Bill Pronzini - Labyrinth

“I may call you sooner than that,” I said.

“What?”

“Maybe inside an hour.”

“What the hell are you talking about?”

“I’m not sure yet. I’ll get back to you when I am.”

I rang off and went over and stood looking out through the bayside window. More fog today, swirling heavily over the ruf fled surface of the bay. Like the thoughts swirling over the surface of my mind. Facts, memory scraps, additions and subtractions-all swirling and then beginning to coalesce into the missing part of the blueprint.

For the first time, then, I could see the complete design of the labyrinth. And it only had three connecting sides. The open end, the missing side, was nothing but coincidence-multiple coincidence.

Our stubborn refusal to accept that, particularly on this kind of Grand Guignol basis, was what had been hanging us up all along. Part of everything had begun with accidental occurrence and some of the complications had been built on it: a car driven by Martin Talbot crashing into one driven by Victor Carding; Christine Webster having my business card and Laura Nichols deciding she needed a private detective; Talbot and me arriving at the Carding house just after Carding’s murder; all the suicides real and attempted and bogus; interrelationships among the people involved; even things like Greene showing up at Kellenbeck’s house just in time to spot me last night. Three parts connective tissue to one part coincidence.

I thought I knew now who had killed Christine and I had a hunch as to why. But I needed the answer to one more question before I could be sure. Just one more question.

I put on Muhlheim’s coat again, went out and down across the parking lot. The cold wind made my eyes water and started my nose running; my chest still felt badly congested. If I was smart I would make an appointment tomorrow with Doctor White. The shape my lungs were in, pneumonia was a threat I could not afford to overlook.

Inside The Tides Wharf I walked around into the warehouse area behind the fish market. Deserted. I came back out to the counter where a balding guy in a white apron was fileting salmon and asked him if Steve Farmer had reported for work today. The guy said yes, he was in the restaurant on his break.

So I crossed over there and stepped inside. Farmer was sitting at one of the tables near the windows; he was alone and seemed to be brooding into a cup of coffee. When I went to him and said, “Hello, Steve,” he looked up at me with pained and listless eyes.

“Oh,” he said, “it’s you.”

I sat down. “I guess you know about Jerry.”

“I heard this morning. It’s all people are talking about.”

“I’m sorry it had to turn out this way.”

“Sure.” He stared into the cup. “Jerry too,” he said. “All of them-just like I was afraid it would be.”

Yeah, I thought, all of them. But I said, “I need the answer to a question, Steve. You’re the only person who can give it to me.”

“What question?”

“Why did Bobbie Reid commit suicide?”

His face started to close up again, the way it had before, but this time it did not quite make it-as if Jerry Carding’s death had taken the edge off his feelings about everything else. He rested an elbow on the table, cocked the hand against his forehead like a visor. “Why do you have to keep bugging me about Bobbie? It’s all finished now, for God’s sake. Her suicide doesn’t have anything to do with the murders.”

“Yes it does. It’s got everything to do with Christine Webster’s murder.”

He gave me an anguished look from under the visored hand. “But I thought Andy Greene and Gus Kellenbeck-?”

“No. They killed Jerry and his father, yes. But not Christine.” I paused and then asked him again, in a gentler tone: “Why did Bobbie commit suicide?”

“I don’t know, not for sure. She had hangups…”

“What hangups? Steve, why did you break up with her?”

“I didn’t. She broke up with me; she… found somebody else…”

“Who?”

“I don’t know. Somebody else, that’s all.”

“Another man?”

His shoulders sagged; he dropped both forearms to the table edge and slumped over them with his head bent. “No,” he said, “not another man. She was making it with a woman. I loved her and she turned gay on me, she turned into a lesbian… ”

Bingo.

I called Eberhardt back ten minutes later and laid it all out for him: who I believed had shot Christine Webster and why. He said it sounded reasonable but he would need proof, not speculation and hearsay, before he could make an arrest; but he agreed with me that he would not have too much trouble finding it. With luck he could have the whole ugly business wrapped up by the end of the day.

The Justice Department investigators showed up not long afterward, and I spent two hours making another statement and answering an endless string of questions. When they were finally done with me I had a headache and an achey feeling in my joints; but I also had their permission to go back to San Francisco. Twelve minutes after they left I was on my way to the Highway Patrol substation. And twenty minutes after that I was on my way home-sniffling and hacking up phlegm with the heater on full blast.

It was a few minutes past three when I crossed the Golden Gate Bridge. The fog there was as thick as it had been up the coast; you could not see the bridge towers or much of Alcatraz or Angel Island, and the hills and buildings of the city had a gray distorted look. But that was all right. I liked the fog more than ever now, because without it I would not have survived last night’s ordeal with Greene.

I drove down Lombard, straight up Laguna. Predictably, the closest parking space to my building turned out to be two blocks away. My joints ached even more now and I had developed a scratchy throat; the two-block walk in the cold did me no good at all.

I gathered up my mail and let myself in. When I got up to my door I felt a twinge of apprehension, remembering what I had found at my office on Friday. But both locks were secure and nothing had been disturbed inside: the pulps were still on their shelves, the bachelor’s mess on the furniture and floor was just as I had left it.

Brew up some tea, I thought, take another cold pill, and get into bed. So I threw Muhlheim’s coat on the couch-I would have to remember to get the coat and the rest of his clothing cleaned and shipped back to him pretty soon-and headed toward the kitchen.

On the way I shuffled through the mail. And one of the envelopes made me stop in the doorway. It was plain-white and business-sized, with no return address. And the “r” in my name was chipped, the “a” in the street address tilted.

Christ. I tore it open, pulled out a single sheet of white paper, and unfolded it. My name was typed there, too, and below it three lines:

You’d better leave me alone. If you don’t, I’ll do something to YOU next time, not just your office. I mean that. Leave me ALONE.

I held up the envelope and looked at the postmark. Mailed Saturday night. Sure, that figured. She must have written it right after my call Somebody knocked on the door.

Frowning, I turned to look over there. Dennis Litchak, probably, because the downstairs door buzzer had not sounded; he must have seen or heard me enter and come up to talk. Well, I was in no mood or condition for company right now. I went to the door, thinking that I would get rid of old Dennis in five seconds flat, and opened up.

Karen Nichols stood in the hallway outside.

“I’ve been waiting for you all day,” she said. “Waiting and waiting for you. I thought you’d never come home.”

In her right hand was a. 32 caliber revolver.