Stuart Kaminsky - Retribution

There was no driveway. The concrete walkway was narrow and cracked. There were lights on in curtained rooms on both sides of the door. I found the bell, pushed it, listened to it ring inside, and waited. No answer. I rang again. No answer.

I tried the door. It opened but not much, about three or four inches. It was hitting something.

“Mr. Corsello,” I called through the crack.

No answer. I pushed the door again. It gave. A little. Ames pitched in. Whatever was blocking the door gave way enough for me to stick my head in. I saw what was blocking the door.

The body was facedown, head toward the door. There were two reasons to think he was dead. The floor in front of your front door is an unusual place to take a nap. I’ve known stranger ones, but the blotch of blood and the hole in his back took whatever hope I might have had.

“Dead man,” I told Ames.

He nodded as if he were accustomed to finding dead men on a daily basis. I stood trying to decide which way to take this. I looked around the street. Nothing. No one. A small red car with a bad muffler zoomed down the street.

I thought about the missing Mickey and Adele and I motioned for Ames to help me push some more. When there was enough room, we slid through the door. I closed it behind us. There was a light on in the entryway. From where we stood we could see the entire place. Small living room with an old overstuffed chair placed about four feet away from a giant television screen where an old episode of Jeopardy! was going forward silently. It was an old show. Alex Trebek, with no gray hairs, played with the cards in his hand.

Beyond the living-room area was a kitchen with a table and four chairs. To the left were three doors. Two were open. The closest one was a bedroom with a neatly made bed, a big dresser, and a giant Jesus on the cross over the dresser. The second open door was a bathroom. No light was on in there.

“Don’t touch anything,” I said, kneeling at the body for a number of reasons.

First, I wanted to confirm that he was really dead. He was. Completely. The body was cool. The dead man was wearing a robe. It was pulled high enough so I could see the only other thing he had on, a pair of underpants.

I guessed the dead man had been in his late sixties, maybe older. I guessed he was Bernard Corsello. I wondered about a lot of things.

“Quick look around,” I said. “Touch nothing.”

“What am I looking for?”

“Something that says this has something to do with Adele. Something I don’t want to find.”

Ames strode over the body and into the living room. I went for the open bedroom. On the table next to the bed was a flat and warm glass that seemed to have about two inches of some liquid in it. I smelled it. Cola. Next to the drink were two pens, a pad of paper, a telephone, a wallet, and some change. I picked up the wallet, opened it, and found sixty-two dollars. I rubbed off my prints with my shirt and put the wallet down. Nothing else in the room seemed interesting except for the hanging Jesus who looked down on me. I didn’t say anything to him. I hadn’t since I was a kid.

I went into the bathroom. Nothing of interest. The third room, the one with the closed door, I opened with my shirt as a mitt. The lights were off. I hit the wall switch and wiped away my print.

This was clearly Mickey Merrymen’s home away from home. The drawers were open, and nearly empty except for a few T-shirts and a single pair of underpants with a hole in them. A CD player sat on the small dresser. The bed was a mess. There was a small bookcase next to the bed. There were only a few books in it, all horror stories, Straub, Koontz, King, Saul, McKimmon. What made it clearly Mickey’s room were the three photographs tacked to the wall above the bed. They were small. One was on an angle. Adele was in all of them. From the holes in the wall around the three photographs I guessed there had been more, lots more.

Adele was alone in two of the photographs, both outdoors. Adele from stomach to head. The other of her alone was also outdoors. In the first she was smiling. In the second, she pursed her lips with a pretend kiss for the camera. She looked like any other pretty sixteen-year-old. Her past didn’t show. In the third photograph, Adele was leaning against a tall young man who reminded me of both Michael “the bat” Merrymen and a young Anthony Perkins. His arm was around Adele. He was grinning. I liked his white button-down shirt. I liked his smile. I didn’t like having Adele’s photographs on the wall. I took them down, dropped the tacks in an empty wastebasket, and pocketed the pictures. There was nothing else I could find to link Adele to the house. I doubted the police would go over every print in the place, but there was nothing I could do about it.

I found Ames in the kitchen looking at the refrigerator. There were magnets holding up three messages. Each magnet was a photograph, Einstein, Marlon Brando, and Hank Aaron. One message was a simple grocery list. The second message read: “Insurance due first Tuesday of the month.” The third message was, “Remember to call for pizza for Mickey and the girl.”

I pulled the pizza message from under Hank Aaron and said, “Anything?”

Ames shook his head “no” and we headed toward the corpse and the door.

“Didn’t take his money, the television, CD player,” I said.

We moved past the dead man and Ames stepped out of the door. I should have hurried after him but I looked one last time at the dead man and the thought came. That was the way I wanted to see the man who had run down my wife four years ago on Lake Shore Drive. He had left her bleeding, dying, barely alive. It took at least five minutes before someone went to help her. It was too late. The driver had gone on. What was that murderer doing now? Was he haunted by what he had done? Had he been a drunk who didn’t remember the life he had taken? I looked back at Jesus in the next room expecting no answer or solace.

“Best be going,” Ames said.

I looked back at Corsello one last time, wiped the door handle, went into the night, and wiped the outside handle.

“Now?” asked Ames.

I looked around. The street was almost empty. Half a block down to our left an old black woman was laboring under the weight of two heavy shopping bags. We got into the car and drove.

I dropped Ames and his scooter back at the Texas Bar and Grille.

“We’re looking for Flo Zink’s white minivan,” I said as we maneuvered the scooter out of the trunk. “This kid,” I said, pulling out the photograph of Mickey and Adele, “is probably with her.”

“I’ll ask around,” Ames said.

Neither of us said what we were thinking. Adele had killed before. She had killed a man who deserved killing. Adele, in short, knew how to pull a trigger. If something had happened, something… I gave up.

“I’ll call you tomorrow,” I said.

Ames nodded, locked his scooter, and waved as I got into the Cutlass.

It had been a busy day. And it wasn’t over.

I called the police from a pay phone on Main Street. If I leaned back I could have seen the downtown police headquarters. I hit 911.

“How can we help you?” a woman asked calmly.

I told her, with my best James Mason imitation, that a man was dead. I quickly gave the address and hung up before she could ask for my name.

When I got to the Bangkok, the place was packed. Sally saw me making my way through the crowd. She was seated at a booth with her two kids, Michael, fourteen, and Susan, eleven. Sally raised a hand and I moved to the booth.

Sally and Susan sat on one side of the table. I sat next to Michael on the other.

“Someone hit you,” Susan said, pointing to my cheek.

“Yes.”

“Why?”