarette and trod it out under his foot.

"We seem to have arrived," he said. "Try not to make too much noise, Hoppy, because maybe Hogsbotham isn't deaf."

He drifted on up the drive as if his shoes had been soled with cotton wool. Following behind him, Mr Uniatz's efforts to lighten his tread successfully reduced the total din of their advance to something less than would have been made by a small herd of buffalo; but Simon knew that the average citizen's sense of hearing is mercifully unselective. His own silent movements were more the result of habit than of any conscious care.

The drive curved around a dense mass of laurels, above which the symmetrical spires of cypress silhouetted against the dark sky concealed the house until it loomed suddenly in front of him as if it had risen from the ground. The angles of its roof-line cut a serrated pattern out of the gauzy backcloth of half-hearted stars hung behind it; the rest of the building below that angled line was merely a mass of solid blackness in which one or two knife edges of yellow light gleaming between drawn curtains seemed to be suspended disjointedly in space. But they came from ground-floor windows, and he concluded that Ebenezer Hogsbotham was at home.

He did not decide that Mr Hogsbotham was not only at home, but at home with visitors, until he nearly walked into a black closed car parked in the driveway. The car's lights were out, and he was so intent on trying to establish the topography of the lighted windows that the dull sheen of its coachwork barely caught his eye in time for him to check himself. He steered Hoppy round it, and wondered what sort of guests a man with the name and temperament of Ebenezer Hogsbotham would be likely to entertain.

And then, inside the house, a radio or gramophone began to play.

It occurred to Simon that he might have been unnecessarily pessimistic in suggesting that Mr Hogsbotham might not be deaf. From the muffled quality of the noise which reached him, it was obvious that the windows of the room in which the instrument was functioning were tightly closed; but even with that obstruction, the volume of sound which boomed out into the night was startling in its quantity. The opus under execution was the 'Ride of the Valkyries', which is admittedly not rated among the most ethereal melodies in the musical pharmacopoeia; but even so, it was being produced with a vim which inside the room itself must have been earsplitting. It roared out in a stunning fortissimo that made the Saint put his heels back on the ground and disdain even to moderate his voice.

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