Fergus Hume - Red Money

"Hey?" Pine raised his eyebrows.

"It's a Gorgio my heart is set on," pursued Chaldea steadfastly. "A regular Romany Rye, brother. Do you think Lambert is a good name?"

"It's the name of the devil, sister," cried Pine hastily.

"The very devil I love. To me sweet, as to you sour. And speaking Romanly, brother, I want him to be my rom in the Gentile fashion, as you have a romi in your Gorgious lady."

"What will Kara say?" said Pine, and his eyes flashed, for the idea of getting rid of Lambert in this way appealed to him. The girl was beautiful, and with her added cleverness she might be able to gain her ends, and these accomplished, would certainly place a barrier between Agnes and her cousin, since the woman would never forgive the man for preferring the girl.

"Kara plays on the fiddle, but not on my heart-strings," said Chaldea in a cool manner, and watched Pine wickedly. "You'd better help me, brother, if you don't want that Gorgious romi of yours to pad the hoof with the rye."

The blood rushed to Pine's dark cheeks. "What's that?"

"No harm to my rye and I tell you, brother. Don't use the knife."

"That I will not do, if a wedding-ring from him to you will do as well."

"It will do, brother," said Chaldea calmly. "My rye doesn't love me yet, but he will, when I get him away from the Gentile lady's spells. They draw him, brother, they draw him."

"Where do they draw him to?" demanded Pine, his voice thick with passion.

"To the Gorgious house of the baro rai, the brother of your romi. Like an owl does he go after dusk to watch the nest."

"Owl," muttered Pine savagely. "Cuckoo, rather. Prove this, my sister, and I help you to gain the love you desire."

"It's a bargain, brother" – she held out her hand inquiringly – "but no knife."

Pine shook hands. "It's a bargain, sister. Your wedding-ring will part them as surely as any knife. Tell me more!" And Chaldea in whispers told him all.

Quite unaware that Destiny, that tireless spinner, was weaving sinister red threads of hate and love into the web of his life, Lambert continued to live quietly in his woodland retreat. In a somewhat misanthropic frame of mind he had retired to this hermitage, after the failure of his love affair, since, lacking the society of Agnes, there was nothing left for him to desire. From a garden of roses, the world became a sandy desert, and denied the sole gift of fortune, which would have made him completely happy, the disconsolate lover foreswore society for solitude. As some seek religion, so Lambert hoped by seeking Nature's breast to assuage the pains of his sore heart. But although the great Mother could do so much, she could not do all, and the young man still felt restless and weary. Hard work helped him more than a little, but he had his dark hours during those intervals when hand and brain were too weary to create pictures.

In one way he blamed Agnes, because she had married for money; in another way he did not blame her, because that same money had been necessary to support the falling fortunes of the noble family to which Lambert belonged. An ordinary person would not have understood this, and would have seen in the mercenary marriage simply a greedy grasping after the loaves and fishes. But Lambert, coming at the end of a long line of lordly ancestors, considered that both he and his cousin owed something to those of the past who had built up the family. Thus his pride told him that Agnes had acted rightly in taking Pine as her husband, while his love cried aloud that the sacrifice was too hard upon their individual selves. He was a Lambert, but he was also a human being, and the two emotions of love and pride strove mightily against one another. Although quite three years had elapsed since the victim had been offered at the altar – and a willing victim to the family fetish – the struggle was still going on. And because of its stress and strain, Lambert withdrew from society, so that he might see as little as possible of the woman he loved. They had met, they had talked, they had looked, in a conventionally light-hearted way, but both were relieved when circumstances parted them. The strain was too great.

Pine arranged the circumstances, for hearing here, there, and everywhere, that his wife had been practically engaged to her cousin before he became her husband, he looked with jealous eyes upon their chance meetings. Neither to Agnes nor Lambert did he say a single word, since he had no reason to utter it, so scrupulously correct was their behavior, but his eyes were sufficiently eloquent to reveal his jealousy. He took his wife for an American tour, and when he brought her back to London, Lambert, knowing only too truly the reason for that tour, had gone away in his turn to shoot big game in Africa. An attack of malaria contracted in the Congo marshes had driven him back to England, and it was then that he had begged Garvington to give him The Abbot's Wood Cottage. For six months he had been shut up here, occasionally going to London, or for a week's walking tour, and during that time he had done his best to banish the image of Agnes from his heart. Doubtless she was attempting the same conquest, for she never even wrote to him. And now these two sorely-tried people were within speaking distance of one another, and strange results might be looked for unless honor held them sufficiently true. Seeing that the cottage was near the family seat, and that Agnes sooner or later would arrive to stay with her brother and sister-in-law, Lambert might have expected that such a situation would come about in the natural course of things. Perhaps he did, and perhaps – as some busybodies said – he took the cottage for that purpose; but so far, he had refrained from seeking the society of Pine's wife. He would not even dine at The Manor, nor would he join the shooting-party, although Garvington, with a singular blindness, urged him to do so. While daylight lasted, the artist painted desperately hard, and after dark wandered round the lanes and roads and across the fields, haunting almost unconsciously the Manor Park, if only to see in moonlight and twilight the casket which held the rich jewel he had lost. This was foolish, and Lambert acknowledged that it was foolish, but at the same time he added inwardly that he was a man and not an angel, a sinner and not a saint, so that there were limits, etc., etc., etc., using impossible arguments to quieten a lively conscience that did not approve of this dangerous philandering.

The visit of Miss Greeby awoke him positively to a sense of danger, for if she talked – and talk she did – other people would talk also. Lambert asked himself if it would be better to visit The Manor and behave like a man who has got over his passion, or to leave the cottage and betake himself to London. While turning over this problem in his mind, he painted feverishly, and for three days after Miss Greeby had come to stir up muddy water, he remained as much as possible in his studio. Chaldea visited him, as usual, to be painted, and brought Kara with his green coat and beloved violin and hairy looks. The girl chatted, Kara played, and Lambert painted, and all three pretended to be very happy and careless. This was merely on the surface, however, for the artist was desperately wretched, because the other half of himself was married to another man, while Chaldea, getting neither love-look nor caress, felt savagely discontented. As for Kara, he had long since loved Chaldea, who treated him like a dog, and he could not help seeing that she adored the Gentile artist – a knowledge which almost broke his heart. But it was some satisfaction for him to note that Lambert would have nothing to do with the siren, and that she could not charm him to her feet, sang she ever so tenderly. It was an unhappy trio at the best.