Garry Disher - Port Vila Blues

When Mansell was finished, it was Riggs who spoke first. ‘What’s the target?’

Niekirk wordlessly tipped floor plans, photographs, a security-system map and a page from a street directory onto the double bed. Mansell bent to pick up a photograph, then straightened, groaning, stretching his back, making a show of it.

Riggs, as stolid and featureless as a slab of rock, crossed to look at the plans. ‘Jewellery heist?’

Mansell peered again at the photograph. ‘Lovely bit of rock.’

Niekirk picked up a second photograph, a necklace, white gold catching the light softly, emeralds, rubies and sapphires hard and sharp against the gold, like ice splinters in the morning sun. ‘The Asahi Collection,’ he said, ‘on loan from Japan.’

Valued at $750,000, according to the newspapers. Niekirk had calculated his return if he were to try fencing the stones himself. Ten cents in the dollar? He knew he wouldn’t do it. There was no one he could trust, and De Lisle had a long reach.

He watched Riggs and Mansell. Riggs was examining the plans now, giving them a grave scrutiny as if he were putting the hit together himself. He had still, capable, long-fingered hands, his body loose in grey cords, a check shirt and a heavy yachting pullover. He could have been anyone-thief, cop, car mechanic-but someone who kept himself calm and ready, and someone with an unpredictable, vicious streak. Sensing Niekirk’s scrutiny, Riggs said, ‘Where?’

‘We’re going there now.’

Niekirk took them into the city, to a region of tiny arcades bounded by major streets. Satisfied that they hadn’t been tailed, he led them into a snack bar. They sat on stools at a bench that ran the length of the front window of the place. The air smelt of vinegar and superheated oil, shaken apart by a radio tuned at full volume to an easy-listening station. Niekirk’s elbow was stuck in a smear of tomato sauce but he ignored it and pointed to a raw new building across the street from the snack bar. It was a narrow, black glass department store, six storeys high, called Soreki 5. Japanese, and it had only just opened for business. There were branches like it all through the Pacific. This one had a gallery on the first floor, and management intended to show fur, porcelain, painting and jewellery collections month by month.

Under cover of the shouted conversations around them, the radio and the thick smacking of cafйteria crockery behind the stainless steel counter, Niekirk said, ‘Their first-ever exhibition starts tomorrow morning, and will be here for the next month, so we go in tonight.’

Tonight, when security wouldn’t be up to scratch. ‘Any questions?’

‘We won’t need the drill this time?’

‘Correct.’

‘Maybe the local boys will think there’s a new crowd at work.’

‘Maybe.’

They rested during the afternoon and were stationed in the alley by 2 a.m., in a white van marked ‘Food Transport Vehicle’ this time. Niekirk sat in the driver’s seat, Mansell next to him, Riggs in the back. Now and then while they waited to go into operation, Mansell fine-tuned the police band radio. Niekirk listened with half an ear as the dispatcher’s voice, ghosting with signals from the atmosphere, reported burglar alarms, broken glass, a knifing near the clubs in King Street.

Shortly after two o’clock, Riggs got out and walked away from the van toward the Soreki 5 building. The department store sat black and glassy on the street facing the alleyway. Riggs passed from the alley into the lighted street. He wore a security patrol uniform, gold cloth badges, black trousers, brown shirt, black peaked hat, and Mansell said softly, ‘All he needs is a pair of jackboots.’

Niekirk ignored him, intent now as Riggs crossed the street and stopped at Soreki 5’s heavy glass doors. He saw Riggs rap on the glass with the base of a torch. A moment later Riggs switched on the torch and illuminated a fistful of documents in his other hand.

Soreki 5 employed its own security guards. They watched for shoplifters during the day and yawned over skin magazines at night. They were trained, but men like that got soft on the job and knew that they were Mickey Mouse guards compared to the men who worked the big contract patrol firms, who regularly got shot at or beaten up and generally led a riskier life. That’s how Niekirk had explained the psychology behind Riggs’ ploy at the briefing session, and now he fastened a set of headphones over his ears and began to monitor Riggs’ conversation with the Soreki 5 guard.

The voices came through sharply, transmitted by a pickup in Riggs’ lapel:

‘Come on, pal, I haven’t got all night.’

Sounds of disengaging locks, then a muffled voice growing less muffled: ‘What’s your problem?’

‘Medicare.’

The Soreki 5 man was slow. He didn’t say anything and Riggs repeated, ‘Medicare. You know, on the top floor.’

‘Everything’s jake here. I’ve got it covered.’

Riggs said, barely patient: ‘Maybe so, but the thing is, Medicare isn’t one of yours, right? We’ve got the contract for that, even though they rent space in the building.’

‘I don’t know. Nobody said anything to me.’

‘Well, that’s your problem. So how about it, going to let me in?’

‘I don’t know. I better just-’

‘Look, pal, they had ninety grand delivered there today, to cover the next week. If anything happens to that money and it comes out that you refused to let my firm in for a look-see, then your head’s on the block, not mine. If anything happens to that money and you have let me in for a look-see, then it’s my head on the old chopping block. Right? So do us a favour, just sign me in, I’ll be out of your hair in two shakes of a dog’s dick, no problem.’

‘More than five minutes and I’m calling my supervisor.’

‘No problem.’

‘And I come with you.’

‘No skin off my nose.’

Niekirk saw Riggs go in. Then he heard the big locks smack home and heard Riggs say, ‘After you.’

The Soreki 5 guard worked some contempt into his voice. ‘We can’t just barge upstairs. I’ve got to activate some bypass switches on the alarm system first, you know.’

‘You’re the boss.’

Niekirk heard nothing for two minutes after that. But plenty was happening inside the building and he ran it through his head like a film strip: Riggs waits for the guard to deactivate the alarms on the stairs and the lifts. Riggs tickles the man’s ear with his automatic pistol. Riggs pulls a hood over the man’s head and cuffs him to a display case. Niekirk’s instructions had been clear: ‘We don’t need a hero on our hands and we don’t need a panic merchant. Keep him calm, tell him he won’t be hurt so long as he does what he’s told. If the guard is hurt, I’ll want to know the reason why.’

Niekirk looked at his watch, thinking that Riggs should be giving the all-clear about now. He waited, still and silent, a shutdown so absolute that he might have been one of the living dead. The city streets were deserted. There was a hint of dampness in the air, a sheen of moisture glistening on the silent cars, on a beer can in the gutter, on the Elizabeth Street tramtracks. Thirty seconds later, Niekirk heard the heavy main door being unlocked, Riggs saying simply: ‘It’s a goer.’

Niekirk nudged Mansell. ‘Anything from the boys in blue?’

‘Not around here.’

‘Let’s go.’

They got out, walked to the end of the alley and across the street to Soreki 5, as unhurried as men who did this sort of thing every night of the week. Riggs was waiting for them in the foyer. The guard, his head hooded, was on his back, one wrist in the air, bracketed to the rim of a fire hose. He was as rigid as a dead man and Niekirk looked hard at Riggs. Riggs stared back unwaveringly, shook his head in denial.