Тэлмидж Пауэлл - The Talmage Powell Crime MEGAPACK™ - 20 Classic Mysteries!

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Talmage Powell (1920–2000) was one of the all-time great mystery writers of the pulp magazines (and later the digest mystery magazines). He claimed to have written more than 500 short stories, and we have no reason to doubt him — we are working on a bibliography of his work and have documented 373 magazine stories so far... and who knows how many are out there under pseudonyms or buried in obscure magazines? He wrote his first novel, The Smasher, in 1959. He went on to pen 11 more novels under his own name, 4 as “Ellery Queen,” and 2 novelizations of the hit TV series Mission: Impossible. Clearly, though short stories were his first love.

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The boss sat down like he had all the sweet time he needed. The others watched him like buzzards. Me, I was soaking my shirt with sweat.

“When Pete Lorentz gave you the beating,” the boss said, “you got your big idea. It was a hard pill to swallow, having a two-by-four bookie beat hell out of you. It showed just how far you had slipped. You were so enraged you wanted to kill — and thinking about it started the plan in your mind.

“You killed Pete with a shotgun, Droyster. With your clothes and ring on him, and his head gone, everyone thought it was you. Neither of you had ever been fingerprinted. You knew Lawrence Jordan would swear the corpse was you, even if he did have a few doubts. He was that anxious to get your wife.”

The boss put out his cigarette, fired another one. “So you were a dead man — with a nice stake of fifty-seven grand, no strings attached. But Newell happened to go into the room, drop a calling card, and your wife, wanting insurance, called me in. Perhaps Newell suspected the truth about you, Droyster.

“He dropped a few words around Joe Dance, and Joe thought to make himself a pile of dough by spilling it. But you had been hiding close around. You killed Dance and brought him up here, then called the police.

“Were you in that storage house most of the time, Droyster? Is there a phone extension there?”

“In the attic,” Droyster said, “I heard Dance phone my wife and I heard her phone you.”

The boss nodded. “That’s why the Great Dane went out to the storage house, because you were there. He barked with joy and you slashed his throat to silence him. That was the same day you killed Pete Lorentz.

“That night you sneaked back into your house. You knew you simply couldn’t have Pete up and vanish. If his draft board should put him in 1-A and the F.B.I. went looking for him, it might have upset your scheme. You had to get Pete’s body out of the coffin, mutilate it more, and plant it someplace where it could be found, with papers to show his true identity, several days later.

“You took the dog’s body back into the house when you went after Pete. You took Pete out of the casket, put the dog in, knowing the casket would not be opened because of the horrible condition of the body. You knew it might take a day or so to dispose of Pete’s body, which was very ticklish business; so for safe-keeping you put your fifty-seven grand in the casket — in that blood-stained, satin pillow.

“You went to the graveyard last night, but the caretaker scared you off. You couldn’t get rid of Pete’s body sooner, and tonight I was on the case. You had to watch other things than the cemetery.”

“You talk well, Smith,” Droyster said, “but where’s the slip? Give out — and hurry!”

Smith smiled at Droyster. “Let me finish. Newell gave you a bit of help all along. First he tried to gun us off the case, later to buy us off. He really wanted that dog track. You were hiding outside, Droyster, when we came out of the storage house. You heard Newell almost break down; so you took a shot at him.

“Naturally, I was wondering all along, since I found the corpse in the storage house, what the devil was in the casket. So Willie and I went to the cemetery. We found your money, left my card where you’d think I accidentally dropped it. You were pretty close on our heels. You found the card as I hoped.

“I left the light on long enough so that you’d not think I suspected you of shadowing me. You watched from across the street until the light went off. You waited until you thought we had gone, then you came to find your money.”

I saw just a little bit of sweat on the boss’ face. That made my knees bang. If Smith was sweating...

“Poppycock!” Droyster said. “He’s stalling. Take him on, Newell.”

Newell nodded. He started to say something, but the door crashed open.

Bless his heart! Bedrock Hannrihan looked like the answer to my prayers. “Smith—” he howled. Then he flopped on the floor as Ike Clark got his roscoe going. I hit Newell and Newell hit the floor.

It was some party. Hannrihan’s gun went like a cannon. Droyster was cursing a blue streak. Somebody hit a chair. Ike Clark screamed.

Somebody slung a slug my way. It caught me in the leg, knocked me down. I looked up to see Harry Haines. The boss and me don’t like people that shoot at us. The boss shot Haines in the neck.

The bullet in my leg kept me on the floor. I rolled around. I was scared sick with all the lead flying loose. I rolled into Newell. He was drawing a bead on the boss and I hit him, I broke his nose with that one and blood went everywhere.

Then it stopped and my ears rang. Ike Clark was doubled up in front of the desk. Haines was on his back, blood coming out of his neck, Newell was over at the wall holding his nose and moaning.

Droyster hadn’t been touched. He dropped his gun, looked at the boss, and said, “You win, Smith.”

Hannrihan took a look at Droyster. “Cripes! I’m going nuts!”

The boss said, “Yes, quite true.” Then he helped me to my feet. “It’s only a flesh wound, Willie.” Then the boss turned to Hannrihan. He wised the big dick up to all that had happened.

“I talked myself blue in the face,” the boss finished, “and had just run out when you got here. I knew as long as the light stayed on there was a chance it would attract you or one of your boys.”

Hannrihan kept the live ones covered. “The light attracted me, all right. I passed and saw it. I’ve been combing the town for you all night, Smith.”

The boss tossed the bloody pillow to Hannrihan. “Watch the rent in the cloth,” Smith said. “There’s fifty-seven grand in that pillow!”

Hannrihan whistled.

“You may use my phone to get the meat wagon and reinforcements,” Smith told him. “Willie and I are leaving now.”

The boss helped me downstairs. Hannrihan’s car was at the curb. We got a cab. “Central hospital,” Smith told the driver. He turned to me. “We’ll get that leg dressed, Willie. Then we eat.”

I leaned back. The morning air tasted sort of good. The sun came up. I hadn’t ever noticed before how good it looked, all red and everything.

I looked at the boss. He was looking at me. I don’t know why, but the first thing I knew we were grinning at each other and shaking hands to beat hell.

Your Crime Is My Crime

Originally published in New Detective Magazine , May 1946.

The city of Baltimore lay sweltering in the sluggish heat of the autumn night. A searing, fitful breeze off the bay lay its hot tongue on the dinginess of Pratt Street, bringing tired, stringy-haired women to doorways, causing babies to whimper in their grotesque sleep. On Redwood Street, a few offices in concrete and steel buildings blazed with light as brokers figured clients’ margins, or tried to guess how many points above 103 Acme Steel would be four weeks from today. Lower East Baltimore Street teemed with sweat-boiled, jostling bodies. A newsboy hawked his wares, rearranging newspapers and magazines laid along the grimy curb and held prisoner from the faint breeze by paperweights.

A burlesque barker added his voice to the din and the air-conditioned penny arcades were jammed, offering refuge from the heat for the price of a pinball game and hot dog smeared with sweet relish. Shooting galleries reminded passing veterans of things they wanted to forget, and bartenders worked like machines, pouring streams of cool liquid over damp bars, while the laughter of men was joined by the tinkling laughter of women and juke boxes and sweating four-piece orchestras pounded a never-ending rhythm. Street cars clanged and horns blared as taxis snaked toward curbs for fares and into the stream of traffic again.

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