Эд Горман - Murder on the Aisle

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Murder on the Aisle: краткое содержание, описание и аннотация

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Tobin, a five-foot-five, red-headed film critic — co-presenter of a syndicated movie-review TV show — is in trouble. He’s been found kneeling over the body of his dead partner, fingering the knife that’s sticking out of the dead man’s back, and it’s clear that the police are not going to look for any other suspects. Not when it’s Christmas. Not when they know that Tobin has been having an affair with his partner’s wife. Not when Tobin and his partner had been involved in an on-camera free-for-all just moments before the murder.
Tobin didn’t kill bis partner — but will anyone believe him? Did anyone else have such clear motive? Did anyone else have the opportunity? Do Siskel and Ebert ever have problems like this?

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“I’m sorry I was so rude.”

Sarah Nichols, looking more the Irish beauty than ever, touched his arm. There was no doubting what Richard had seen in her. Why he’d spent more and more time with her. Her eyes, her hazel eyes, cast you in their grace and you never wanted to leave. “Out at the college, I mean.”

“It’s all right.”

“No, it isn’t. I was just upset. I don’t really think you killed him.”

“Then you seem to be in the minority.”

“The police still suspect you?”

“I’m afraid they do.”

“Well, anyway, I just wanted to come over and say I was sorry.”

“I accept.”

“Thank you.”

She turned to leave.

He said, on a whim, really, half serious about his question but at least half motivated by the tidal power of those hazel eyes, “Do you know a man named Ebsen at the college?”

“Harold Ebsen. Sure. Everybody does.”

“Then you probably know what he says about Richard?”

“That Richard stole his screenplay?”

“Yes.”

“He’s s been saying that for months.”

“Is it true?”

She surprised him. “I don’t know.”

“You mean you think there’s a chance Richard actually cribbed his screenplay?”

“Oh, not cribbed it exactly. Took something that was very primitive, perhaps, and improved it. Improved it a great deal.”

“Do you think Ebsen would have killed him over it?”

“I have absolutely no doubt Ebsen would have killed him over it. After he followed us around with that shotgun microphone, I wouldn’t put anything past him.”

“Shotgun microphone?”

“A few months ago, when he really began pestering Richard and me, he started following us everywhere with a shotgun microphone he stole from the school’s production department. Then the next day he’d drop off the tape in Richard’s office. Obviously it gave him a great sense of power.”

“But you never heard him actually threaten Richard?”

“Threaten him physically, you mean?”

“Right.”

“Not actually, no. But with somebody like him, that’s always there implicitly.” She nodded with her lovely head. “Here’s your friend.” She looked matronly suddenly, sixty-year-old disapproval on the face of a young woman. Something was going on behind him that displeased her.

He turned to see Frank Emory doing a kind of dirty boogie, legs flailing, to a disco song that was blasting out of wall speakers.

“Richard always said he was a silly ass. He wasn’t wrong.”

Then Frank was with them and throwing his arm around Tobin and pressing his head against Tobin’s head and spilling champagne everywhere. “Am I drunk, or what?”

“You’re very drunk,” Sarah Nichols said. “Inexcusably drunk, as a matter of fact.”

She went away.

“She never liked me.”

“Right now you’re sort of hard to like.”

“You don’t like me? My old friend Tobin doesn’t like me on the happiest night of my life?”

“The night you got married — the nights your kids were born — one of those should have been the happiest night of your life. Not this, Frank. This just means you couldn’t take the heat anymore and you gave up.”

Tobin saw how badly he’d hurt him and for just a moment he took at least some small pleasure from the pain he’d inflicted, but then he saw Frank’s face — the jaw coming open, the drunken eyes go dead — and then he knew he’d had no right to say that, no matter how true it might be.

“Jesus, Frank, I’m going to go.”

Frank’s tears were obvious. “I thought we were friends.”

“We are.” And this time it was Tobin who threw his arm around Frank. (Not easy, given Tobin’s height.) “We’re goddamn good friends, and I had no right to say it. I don’t blame you a damn bit. I would have done the same thing myself as soon as Richard was killed. I have to put my ego aside and just look at the facts. Without the team, there was no show.”

Frank managed to recapture at least some of his previous luster. He slurred his words but he seemed to be having a good time slurring his words. “Actually, my friend, I started negotiating for the sale several months ago.”

“Really?”

Frank pawed the front of his blue blazer. “Right. This whole process has taken months.” He said “processessh” and “shtaken.”

“And you didn’t tell anybody?”

“Just my wife.”

“So they wanted our show then?”

“They wanted your show very much. The papers were signed two days ago — before Richard was killed.” He shook his head. Lowered his voice. Leaned in. “Goddamn, Tobin, I’ll be honest with you. I just lucked out is all. If Richard had been murdered before those papers were signed—” His eyes grew miserable again. “There wouldn’t have been any sale, buddy-boy, no sale at all.”

“I’m glad it worked out for you, Frank. I really am.” He was overdoing it, overcompensating really, for being such a jerk. Then he said, “I wanted to ask you about a man named Ebsen.”

Frank grinned, leaned in again. “Don’t ask me about men, ask me about women.” He whispered. “Did you see that secretary from the second floor?” He said, “... she that shecretary from the shecond floor?”

“Yeah.”

“With the boobs?”

“Yeah.”

“Out to here?”

“Right.”

“Out to goddamn here?

There was no point talking to Frank. Not tonight.

“Well,” Tobin said.

“You sound like you’re leaving.”

Tobin feigned a yawn. “I’m tired. Been a very hard twenty-four hours, Frank.”

“Don’t leave.”

“I’d really better.”

He threw his arms wide again. “We’re having a party. A party.” Then he shrugged. “I mean, I know it’s pretty soon after Richard’s death.”

“Almost forty-eight hours.”

“Don’t get sarcastic again.”

Tobin sighed. “There’s no reason not to have a party, Frank. It’s a big night for you, as you say. Life goes on.”

“Life goes on. Right on,” Frank said.

“Well,” Tobin said again in that preparatory tone. Three minutes and twenty-two seconds later he was in the elevator.

21

7:17 P.M.

She moved out of the shadows of his apartment house doorway.

“Hi.”

“God, how long you been standing here?”

“Not long.”

“How long is not long?”

“Half an hour.”

“Half an hour? Christ.”

“Some men would take that as flattery. You seem angry about it.”

He realized she was right. He was still back there at the Emory party. All the people. All the crap.

“Maybe we should start again,” Tobin said.

“Huh?”

“You say ‘hi’ again and this time I’ll try not to be such a big jerk.”

“That sounds like fun. ‘Hi.’ ”

It was exactly the kind of lovemaking Tobin needed. Passionate at first to work off some energy and rid himself of his anger, then slower and more gentle with those half-words that are more tones than meanings, soothing tones as he worshiped in her grotto once again, and then she took him inside and cradled him when he was finished, stroking him, whispering more half-words, then saying, “There isn’t anything more beautiful, is there?”

“What?”

“A Christmas tree in the darkness.”

“I wish it were a bigger tree. For your sake, I mean.”

“It’s a fine tree, Tobin.”

He was coming out of her anyway (the Little Sizzler had sizzled its last for a time) and then he lay beside her and watched the shadows cast in the bedroom by the tree lights.

“Did you ever want a present and not get it?” Marcie asked.

“Sure.”

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