Брайан Гарфилд - The Hit

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The Hit: краткое содержание, описание и аннотация

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Meet Simon Crane, the hottest hard-boiled antihero since Mike Hammer! Неге’s an ex-cop who’s up to his neck in blood, booty, and blackmail: Number One target in a gangland countdown to murder. The Hit resounds with a tough, ingenious triple-crossing twist — alter all, who would rob the Mafia??
Author Brian Garfield scores a criminal bull’s-eye in this uncompromising thriller that rips the veneer off the Establishment of a sleepy southwestern state, exposing a merry-go-round of murder, vice, and mob control. It all explodes when a Cosa Nostra kingpin is found dead m the living room of his palatial estate. A gaping wall safe discloses the killer’s motive: a missing three million dollars in cash — and a giant political scandal.
The state’s entire political elite is incriminatingly indebted to the murdered mobster, but the bloody trail seems to lead to the door of Simon Crane. A handier suspect couldn’t be found, either by the mob or by the corrupt police. Besides, no one is fool enough to openly accuse a famous political figure of robbery and murder when a desperate ex-cop might solve the mystery to save his own skin. And Crane’s alleged motive is clearly personal: her name is Joanna, a frail, blond ex-Mafia playmate whose one and only fling with the deceased was recorded on film and preserved in the safe’s incendiary archives. Wasn’t that reason enough to kill — for revenge, a king’s ransom, and the intensely private files of a first-class manipulator?
Facing trial by gunpoint either way he turns, Crane parlays his only chance into a deal with Mafia executioners: forty-eight hours to prove his innocence. Forty-eight hours to trap a wily thief and return to the mob with three million in home-grown graft and a payload of political dynamite.
It’s the biggest, nastiest, most extraordinary gamble in years, starring hard-nosed, daring Simon Crane, who plays a criminal deck with a master hand — and challenges the powerbrokers to a no-holds-barred game of survival.

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“Bet your ass,” said Freddie.

Presently DeAngelo clicked back into sight, an intense hungry panther, and nodded to Freddie. DeAngelo’s smile, pointed at me, was without menace; but I felt a chill. He rasped, “Okay, he wants to find out what you’ve got to say. Come on.” He turned without further remarks and walked to the center of the sepulchral living room. I went inside and heard the door click shut behind me. By then DeAngelo had turned and lifted one palm toward me to stop me. He said, “Mind a frisk?”

“No.”

“Go ahead, Freddie.”

I let Freddie paw me for guns and when he was finished I followed DeAngelo through an arched corridor to the back of the house. He opened a sliding glass door and led the way out onto a flagstone walk that ran along to the tiled apron around the swimming pool. It was a big blue pool shaped like a bell, with ladders and diving board. Heat bounced off everything — the water, the walls of the house, wings which enclosed the pool area in a U, the flagstones and gravel, and the barbed wire-topped brick wall that sealed off the far end of the patio. The place was an oven.

Vincent Madonna, the sun worshiper; lay fully clothed on a chaise lounge, shaded by a huge beach umbrella-table. As I approached he had the poolside telephone propped against his ear. The phone was doing most of the talking; Madonna listened. He gave me one glance with eyes hard as glass, nodded, waved a hand and turned his profile to me, listening to the phone.

Madonna was stout, his features fleshy, his chin dark with heavy stubble halfheartedly covered with talc. He was beginning to look jowly and fold-cheeked. His hair, black and thick and glossy, was combed carefully back over the small ears. The backs of his hands were hairy. He wore a suit with no tie; his wardrobe, rumpled and creased, represented an obvious outlay of about $800. He looked as if his life’s ambition — to be pictured in a full-color, full-page magazine advertisement for whisky — had been frustrated by the desert heat.

Madonna had closed his eyes in distaste; now and then he interrupted the telephone’s monologue with a baritone grunt. Agony and patience chased each other across his face. The phone complained lugubriously. Finally Madonna’s face assumed an expression of total tormented revulsion; he spoke briefly, and returned the receiver to the cradle before opening his eyes.

He looked up and beamed at me.

DeAngelo said, “He’s clean.”

“I’m immaculate,” I said.

“We’ll see,” said Madonna. He glanced past me — a skinny dark-complexioned sycophant scuttled out of the house with a document in one hand and a fountain pen in another. Madonna said, “Can’t that wait?”

“No, sir,” said the sycophant. He put the document down on the beach-umbrella table and held his hand on it while Madonna took the pen and signed at the tip of the sycophant’s finger. Madonna glanced at it and lay back on the chaise; the sycophant put the pen together, picked up the document, blew on the signature, folded it in thirds and went.

Not until that one was gone did any of us speak. Then it was Madonna, fingering a Frank Paradise billiard cue, who directed his affable avuncular voice at me: “How clean are you, Crane?”

“That’s what I came to see you about.”

Pete DeAngelo husked, “Now tell us something we didn’t already know.”

Madonna lifted a hairy hand to still him; he said to me, “Mentioning no names, let’s just say at the moment you and your little friend are alive on a rain check. I state that as a fact, not a threat.”

“I understand,” I said. “Look, this is all off the record. I’m not carrying a tape recorder around. I’m not interested in meddling in things that are none of my business. I’m sure Tony Senna reported on the visit he paid me this morning — he looked around and he didn’t find whatever he was looking for. All I want to do is put this to you: if Joanne Farrell and I had taken anything important out of Aiello’s safe, we wouldn’t be stupid enough to wait around afterwards — and I wouldn’t be stupid enough to come up here and argue about it. She had nothing to do with it, I had nothing to do with it, and I’d like the chance to prove that to your satisfaction.”

Madonna fixed me with his intent hard eyes; Pete DeAngelo moved forward, heels clacking, and said in his raspy whisper, “If that’s your best artillery, Crane, forget it, it’s a dud. You couldn’t sell that story to a hayseed who’s in the market for the Brooklyn Bridge. Listen — you’re in trouble with us, and you don’t slide out of it just by coming up here and bleeding on Mr. Madonna’s patio.”

Madonna shushed him again with a hand. “Let me have him for a few minutes, Pete.” He smiled amiably.

DeAngelo’s mouth pinched together, looking like a surgeon’s wound, but finally, giving no acknowledgment that he had heard the dismissal, he turned on his heel and left us. Madonna, for a brief moment, scowled toward the pool, and I knew why: DeAngelo had committed a faux pas. It was against the rules for the Cosa Nostra to let an outsider know about any division of opinion within the organization; that kind of knowledge could be dangerous — it could give outsiders a chance to set member against member.

The glass door slid shut. I figured at least one bodyguard was watching us but it was hardly worth staring to find out. I returned my attention to Madonna and said, “Look, if you really think I’m it, then you’ve not only picked the wrong horse, you’ve got the wrong track. Concentrating on Joanne Farrell and Simon Crane will never get your belongings back for you.”

“What is it you want me to do?” he inquired with his friendly businessman’s smile.

“Lift the heat,” I replied promptly. “You’ve got that girl scared to death.”

“Well, now,” he said, steepling his hands together and tipping his head back to look at me, “for the sake of argument we’ll assume we both know what you’re talking about. Understand, I admit nothing. But let’s you and me set up what the lawyers call a hypothetical case. Assume I’ve got some interest in some items that might be missing from somebody’s safe. Assume there’s been a lot of sensational publicity about somebody’s murder, and there’s going to be more publicity, and I don’t enjoy that at all — in fact you can assume somebody’s busy right now, planting news items about how the deceased must have had personal enemies from back east or something. Assume, in other words, I don’t want any more rumbles. You follow?”

“Sure.”

“Okay. So we’re prepared to be nice and quiet and civilized about it. If you turn in the missing items within twenty-four hours, or prove you and Mrs. Farrell couldn’t possibly have taken it, then you can assume I’d be willing to forget the whole beef.”

He smiled. I suppose he meant it to be an engaging smile.

I felt dismal but not surprised; it had never been anything better than a long shot.

He looked at his watch, shot his cuff, and said pleasantly, “It’s pushing noon. I’d be willing to go the few extra minutes — call it noon tomorrow, your deadline.”

“And if I can’t produce?”

He shrugged his meaty shoulders and picked at a hairy ear. “I don’t throw raw meat on the floor, Crane, it’s not my style. I leave it to your imagination. I only mention there are friends of mine who don’t mind putting the screws on people, hard, to find out what they know and what they did with stolen property.”

He didn’t have to spell that out. I said, in a lower voice, “You can’t get blood from stones. She doesn’t know anything — I don’t know anything.”

“Then all you’ve got to do is prove it.”

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