Дэшил Хэммет - The Collected Dashiell Hammett

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Dashiell Hammett, the bestselling creator of Sam Spade, The Maltese Falcon, and The Thin Man, was one of America’s most influential and entertaining authors. In spite of his popularity, many Hammett stories — including some of his best — have been out of the reach of anyone but a handful of scholars and collectors — until now.
This collection rescues non-series and long-lost Hammett stories, all either never published in an anthology or unavailable for decades. Stories range from the first fiction Hammett ever wrote to his last. All stories have been restored to their initial texts, replacing often-wholesale cuts with the original versions for the first time.
Readers of Hammett’s famous mysteries will he surprised by the variety of stories here. They include Hammett’s first detective fiction, humorous satires, adventure yarns, a sensitive autobiographical piece, a Thin Man story told with photos, and a crime tale that Ellery Queen promises “is one of the most startling stories you have ever read.”

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Steve flung his stick at the woman’s white arm, flung it instinctively, without skill or aim. The heavy ebony struck arm and shoulder, and she staggered back. Dr. MacPhail, releasing the girl, dived at Steve’s legs, got them, and carried him to the floor. Steve’s fumbling fingers slid off the doctor’s bald head, could get no grip on the back of his thick neck, found an ear, and gouged into the flesh under it.

The doctor grunted and twisted away from the digging fingers. Steve got a knee free — drove it at the doctor’s face. Mrs. MacPhail bent over his head, raising the black leather billy she still held. He dashed an arm at her ankles, missed — but the down-crashing blackjack fell obliquely on his shoulder. He twisted away, scrambled to his knees and hands — and sprawled headlong under the impact of the doctor’s weight on his back.

He rolled over, got the doctor under him, felt his hot breath on his neck. Steve raised his head and snapped it back — hard. Raised it again, and snapped it down, hammering MacPhail’s face with the back of his skull. The doctor’s arms fell away and Steve lurched upright to find the fight over.

Larry Ormsby stood in the doorway grinning evilly over his pistol at Mrs. MacPhail, who stood sullenly by the table. The blackjack was on the floor at Larry’s feet.

Against the other side of the table the girl leaned weakly, one hand on her bruised throat, her eyes dazed and blank with fear. Steve went around to her.

“Get going, Steve! There’s no time for playing. You got a car?” Larry Ormsby’s voice was rasping.

“No,” Steve said.

Larry cursed bitterly — an explosion of foul blasphemies. Then:

“We’ll go in mine — it can outrun anything in the state. But you can’t wait here for me to get it. Take Nova over to blind Rymer’s shack. I’ll pick you up there. He’s the only one in town you can trust. Go ahead, damn you!” he yelled.

Steve glanced at the sullen MacPhail woman, and at her husband, now getting up slowly from the floor, his face blood-smeared and battered.

“How about them?”

“Don’t worry about them,” Larry said. “Take the girl and make Rymer’s place. I’ll take care of this pair and be over there with the car in fifteen minutes. Get going!”

Steve’s eyes narrowed and he studied the man in the doorway. He didn’t trust him, but since all Izzard seemed equally dangerous, one place would be as safe as another — and Larry Ormsby might be honest this time.

“All right,” he said, and turned to the girl. “Get a heavy coat.”

Five minutes later they were hurrying through the same dark streets they had gone through on the previous night. Less than a block from the house, a muffled shot came to their ears, and then another. The girl glanced quickly at Steve but did not speak. He hoped she had not understood what the two shots meant.

They met nobody. Rymer had heard and recognized the girl’s footsteps on the sidewalk, and he opened the door before they could knock.

“Come in, Nova,” he welcomed her heartily, and then fumbled for Steve’s hand. “This is Mr. Threefall, isn’t it?”

He led them into the dark cabin, and then lighted the oil lamp on the table. Steve launched at once into a hurried summarizing of what Larry Ormsby had told him. The girl listened with wide eyes and wan face; the blind man’s face lost its serenity, and he seemed to grow older and tired as he listened.

“Ormsby said he would come after us with his car,” Steve wound up. “If he does, you will go with us, of course, Mr. Rymer. If you’ll tell us what you want to take with you we’ll get it ready; so that there will be no delay when he comes — if he comes.” He turned to the girl. “What do you think, Nova? Will he come? And can we trust him if he does?”

“I–I hope so — he’s not all bad, I think.”

The blind man went to a wardrobe in the room’s other end.

“I’ve got nothing to take,” he said, “but I’ll get into warmer clothes.”

He pulled the wardrobe door open, so that it screened a corner of the room for him to change in. Steve went to a window, and stood there looking between blind and frame, into the dark street where nothing moved. The girl stood close to him, between his arm and side, her fingers twined in his sleeve.

“Will we—? Will we—?”

He drew her closer and answered the whispered question she could not finish.

“We’ll make it,” he said, “if Larry plays square, or if he doesn’t. We’ll make it.”

A rifle cracked somewhere in the direction of Main Street. A volley of pistol shots. The cream-colored Vauxhall came out of nowhere to settle on the sidewalk, two steps from the door. Larry Ormsby, hatless and with his shirt torn loose to expose a hole under one of his collar-bones, tumbled out of the car and through the door that Steve threw open for him.

Larry kicked the door shut behind him, and laughed.

“Izzard’s frying nicely!” he cried, and clapped his hands together. “Come, come! The desert awaits!”

Steve turned to call the blind man. Rymer stepped out from behind his screening door. In each of Rymer’s hands was a heavy revolver. The film was gone from Rymer’s eyes.

His eyes, cool and sharp now, held the two men and the girl.

“Put your hands up, all of you,” he ordered curtly.

Larry Ormsby laughed insanely.

“Did you ever see a damned fool do his stuff, Rymer?” he asked.

“Put your hands up!”

“Rymer,” Larry said, “I’m dying now. To hell with you!”

And without haste he took a black automatic pistol from an inside coat pocket.

The guns in Rymer’s hands rocked the cabin with explosion after explosion.

Knocked into a sitting position on the floor by the heavy bullets that literally tore him apart, Larry steadied his back against the wall, and the crisp, sharp reports of his lighter weapon began to punctuate the roars of the erstwhile blind man’s guns.

Instinctively jumping aside, pulling the girl with him, at the first shot, Steve now hurled himself upon Rymer’s flank. But just as he reached him the shooting stopped. Rymer swayed, the very revolvers in his hands seemed to go limp. He slid out of Steve’s clutching hands — his neck scraping one hand with the brittle dryness of paper — and became a lifeless pile on the floor.

Steve kicked the dead man’s guns across the floor a way, and then went over to where the girl knelt beside Larry Ormsby. Larry smiled up at Steve with a flash of white teeth.

“I’m gone, Steve,” he said. “That Rymer — fooled us all — phony films on eyes — painted on — spy for rum syndicate.”

He writhed, and his smile grew stiff and strained.

“Mind shaking hands, Steve?” he asked a moment later.

“You’re a good guy, Larry,” was the only thing he could think to say.

The dying man seemed to like that. His smile became real again.

“Luck to you — you can get a hundred and ten out of the Vauxhall,” he managed to say.

And then, apparently having forgotten the girl for whom he had given up his life, he flashed another smile at Steve and died.

The front door slammed open — two heads looked in. The heads’ owners came in.

Steve bounded upright, swung his stick. A bone cracked like a whip, a man reeled back holding a hand to his temple.

“Behind me — close!” Steve cried to the girl, and felt her hands on his back.

Men filled the doorway. An invisible gun roared and a piece of the ceiling flaked down. Steve spun his stick and charged the door. The light from the lamp behind him glittered and glowed on the whirling wood. The stick whipped backward and forward, from left to right, from right to left. It writhed like a live thing — seemed to fold upon its grasped middle as if spring-hinged with steel. Flashing half-circles merged into a sphere of deadliness. The rhythm of incessant thudding against flesh and clicking on bone became a tune that sang through the grunts of fighting men, the groans and oaths of stricken men. Steve and the girl went through the door.

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