Уолтер Мосли - Down the River unto the Sea

One thing I had learned in high school was that in sports you always had to move in a direction that your opponent did not expect. From Ping-Pong to prizefighting, the man with the unexpected moves was the player most likely to win.

Police work is a kind of intellectual sport, like Go or chess. And sometimes you have to make a move to fool yourself, a move that will keep you from putting yourself in the enemy’s line of fire.

That’s why I decided to pay a visit to Augustine Antrobus.

Antrobus Limited was listed on Fifth Avenue in the upper Sixties. It was a tall and slender building plated with shiny brown stone with slit-like windows that made an odd pattern like a modern painting composed of matchsticks.

“May I help you?” a guard asked. He was standing behind a chest-high station made from see-through yellow plastic.

“Antrobus Limited.”

The security man looked ten years younger than he was, and appeared to be forty. His blue eyes took in my bulky coat, shiny pate, and geeky glasses. Though unrecognizable, I did look odd.

“Name?” he said after this brief moment of hesitation.

“Nigel Beard.” The ID in my wallet said the same.

There was a computer in front of the guard; I could see it through the yellow plastic.

“I don’t see a Beard here,” he said after a moment or two.

“Call them and see.”

Security didn’t like the command, but he picked up the phone and hit some numbers.

“I have a Beard down here says he wants to come up.” A few words passed, and he held the phone down and said, “The girls in his office don’t have any record of you either.”

“Tell them that it’s about William James Marmot. Something I think they’ll want to be apprised of.”

Again that natural hesitation and then a few more words through the wire.

He put the phone down and looked me in the glasses.

“Floor twenty-two.”

“Thank you kindly,” I said, experimenting with my new, disposable personality.

It wasn’t a crowded building. Only a young woman in a black skirt and white blouse and I waited for the elevator. The doors of car 8 opened, and I gestured for her to go first. She was multiracial, with a broad, friendly nose and brunette hair that strained toward red.

I hit the 22 button and she the number 2.

She must have noted me looking and said, “They lock the stairwells because they’re afraid of terrorists coming in through the exit doors. Otherwise I’d be walking.”

“When I was a kid,” I said, “I thought that if I worried about every way I could possibly die, then none of them would happen and I’d live forever.”

The doors opened, and she gave me a big gap-toothed grin, then walked out.

For the next twenty floors I turned my thoughts to Stuart Braun, A Free Man, and a fat man whom I almost decided to let die. There was a definite parallel between me in that Queens basement and the Staten Island Underground Railroad station where I passively participated in the torture of Simon Creighton. There was almost a karmic balance there.

The doors to the elevator slid away like the curtains to a very small stage, and I was on.

A short and slender man in a violet suit was there to meet me. The guard downstairs hadn’t said anything about a man working in the office, so I decided that this guy was security. Olive-skinned white, he had eyes that were a pale blue. His hair was brown at the root and blond thereafter. He was somewhere between the ages of thirty-six and sixteen and smelled of rose attar.

I wondered if the water fountains in that building were fed by an earlier, slightly flawed version of the Fountain of Youth.

“Mr. Beard?”

“Yes.” Even if he was a hired gun, I figured I still had the advantage; the wadding in my coat was laced with Kevlar.

“Follow me.”

He turned and gestured for me to go before him. I ran point down a useless hallway, finally coming to an opulent room that had three desks with a beautiful woman behind each one.

You can tell a lot about an employer by the makeup of her or his staff.

From the feminine bodyguard to the three office workers (all of whom were of a different race), I could tell that Antrobus was a sensualist.

There was a small oil painting of a bathing nude above the central desk, where a broad-faced and striking Asian woman sat. I would have given even odds that that canvas was an original Degas.

“Mr. Beard?” the woman said. Her name tag read HATIM.

“Yes.”

“What is your business, sir?”

“Private between me and him.”

“You must tell me or you won’t be meeting him.”

“Then,” I said with a shrug, “I guess I won’t be meeting him.”

I turned and the young-like lad in the violet suit got ready to block my exit. I decided that I’d have to shoot him if bad came to worse. My disguise was solid. I doubted if anyone would be able to identify me in a lineup.

“Mr. Beard,” a markedly masculine voice boomed.

I turned and saw a man who fit this voice like a fist in a Siberian mitten.

He was tall with broad shoulders and a big belly, wearing a three-piece bright green suit that had gray pinstripes. His shirt was pearl gray and the clasp at his throat was a bright red-and-green garnet. The mane of hair was gray, but the drooping “oilman mustache” was white, almost blue.

Augustine Antrobus’s face was a granite bunker, big with squinty eyes that might have been green. This was the sensualist who had hired the fay violet thug and the women of beauty.

“Mr. Antrobus,” I announced.

“You have something to tell me?”

“The buffalo have come back from extinction and soon there will be pioneers raping the fields of Mars.”

Antrobus’s laugh was a weapon. In it was all the strength of some wild creature.

“Come on in,” he demanded.

I took a step and the violet thug did too.

“Not you, Lyle,” the master said. “Mr. Beard and I will meet mano a mano.”

The corridor behind the room of women was set between a wall and a series of slender windows that looked down on Central Park. The striation of shadow and light made me feel as if I were on a safari behind an as yet unsuspecting lion.

Antrobus’s office was all dark wood and royal blue fabric, bookshelves with only hardbacks, and no computer in sight. There were two plush chairs set side by side in front of his grand piano — size mahogany desk. The chairs were turned ever so slightly toward each other, like old friends sharing cognac and confidence.

“Sit,” the master ordered.

I did as I was told.

When his bulk was situated, he put his hands on the clawed armrests and snorted.

“You talk about buffalo and dress like a buffoon,” came his first salvo of words. “You were obviously christened in America but go by the name Beard, which means you have a sense of humor and are anything but a buffoon.”

“I appreciate the attention, Mr. Antrobus. Most of the time I spend hidden... even in plain sight.”

“You are even now.”

“I come to you with intelligence and maybe a chance to do a little business,” said the man I was pretending to be.

“I like the word intelligence, ” Augustine said. “Even a fool can bring intelligence if he’s been given the right words.”

I could feel my heart beating again. This larger-than-life man scared me. He came out of one of the storybooks of old, designed to frighten children into understanding how the world really worked.

“I’m a private agent who does work for those who need to stay in shadow,” I said. “Somebody representing a man named Stuart Braun hired me to bring him hopefully incriminating information on another man — William James Marmot.”