Stuart Kaminsky - High Midnight

The hell with it. I told the car not to do it, but it was possessed. I gave it its own head like Tony in a Tom Mix picture from when I was a kid. My faithful Buick took me to Culver City.

The game had turned more serious with each assault on the stronghold of Ann Mitzenmacher Peters. Weeping, lies, tears, pain, reminders of the bad old days and rolls in the bed which she had rudely forgotten or pretended to forget, had all failed. Threats had made her laugh. The worst part about it, I thought as I went into the small, clean lobby of the long, recently built white building was that Ann seemed to be beyond the point of even getting angry with me. What is the worth of a man when he can’t even draw blood or anger, let alone passion or sympathy?

I rang the bell and dashed up to the second floor when she responded with a ring. Ann stood in the hall, one hand on a hip, her hair long and dark, her figure full at forty. In the last few years I had seen her nowhere but in this hall or apartment, and I didn’t much care for the apartment.

“I can’t stay. I’m going,” I said before she could speak. I hurried up to her, looking at my watch.

“That watch doesn’t work, Toby,” she said, “and generally, neither do you. Out.”

“What have I done to deserve insults?” I said. “Goodbye.” I kissed her on the cheek and stood back. “I was in the neighborhood and wanted to show I had no hard feelings, that I really wish you and Rollo well.”

“Ralph,” she corrected emotionlessly.

“Ralph,” I said. “I’d like to come to the wedding. I would …”

Her head nodding no. She had no right to stand there in a yellow suit looking as good as she looked.

“I have about ten minutes,” I said. “Want to invite me in?”

Her head said no, and she folded her arms patiently.

“I’m working for Gary Cooper,” I said with a shake of my head. “He …”

She shook her head no again.

“Was I really such a bad guy, Ann?” I said.

“No,” she said. “And you don’t give up easily. That was one of the things I liked about you, at least for a while. Now it’s starting to be one of the things I like least. Toby, I don’t hate you. You went out of my life five years ago.”

“Four years,” I corrected.

“I don’t care if it’s only ten minutes,” she said. “It seems like five years. Just turn around and go away. Don’t cry, lie or ask for a drink of water. Don’t threaten, beg or tell me about the afternoon we fell in the pond in MacArthur Park. Just go.”

“Isn’t your life just a little boring?” I said, stepping toward her and glancing into her room enough to see that it was still decorated in unwelcoming browns and whites.

“No,” she said. “It is peaceful, and you are not part of it.”

“Are you going to stop calling yourself Peters when you marry Waldo?”

“Toby, you know damn well his name is Ralph,” she said wearily. “Now leave. I’ll stop calling myself Peters when I marry Ralph.”

“What’s Ralph’s last name?” I asked, clinging to the conversation.

“No, you might just decide to make a pest of yourself.”

“I wouldn’t do that, Ann. I just want to know. Besides, I’m a detective. I can find Ralph’s last name without any trouble. I won’t feel right if you wind up with some name like Reed or Brown. Ann Brown sounds like a character in Brenda Starr, for God’s sake.”

She didn’t even bother to answer. Instead she looked at her watch, which was working. Then she looked at me as if to say, “Is there anything more to this act?”

I shrugged, defeated again.

“I’m going in now,” she said, reaching out to touch my shoulder. “Don’t knock. Don’t ring and please don’t return. Just go play with your guns and dentists and midgets. Go play cops and robbers, and once and for all get out of my life.”

There was a touch of hope in her blast-at least it was a blast with emotion. But the door slammed in my face, and I was standing there alone.

“Don’t knock,” she said through the door as I raised my hand. “I’m going to turn on the water and take a long bath. Don’t be here when I get out or I’ll call the police again.”

Mrs. Plaut wasn’t home. If she had been, I probably would have strangled her. I was in no mood for tolerance. I decided to offer Gunther an apple, but he was out. So I sat in my room for about fifteen minutes, still wondering what Ralph’s last name was. Smiler? Johnson? Stoneworthy? Ann probably picked him for his name. This was getting me nowhere, and I had gone through four apples. I grabbed Curtis Bowie’s manuscript of High Midnight and took a long bath.

Since it took a millennium for the bathtub to dribble to half-capacity, I was well into the script by the time I turned off the water. A bird chirped outside, and I decided High Midnight wasn’t so bad. I finished it forty minutes later and ran some more hot water for an extra shave.

High Midnight was about a middle-aged former sheriff who shoots his wife and her lover and then holes up on a hill at the far end of town with his dog. Angered because no one told him what was going on behind his back, the former sheriff keeps the town pinned down. The easygoing present sheriff tries everything he can think of to get the old sheriff down. He sends an Indian killer, mounts a charge and when the town begins to talk about getting rid of him, the new sheriff offers to meet the old sheriff in a shoot-out, though the old sheriff is a former gunfighter and the present one an inexperienced novice. Before the shoot-out takes place, the old sheriff accuses the new one of having been one of those his wife had taken up with. The new sheriff says yes, but adds that he was just one of many. In the shoot-out the old sheriff, who has been suffering from a wound from one of the attacks on him, misses and is killed though he wounds the new sheriff, who in a final speech says the old boy was wrong but he stuck by his principles. The new sheriff then throws down his badge because the town has not supported him and rides wounded out of town.

I wasn’t sure whether Cooper was going to be the old or the new sheriff. It was a cinch Tall Mickey Fargo would be a joke in either role, and the only thing for Lola was the part of the wife, who gets killed at the beginning of the picture but who appears in some flashbacks.

Withered and dry, I went to my room, pulled the mattress from my bed, lay on my back and fell asleep. I dreamed, as I frequently do, of Cincinnati, where I have never been. Nothing much ever happens to me in Cincinnati. I wander empty neighborhoods and feel lonely. Gradually I feel scared and wonder where the people are. Then a crane with a demolition ball comes down the street, and I hide in an empty building. It isn’t a pleasant dream. My pleasant dreams are about Koko the Clown, but Koko won’t come when bidden. He reserves his dream appearance for times of crisis.

When I woke up, the room was dark. I sat up, staggered to the lamp, turned it on and checked my watch. The hour hand hung limp. The minute hand said it was fifteen minutes to something. My Beech-nut clock said nine-fifty and my Arvin radio picked up the tail end of Bob Burns on KNX, so I knew it was almost ten. Putting on my suit and a clean but frayed shirt with a tie which my nephews had given me for my birthday, I sneaked down the stairs, trying to avoid Mrs. Plaut. I failed. She caught me at the door.

“Mr. Peelers, Mr. Peelers,” she cried, hurrying to me with short little steps and her hands up. “You had a call. Carole Lombard called and said to tell you to remember to tell Cary Grant to be reasonable.”

“Thank you, Mrs. Plaut,” I said.

“I will,” she said with a smile, turning back into her parlor.