Брайан Гарфилд - The Hit

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The Hit: краткое содержание, описание и аннотация

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Meet Simon Crane, the hottest hard-boiled antihero since Mike Hammer! Неге’s an ex-cop who’s up to his neck in blood, booty, and blackmail: Number One target in a gangland countdown to murder. The Hit resounds with a tough, ingenious triple-crossing twist — alter all, who would rob the Mafia??
Author Brian Garfield scores a criminal bull’s-eye in this uncompromising thriller that rips the veneer off the Establishment of a sleepy southwestern state, exposing a merry-go-round of murder, vice, and mob control. It all explodes when a Cosa Nostra kingpin is found dead m the living room of his palatial estate. A gaping wall safe discloses the killer’s motive: a missing three million dollars in cash — and a giant political scandal.
The state’s entire political elite is incriminatingly indebted to the murdered mobster, but the bloody trail seems to lead to the door of Simon Crane. A handier suspect couldn’t be found, either by the mob or by the corrupt police. Besides, no one is fool enough to openly accuse a famous political figure of robbery and murder when a desperate ex-cop might solve the mystery to save his own skin. And Crane’s alleged motive is clearly personal: her name is Joanna, a frail, blond ex-Mafia playmate whose one and only fling with the deceased was recorded on film and preserved in the safe’s incendiary archives. Wasn’t that reason enough to kill — for revenge, a king’s ransom, and the intensely private files of a first-class manipulator?
Facing trial by gunpoint either way he turns, Crane parlays his only chance into a deal with Mafia executioners: forty-eight hours to prove his innocence. Forty-eight hours to trap a wily thief and return to the mob with three million in home-grown graft and a payload of political dynamite.
It’s the biggest, nastiest, most extraordinary gamble in years, starring hard-nosed, daring Simon Crane, who plays a criminal deck with a master hand — and challenges the powerbrokers to a no-holds-barred game of survival.

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I went back to Madonna. “DeAngelo knew Mike Farrell was mixed up in this somehow. He found Farrell sometime in the afternoon, probably about the time I was talking to Brawley at the motel. Don’t ask me how DeAngelo found Farrell. He probably just used his head and went looking in all the places he expected Mike to hide, and found him. DeAngelo put the screws to Mike. I don’t know if he had help but I suspect he did. Mike was roughed up pretty hard and it probably took at least two men to give him that kind of going over. You, Tony? Ed Baker? It doesn’t matter. DeAngelo squeezed Mike Farrell dry. He found out everything Mike knew, which wasn’t a hell of a lot, but he did learn that Mike had made a deal with Joanne and me, that the three of us were working together to find the loot. That must have convinced DeAngelo that none of the three of us actually had the loot. From that point on we were expendable — all three of us. He didn’t figure we had any better chance of finding the loot than anybody else, so why leave us around to mess things up?

“By this time Farrell was so badly tortured they couldn’t do anything else but kill him. DeAngelo had to get rid of the body, and he wanted Joanne and me out of the way, so he did the obvious thing: he planted Mike’s body at my house, then phoned the cops and talked to Joe Cutter because he knew Cutter had a personal grudge against me. Cutter came up to my place but he didn’t find the body.”

My eyes roamed from face to face. I returned to Madonna and said, “Now this is important. Everything I’ve told you can be checked — by you, not me. You’ve got the leverage and the manpower for it. Now here’s a question for you. I’ve just told you what Pete DeAngelo was up to. How much of it has he told you?”

Madonna’s glance whipped across to DeAngelo. DeAngelo opened his mouth and began to say something; Madonna said, “Sit down and give your mouth a rest, Pete.”

DeAngelo closed his mouth slowly, gave me a dark scowl and held it on me while he moved to the nearest chair and sat. Freddie the Neanderthal moved up to stand behind his right shoulder, only a few feet to my left. I turned to keep them in view, and resumed:

“If DeAngelo didn’t keep you posted on events, it was because he wanted to find the loot and keep it for himself. He’s too ambitious to be satisfied with being anybody’s number two man. He remembers how you took over this mob and he figures to do the same to you. With the money from Aiello’s safe, and the incriminating documents that went with it, DeAngelo would be in a hell of a strong position to move right in and take over the organization. Wouldn’t you, Pete?”

DeAngelo’s left hand reached the table beside him and gripped its edge. He didn’t speak.

To Madonna, I said, “Nobody likes to think himself a poor judge of human nature, and you probably don’t want to buy this, especially since Pete’s an old friend and I’m just a troublesome outsider. But think about this. The other night when I phoned you to ask you about the pink Cadillac, DeAngelo answered the phone. He sounded out of breath. I’m willing to bet he had just come in after planting Mike Farrell’s body.

“DeAngelo had learned one vital fact, either from Mike Farrell or from my telephone call here. The pink Cadillac. He knew, or he made it his business to find out, who owned that car. It’s my guess he had to do some detective work to find out, because otherwise he’d have gone after Brawley sooner than he did.

“In the meantime, yesterday morning, I went to Brawley’s to ask him who owned a pink Cadillac. Brawley’s own car was a Jaguar, and that threw me off. He sent me off on a wild goose chase to the boondocks. I was coming back from that when Ed Behrenman tried to run me off the highway over a cliff. Behrenman ended up dead at the bottom of the cliff. There was only one way Behrenman could have known where to find me. Brawley was the only man alive who knew where I’d gone, and I already knew there was a connection between Brawley and Behrenman. So then I knew who’d killed Aiello and taken the loot. I searched Brawley’s house but it wasn’t there, so I went straight to his office. DeAngelo knows what I found when I got there, because DeAngelo got there ahead of me. DeAngelo probably waited out back of the office until the last of Brawley’s patients and employees left for the night. Then, when Brawley came out the back door, DeAngelo shot him. He had a silencer on his gun and he knew nobody was likely to hear the shot. He was so sure he’d find the loot in Brawley’s office he didn’t even bother to keep Brawley alive long enough to make sure. The pink Cadillac was parked right there and that was all DeAngelo wanted to know. He put Brawley’s body in the car, jimmied the door and went inside. He was working on Brawley’s safe when I got there. That’s how he got that hole in his arm, in case he’s told you something to the contrary. We had a little shoot-out and DeAngelo went out the window. He didn’t stay long enough to find out what was in Brawley’s safe, but I can answer it if he’s still interested. There wasn’t anything interesting in the wall safe except a gun. It was a Walther nine millimeter and I suspect it was the gun that killed Aiello.”

“That’s fine,” Madonna murmured. “Only where’s the money?”

“It was right where it’d been all the time. In the trunk of the pink Cadillac. Brawley had a suitcase and a coat in the back seat. He was ready to take off for good when DeAngelo found him. Too bad DeAngelo didn’t keep him alive long enough to ask him a question. Incidentally, by now I’m sure you know they found not only Brawley’s corpse but Joe Cutter’s. I think DeAngelo must have shot Cutter, too.”

DeAngelo shot erect in the chair. “That’s a goddamn lie,” he rasped. It was the first reaction I’d had out of him.

Madonna told him to shut up and said to me, “Where’s the money now?”

I heard the raspy growl in DeAngelo’s throat before I saw him start to move with the corner of my eye. He had a gun under the loose tail of his sport shirt and he was hauling it out. Big Freddie, slow to react, was taking a surprised backward step when I shot my arm out, extracted the gun from Freddie’s shoulder holster, and snapped it downward just as DeAngelo’s gun leveled on Madonna’s belly.

The report of the gun was startling in that enclosed space. Bone fragments and blood sprayed from DeAngelo’s head. His bodily functions instantly lost their control; his sphincter relaxed and there was immediately the stink of human urine and manure.

Chickens will suspend their pecking order whenever one of their number gets sick. They all turn on the weak chicken and peck it to death. Ed Baker and Tony Senna had their guns in their fists before the echo died, but they were pointed at DeAngelo, not at me. DeAngelo’s actions, and the expression of his face, had been all the admission of guilt any of them would ever need to see. Before the body even began to slump in the chair, Senna and Baker had put bullets into it.

Tony Senna and Freddie herded us outside to the pool; the stink inside was offensive. Baker was doing something about the body. Madonna came outside behind us and we all stood ranged around the poolside furniture. Nobody wanted to sit down. Joanne trembled violently and clung to my arm. She said to Madonna, “Nobody double-crosses you, do they?”

“Not more than once,” he said with a grimace. “You have to understand the rules of the game, honey. The winner is the last one left alive.” He said it with a straight face.

I set the briefcase on a round metal umbrella table and opened the hasp with a key. Senna tugged out his gun and trained it on me but I only glanced at him, and upended the open briefcase to dump its contents on the table. Folded documents, photos and two packages of recording tape tumbled across the table in a littered heap.

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