Brett Halliday - Six Seconds to Kill

Before he brought the lengthy call to an end, he gave her a lecture about technique. No doubt she wasn’t much of a marksman with a pistol. No matter; at that range, accuracy was not essential. The important thing was to keep her head. Too many assassins got a good position on their victims and then were so nervous or excited that they fired only a single shot. Even when the bullet went home, the victim sometimes recovered. The thing to remember was to keep firing until the gun was empty. The final bullet might be the one that did the crucial damage.

Because of their quarrel about her lack of sincerity, it wouldn’t have surprised Camilla to hear nothing more about it. But the next day’s mail brought further instructions, a tiny key, and a claims ticket for a piece of luggage checked on an incoming flight to the International Airport. The letter was postmarked New York, and she decided, on an impulse, to save the envelope. Then another impulse took hold, and she ripped up the envelope and threw it away.

Now, at 9:05 P.M. Friday, at the International Airport, she looked for a window marked Unclaimed Luggage. Finding it without difficulty, she handed in her check.

She didn’t like the Voice, she decided as she waited. It had been a little too oily. She believed there was something in people’s voices that gave them away. This man, she sensed, didn’t hate Crowther. The killing was incidental to something else-that much had come through. She was only an instrument. Which was all right, she supposed, as long as she knew what she was doing.

And suddenly, as she was waiting for the suitcase, an alternative began to take shape. Obviously Camilla Steele as a person had very little future. She was assuming, and so was the Voice, that she would be caught. Security guards and police would be swarming all over her before the shots stopped echoing. And after that? Like her husband, she would spend years in a condemned cell while the lawyers squabbled. Felix had enjoyed it, in a way; she sometimes thought that he had even enjoyed his execution. He had been the center of attention, and had been able to annoy everybody. But Camilla, by that time, would have escaped into madness-if she wasn’t crazy already, which was certainly arguable. When she came face to face with Crowther, what if she shot herself instead of shooting him? It would end the agony. By reviving the old story of the miscarriage of justice, it might, it probably would, put a stop to his political advancement.

And what was so bad about suicide? Every thinking person had to keep it open as the final option. She herself had frequently come close-most recently, on the night Paul London asked her to marry him and she had her first phone call from the Voice. Under that kind of bombardment, what was the point in living one more day? A funny thing had stopped her. Her only weapons were sleeping pills, and a sleeping-pill death would be impossibly banal. She wouldn’t have a second chance-she had to get it right the first time. Suicide at its most elegant was an act of disgust. Crowther disgusted her. Politicians disgusted her. Awarding Crowther the Freedom Medal was one of the most disgusting things that had ever happened. The least she could do was spoil his luncheon for him. If she killed herself at his feet, he would have to discard his prepared speech.

The checkroom clerk brought out a nondescript fabric suitcase and pushed it across the counter.

She had been told not to return to her apartment, but to check into a Beach hotel. A reservation had been made for her in the name of Meyerson, the name on the luncheon ticket. But she was beginning to balk at those precise instructions. She wanted to find out right now what her unknown friend had sent her. It was irrational not to wait, but after coming this far in an assassination plot without knowing whether or not she wanted to do it, she could hardly consider herself rational.

She carried the suitcase to the nearest ladies’ room. The booths were coin-operated. She had given the taxi driver her last loose change. Instead of going back to the concourse to break a bill, she made a bet with herself.

There was no one around. She decided to open the suitcase there and see if it did, in fact, contain a gun, as promised. If somebody came in and saw her, that would be a sign that the bad luck was running, and she could stop thinking of herself in terms of Charlotte Corday, and return to her idle life in the Miami Beach bars.

The key worked stiffly, but at last the suitcase opened. Inside, she found a handbag packed in crumpled newspaper. Inside that, there was a neat, blue-black automatic. It was surprisingly small, almost pretty, with a funny kind of metallic attachment at the end of the barrel. A silencer?

It fitted nicely into her palm. Looking up, she saw her reflection in the mirror-Camilla Steele, thirty (thirty!), in her best black cocktail dress, with a heavy gold necklace given her by a man whose name she could no longer remember, holding a firearm, no less deadly for being so small. The picture was so exactly right, as though all her life she had been needing a gun to complete her personality, that she doubled forward suddenly and retched into the basin.

There was a sound behind her. When she straightened and looked in the mirror again, she was still alone, but the door was swinging slightly.

Now, of course, she had to hurry. She thrust the gun in the handbag. Leaving the empty suitcase lying open on the floor, she went back to the busy concourse. A voice on the public address was clamoring about planes that were about to depart. One of her sudden impulses hit her. Perhaps she should take that flight, no matter where it was going. She had money. When it landed, she would hunt up a cocktail lounge and order a drink.

The announcement came again-a Pan-American plane headed somewhere or other.

She started for the Pan-Am ticket counter. She saw a woman talking excitedly to a uniformed guard. She swerved and went down into a big kitchen. She thought she heard footsteps behind her. A surprised face under a chefs hat looked around, and somebody shouted. At an open door, an Eastern Airlines food truck was being loaded from rolling carts.

“What are you-” a voice said, and she ran past the food truck and out onto the loading apron.

A power cart was blowing air into one of the engines of a big jet. A sudden exhaust spumed toward Camilla as the engine came alive. A truck carrying baggage bore down on her. Blinded by the lights, she leaped aside.

In an upstairs bedroom in an imitation Moorish apartment building in Coral Gables, a dark young man with pale green eyes, which seemed darker in photographs, moved the curtain a quarter of an inch and looked out carefully.

“Si. Son policias.”

There were several others in the room, including a girl. The young man at the window asked a slightly built teenager a question. The boy assented eagerly. The others fitted him out with a disfiguring set of front teeth, a false moustache and sunglasses. He emptied a glass of wine, went out to the street and sauntered north. Two detectives followed.

Soon afterward the young man and the others left the building by a rear door. They removed to another house some distance away. After making sure that they hadn’t been followed, they loaded two dozen Winchester sporting rifles into the trunk of a Pontiac convertible. The girl parked it two blocks away, checked twice to be sure it was locked, and walked back to the house.

The meeting was held in a conference room in City Hall.

The mayor of Miami was present with two of his aides. They remained silent. Will Gentry, Miami chief of police, had called the meeting. Peter Painter was there, representing the Miami Beach police. Abe Berger, the Secret Service agent charged with the protection of cabinet members, had flown in from Washington. General Matt Turner, of the U.S. Army, was sitting beside Michael Shayne.