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Тэлмидж Пауэлл: The Girl’s Number Doesn’t Answer

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Тэлмидж Пауэлл The Girl’s Number Doesn’t Answer

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Murder by the Sword Three people were dead, their heads bashed in, their bodies hacked with a samurai sword. All three victims were Japanese. The murder weapon was traced to Nick Martin, a veteran of Iwo Jima. Nick had spent fifteen pain-ridden years in and out of Army hospitals. He tried to drown his memories of the horror, but whisky only put him right back in the middle of that fierce battle. Nick drank a fifth the night of the killing. That’s the kind of case the police call “open and shut.” But Ed Rivers, a private detective, was a friend of Nick Martin’s. And no one was shutting the door of a death cell on Nick-not while Rivers could still go after the real, fiendishly clever murderer.

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He hadn’t meant to kill her. He’d set a trap, thrown an intense scare into her, baiting the trap with that fear. He’d known that it would prod me into coming here. Unwittingly, Tillie had been manipulated. Unwillingly, she’d saved my life.

Chapter 18

You’re in your living room one evening and you hear a distant, sharp sound in the night. You glance at your wife or husband. Maybe you even get up and turn down the TV.

“Sounded like a shot,” you say. Could have been a car backfire. You listen a moment and if you hear nothing else you end up feeding the volume again on the television set.

So it was the night of Tillie’s death. If anyone heard the shot, it was not with sufficient alarm to cause a call to the police.

We were left alone, me and the man outside. I got out of the house by the simple process of crawling through the dark hallway to the glass-enclosed Florida room, across the play area to the open patio.

Nervous tremors ran through my knees and quickened my hands. I had the .38 ready as I reached the corner of the house.

I saw no sign of him, only the shadows of trimmed shrubs. Keeping low and close to the house, I moved forward. Nothing else stirred in the dead, hot darkness. If he was laying for me, it was with a care and coolness that made me hate to think of the outcome.

I inched from shrub to shrub. I crossed the spot where he must have worked his way to get a clear shot through the window.

Then, from down the street, I heard a car start quietly and move away.

Tillie Rollo was dying. No one could live long with a hole like that in the neck. So I gambled that the man in the car was the right man, and I finished a circuit of the house more boldly.

The sigh-sob bubbling of Tillie’s breath was still audible when I returned to her bedroom.

The lamp was broken from its fall to the floor. I pulled the pencil flashlight from my pocket and put the small beam on her face.

Her skin was slick with sweat. Her teeth gleamed behind her parted lips. Her eyes were fever hot.

“Tillie, can you hear me?”

She lay looking at faraway sights only she could see, smiling her ghastly smile.

“Tillie, if you can still speak—”

“How are you?” she said, in a gurgling whisper. “Tillie—”

“It was nice of you to come. It’s only a little party, really, but I thought I’d better engage the country club. You know everyone, I’m sure. Do have a drink.”

She couldn’t move a muscle, and yet she glided about an imaginary country club in an imaginary little town.

“Oh, hello there. How was Bermuda? We’re planning a short jaunt this winter. It’s wonderful having you back...”

She cautioned the caterer and gave instructions to the orchestra.

The imaginary music started.

She was laughter. She was graciousness and beauty as she danced. She mingled and added that special spark that made the affair an event, not just a party. The society section of tomorrow morning’s newspaper would be topped by a glowing description of the scintillating gathering.

The dream was real for Tillie at last. She had just enough time for the last guest to depart, leaving the queen of society tired but satisfied. Enough time for the rich, indulgent husband to put his arm around her waist and tell her that she was wonderful, darling.

Then Tillie died.

With the pencil flashlight, I looked for the slug that had killed her. I found it at the base of the hardwood-paneled wall. Wrapping it in my handkerchief, I dropped it in my pocket.

I chose the back way out of the house. I’d already made plenty of footprints in the soft greenery of the yard. A few more wouldn’t matter.

I returned to the borrowed heap and drove toward downtown Tampa, where the lights made a diffused pink halo in the night sky.

I kept myself from thinking that another link to Luisa Shaw had been cut. I wouldn’t dwell on the fact that the other man, by sheer ruthlessness and lack of mercy, had stayed one jump ahead of me all the way.

I crossed the river, turned off the boulevard, and drove down the wide, palm-lined street. I didn’t stop for a considerable distance. Then I turned the car around in an intersection, drove back the way I’d come. I parked the car in some heavy shadows, its grillwork pointed toward the city.

Getting out of the car, I crossed the street. At the mouth of the Cameron driveway, I stepped onto the grass. I took up a spot where shrubbery concealed me. I could watch the house and driveway. I could still get across the street, back to the car, quickly.

I began waiting.

The hardest part of it was to keep my mind from bounding around, overactive to make up for the inactivity of my body.

No one came out of the lighted house.

I felt the stirring of a night breeze off the bay. Through a hole in the shrubs, the lights on the mainland boulevard were visible. I watched the cars zipping along over there, little twinkling diamonds in the night.

The diamond chain began to stretch.

Finally it was a chain no longer, but individual winking lights that passed at varying intervals. The intervals got longer as night deepened.

The air had cooled a few degrees. Sweat, dried, gave my skin a stiff feeling.

I had been wrong.

It wouldn’t happen tonight. Maybe tomorrow night or the next.

Or never. The whole guess might have been wrong from the beginning. In the light of everything that I’d dug out, the guess was right. But it was still nothing more than a reasonable assumption, and in Ivey’s mind the assumption was reasonable that Nick Martin had killed the Yamashitas.

Suddenly my muscles went tight as a flare of light came from the house — light from the front door as it was opened.

I glimpsed Victor Cameron briefly as he came out of the house. He closed the door, and I turned and padded silently to the sidewalk.

I crossed the street and got in the borrowed buggy. I sat without turning on the motor or the lights.

The waiting this time was brief.

He was driving a Caddy, a cream-colored one with tail fins as big as a Buck Rogers rocket. I silently thanked him for owning a car like that, a standout that would be easy to follow.

The big car turned out of the driveway and nosed toward the city. It had taillights sufficient for a company of fire trucks.

I remained still until the taillights reached the distant intersection. They winked out, going to the left. Toward the mainland.

I let Cameron have a lead. He’d have to stop when he crossed the bridge, before he pulled onto the boulevard. There was only one direction for him to take, unless he turned around and stayed on the island a little longer. I was certain he wouldn’t do that.

Mentally, I clocked the Caddy’s progress. Then I started the borrowed car and went after him.

The twin banks of taillights made a right turn on the mainland boulevard as I crossed the short bridge.

Keeping Cameron in sight was no difficult trick. I knew the synchronization of the traffic lights. I shortened the gap when necessary to keep from catching a red light while he moved through green a block or two ahead.

I dropped farther back when he was out of the main business district. I drove past shanties, junk yards, welding shops.

He entered a narrow street where those inclined to escape the heat of rooms massed with sleeping bodies slept on rusty, iron-filigree balconies.

His destination was a gloomy apartment building on a dusty, brick-paved street on the edge of Ybor City.

The hulking building was four stories tall. The bottom level was occupied by a blaring juke joint, a pawn shop, and a palmist’s establishment garish with signs proclaiming the wondrous powers of Madame Zecora, Gypsy Fortuneteller.

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