Джеймс Паттерсон - The 19th Christmas

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It's not sleigh bells that are ringing this Christmas.
As the holidays approach, Detective Lindsay Boxer and her friends in the Women's Murder Club have much to celebrate. Crime is down. The medical examiner's office is quiet. Even the courts are showing some Christmas spirit. And the news cycle is so slow that journalist Cindy Thomas is on assignment to tell a story about the true meaning of the season for San Francisco. Then a fearsome criminal known only as "Loman" seizes control of the headlines. He is planning a deadly surprise for Christmas morning. And he has commissioned dozens of criminal colleagues to take actions that will mask his plans. All that Lindsay and the SFPD can figure out is that Loman's greed — for riches, for bloodshed, for attention — is limitless.
Solving crimes never happens on schedule, but as this criminal mastermind unleashes credible threats by the hour, the month of December is upended for the...

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Conklin and I exchanged looks, both of us still shell-shocked, hoping for answers. After this, we planned to go back to the Anthony and meet with CSI director Charlie Clapper. He and his team had been processing the scene all night, and I was dying to find out what he had learned from Chris Dietz’s rented room. Julian Lambert was still in our custody, and Brady would interrogate him again. If Lambert was holding anything back, I was pretty sure he’d give it up to Brady.

Brady said, “Here’s what we know about this robbery scheme. Supposedly, a man named Loman is behind it, and supposedly, it’s going down on Christmas Day.”

He paused and everyone waited.

“That’s all I’ve got,” said Brady. “No idea what the target is, what part of town it’ll be in, who else is involved. Heck, Loman might have decided to pull the plug on this operation, given all the publicity on last night’s action.

“But let’s say he’s still going forward. If you hear something, say something.”

Feet shifted. A voice called out, “Over here, boss.”

“Bentley,” Brady said. “Whatcha got?”

Sergeant Roger Bentley was from the Robbery Division. I didn’t know much about him, but I knew he was well positioned to hear rumors about a heist.

Bentley said, “I’ve heard the name Loman. People are afraid of him, like he’s a drug lord or a capo. But nothing more than that. I’ve asked, and what comes back is ‘I don’t want to talk about him.’”

Another hand went up and Brady called on Anderson from the Criminal Investigations Unit upstairs.

Anderson said, “Rumor has it that Loman was behind that casino heist in Vegas. The one at the Black Diamond. Netted nine million. Almost got out clean, but three of his crew—the guys transporting the take—were killed when their getaway car was T-boned by a gas truck on the way out of town.”

We had all heard about that heist gone wrong—a TV movie had been based on it. As I remembered it, the gas-truck explosion was shown in slow motion and it had been a mesmerizing special effect. But I hadn’t known that the man behind the heist that went way wrong was named Loman.

“Let’s have some ideas on possible targets,” Brady said.

Hands went up around the room; people suggested banks, museums, jewelry stores. Opportunities for potentially big hauls, like the nine million taken from the Black Diamond Casino.

When the brainstorming was over, Brady asked those present to work their informants and uniforms in their divisions and forward all possible leads to him.

“Crime’s not going to take a holiday while we go after Loman. I’m calling people back from time off so we’re covered. One of those people is Chief Warren Jacobi, who has volunteered to step out of retirement and work out of this unit with Boxer and Conklin.”

Jacobi came through the doorway to a big round of applause from about sixty cops who knew that, even after retiring under a cloud, he was a helluva cop.

I was very glad to see my old partner, my old boss, my close friend. Conklin and I grinned at each other.

The gang was all here.

Chapter 18

I was still on adrenaline overload from last night’s shootout at the Anthony Hotel, and now Brady’s full-house staff meeting had tweaked me to a turn.

The clock on this mysterious big heist was running out and we needed answers—fast. Conklin parked our squad car in front of the Anthony Hotel behind three cruisers and the CSI van. I was glad to see that van. If anyone could read tea leaves in the dregs of this cesspool, it was Charlie Clapper and his team.

I zipped my Windbreaker over my vest and yanked up the chain holding my badge so that it hung outside my jacket. I got out of the car and took in the sights. Morning on Sixth Street looked like a flashback to the Great Depression. Clouds blocked the sun. Trash blew up the pavement and collected in the gutters. Pedestrians drifted purposelessly, and the thin traffic slowed when drivers saw the CSI van.

Uniformed officers leaned against their cruisers, protecting the perimeter. Others had door duty, barring the press and checking IDs of hotel residents. An old man vomited in the alley next to the liquor store.

My partner said, “Ready?”

“You bet. Can’t wait.”

We crossed the buckled sidewalk to the hotel entrance, entered the stinking lobby, and identified ourselves to the desk clerk, who was twenty years older than the clerk working the night shift. He had been informed, no doubt. He said, “Don’t mess up the place, okay?”

Conklin said, “Got it,” and we took the stairs, an obstacle course of discarded crack vials, condoms, Thunderbird empties. We exited through the fire door onto the sixth floor.

All but two of the doorways were taped off; tenants had been relocated and their rooms cleared. I noticed now that a couple of those doors had wreaths circling the peepholes. Another was hung with a stocking, the name Mia stitched on the cuff. Meager hopes for a merry Christmas, dashed.

At the front of the long hallway, room 6F looked as I had seen it last night, the bullet-perforated door left hanging by one hinge after Dietz had sprung his surprise attack on a team of trained SWAT commandos armed with military-grade automatic weapons. The bloody outline of Dietz’s body was like an unwelcome mat in front of the door. Why would he pick a fight he so obviously would not win?

At the far end of the hallway, the door to 6R was wide open. I called out to Charlie Clapper and he stepped out to meet us. Clapper was director of Crime Scene Investigation, a former LVPD homicide cop with deep knowledge and no attitude. He always looked as though he’d dressed for a business meeting, and despite the booties over his shoes and the blue latex gloves he was wearing, today was no exception. His blazer and tie were snappy, and his graying hair was immaculately cut and combed.

“Welcome to the morning after,” he said.

“Always a pleasure to see you, Charles,” I said.

Clapper told us to view the scene from the doorway. “For anything you want to see close up,” he said, “I’ll be your eyes.”

The room was lit by a couple of halogen lights and was small enough that we could see everything in it from the threshold. Three CSIs, gloved up, wearing booties, and armed with cameras and evidence bags, stepped gingerly around the periphery of the room.

Done correctly, processing a crime scene is a slow, methodical procedure of documentation and analysis because of the underlying need to keep the scene intact. If there were clues to Loman’s plans, they could be here.

I looked around and saw an open can of beer on top of the old-fashioned TV set, a plate of half-eaten spareribs on the kitchen table. The closet door was open, revealing two men’s coats and assorted pieces of casual clothing. A coffee table in front of a sagging sofa was laden with what looked to be expensive cameras and technical equipment I couldn’t identify.

“So what do we have?” I asked Clapper.

“Looks like he was living here alone,” said Clapper. “And he was working on something not exactly kosher. Those are the tools of his trade: cameras, sophisticated listening devices. No expense was spared. Oddly, there’s no laptop in either of his rooms, but we got his phone.

“Unrelated, there was a stash of porn over there,” he said, pointing in the general direction of the sofa. “And in the bathroom. And under the bed.”

“Regular porn or something special?”

“Straight-up busty women. Two semiautos plus ammo were in the closet. I sent the guns and the phone to the lab. Before I did that, I mailed this from his phone to mine. You may find it interesting.”

Conklin and I stood beside Clapper as he swiped through the crime scene photos. He stopped on one and angled the screen so we could see it: a map of Golden Gate Park. He enlarged it. The de Young Museum, located inside the park, had been circled in red.

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