Rex Stout - Man Alive

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A high-fashion designer consults Wolfe after she sees her uncle — believed to have committed suicide a year before — in disguise and in the audience at one of her shows.

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I saw no one with whiskers.

Also before sitting I picked up, from the chair, a pad of paper and a pencil. The pad consisted of sheets with DAUMERY AND NIEDER and the address neatly printed in an upper corner. I was supposed, as I soon learned from watching my neighbors, to use it for making notes about the numbers I wanted to buy. On my right was a plump gray-haired specimen with sweat below her ear, and on my left was a handsome woman with an extremely good mouth, fairly young but not quite young enough. Neither had given me more than an indifferent glance.

The room was high-ceilinged, and the wood-paneled walls were pretty well covered with drawings and photographs. Aside from that, and us on our chairs, there was nothing but a large raised platform, in the open space between the front row of seats and the wall beyond. That wall had two doors, twenty feet apart. I had been seated only a minute or two when the door on the left opened and a woman emerged. She was old enough to be my mother but wasn’t. My mother wouldn’t use that much lipstick in a year, and her shoulders would never get that much padding no matter what high fashion said.

The woman stood a moment, looking us over, turned to signal to someone through the open door, closed the door, and went to a chair near the end of the front row that had evidently been held for her. She was no sooner seated than the door opened again and out came the girl that I was waiting to marry. I put my teeth together to keep from whistling. I got the impression that she was the girl they were all waiting to marry, seeing how concentrated and alert everyone became the second she appeared, and then I realized what this meant to the buyers. For them it was the make or break. It meant their jobs. They had just so many thousands to spend, on so many numbers, and it was up to them to pick the winners or else.

Anyone could have picked the girl with one eye shut, but they weren’t picking girls. She stepped up on the platform, came to the front edge, walking in a highly trained manner, extended her arms to the sides, full out, and said in a clear and friendly voice, “Six-forty-two.” Six-forty-two was a dress and coat, looking like wool and I suppose it was, sort of confused about colors like a maple tree in October. She gave it the works. She walked to the right and then to the left, threw her arms around to show that the seams would hold even if you got in a fight or wore it picking apples, and turned around to let us see the back. She said “Six-forty-two” four times altogether, at appropriate intervals, distinctly and amiably, with just the faintest suggestion in her voice and manner that she wouldn’t dream of letting that out except to the few people she was very fond of; and when she took the coat off and draped it over her arm and lifted her chin to smile at the back row, there was some clapping of hands.

She left by the other door, the one on the right, and immediately the one on the left opened and out came the girl I was waiting to marry, only this was a blonde, and she had on a gray fur evening wrap lined in bright red, and what she said was “Three-eighty and Four-nineteen.” The 380, I gathered from neighbors’ mutterings, was the wrap, and the 419 was the simple red evening gown that was disclosed when she ditched the wrap. It was fairly simple in front at the top, just covering essentials, but at the back it got even simpler by simply not starting until it hit the waistline. The woman on my right whispered to the one on her other side, “The hell of that is I’ve got a customer that would love it but I wouldn’t dare let her buy it.”

To clear up one point, they had there that afternoon six of the girls I was waiting to marry, if you count Cynthia Nieder, and I don’t see why you shouldn’t. Each of them made around a dozen appearances, some more, some less, and as for picking and choosing, if the buyers were as far up a stump as I was by the time it was over the only way they could possibly handle it was to send in an order for one of each.

As I explained to Wolfe in the office that evening, after I had reported a blank and we were conversing, “Imagine it! After the weddings I will of course have to take a good-sized apartment between Fifth and Madison in the Sixties. On a pleasant autumn evening I’ll be sitting in the living room reading the newspaper. I’ll toss the paper aside and clap my hands, and in will come Isabel. She will have on a calf-exposing kitchen apron with a double hemline and will be carrying a plate of ham sandwiches and a pitcher of milk. She will say seductively, ‘Two-ninety-three,’ make interesting motions and gestures without spilling a drop, put the plate and pitcher on a table at my elbow, and go. In will come Francine. She will be wearing slim-silhouette pajamas with padded shoulders and a back-flaring hipline. She’ll walk and wave and whirl, say ‘Nine-thirty-one’ four times, and light me a cigarette and dance out. Enter Delia. She’ll be dressed in a high-styled bra of hand-made lace with a billowing sweep to the—”

“Pfui,” Wolfe said curtly. “Enter another, naked, carrying a basket full of bills, your checkbook, and a pen.”

He has a personal slant on women.

Back to the show. It lasted over two hours, and for some of the numbers the applause was unrestrained, and it looked to me as if the Daumery and Nieder profits were likely to go on swelling up. Cynthia, in my opinion, was the star, and others seemed to agree with me. The numbers she modeled got much more applause than the rest of the line, and I admit I furnished my share, which was as it should be since I was her guest. Remarks from my neighbor on the right, who was evidently in the know, informed me that Cynthia’s numbers had all been designed by herself, whereas the others were the work of Ward Roper, who had been Paul Nieder’s assistant and was merely a good imitator and adapter.

In the office that evening I explained that to Wolfe, too, partly because I knew it would bore and irritate him, and partly because I wanted to demonstrate that I hadn’t been asleep although my report of results had had no bodice at all and a very short skirt.

A breath and a half had done it. “I got in by following Cynthia’s instructions, found a seat in the fifth row, and sat down after doing a survey of the two hundred customers and seeing no whiskers. Miss Nieder made fourteen appearances and did not signal me. When she came out front after the show she was immediately encircled by people, and I beat it, again following instructions, went down to the sidewalk, told Saul nothing doing, and handed Herb Aronson a ten-dollar bill.”

Wolfe grunted, “What next?”

“That requires thought, which is your department. We can’t sick the cops on him because the client doesn’t want that. We can buy a gross of combs and comb the city. Or we can try again at their next show for buyers, which, as you know, will be Thursday morning at ten. Or you may remember what the client said about her uncle’s private file.”

Wolfe poohed. “She doesn’t even know whether it exists. She thinks Jean Daumery took it and locked it up, and that the nephew, Bernard Daumery, is hanging onto it. She thinks she may possibly be able to find it.”

“Okay, you admit she thinks, so why not you? You’re merely objecting, not thinking. Think.”

That was before dinner. If he did put his brain in motion there were no visible or audible results. After dinner, back in the office again, he started reading a book. That disgusted me, because after all we had a case, and for the sake of appearances I started in on a blow-by-blow account of the Daumery and Nieder show. The least I could do was to make it hard for him to read. I went on for over an hour, covering the ground, and then branched out into commentary.

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