Рекс Стаут - Death of a Dude

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Death of a Dude: краткое содержание, описание и аннотация

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So you think you know Nero Wolfe, do you. So you’re reasonably sure that only the most dire emergency will induce Nero to heave his home on West Thirty-fifth Street, and that no case since his early days could make him budge from Manhattan Island or miss a meal cooked by his own precious Fritz?
Well, brace yourself! In this latest full-length Nero Wolfe adventure, Nero not only leaves house, cook, and orchid planes, but also flies nearly cross-continent to Montana to join Archie Goodwin on a lavish but very private dude ranch. Here he settles down to solve murder by rifle shot, resigned to the necessity of performing such unWolfean activities as tramping through underbrush, wading in an icy trout stream, eating canned soup, and attending a rowdy Saturday night hoedown in a cattle town. He also has to deal with a young unmarried mother, some uncooperative cowhands, a highly belligerent sheriff, an off-Broadway actress, and any number of chairs which don’t begin to fit his bulk. Yet, throughout, he remains the same inimitable Nero Wolfe.
How does Rex Stout know enough about the Far West to write this novel? Every summer, for a large part of his life, he spent his time riding pack trains, fishing mile-high streams, and enjoying night after night around campfires, yarning with genuine cowpunchers. So there isn’t a misplaced piece of harness or an unauthentic Western Vista in this, one of the funniest, most engaging, and most out-of-doors of all Nero Wolfe adventures.

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She grunted. “Bad trouble.”

“Very bad. You may also know I’m trying to help him.”

“Everybody knows.”

“Yeah. And everybody seems to think I can’t, because he killed that man. You see a lot of people and hear a lot of talk. Do they all think that?”

She pointed at the bill in my hand. “I answer and you pay? Four dollars?”

“I pay first. Take it and then answer.”

She took it, looked at both sides again, poked it in a pocket in her skirt, and said, “I don’t go to the court.”

“Of course not. This is just a friendly talk.”

“Many people say Mr. Greve killed him. Not all. Some people say you killed him.”

“How many?”

“Maybe three, maybe four. You know Emmy?”

I said yes. Emmy was Emmett Lake, who rode herd at the Bar JR and was known to be one of Henrietta’s best customers. “Don’t tell me he says I did it.”

“No. He say a man at Mr. Farnham’s.”

“I know he does, but he doesn’t say which one. I don’t suppose you’d care to tell me what you think.”

“Me think? Huh.”

I gave her a man-to-woman smile. “I bet you think plenty.”

“What you bet?”

“I couldn’t prove it. Look, Henrietta, as I said, you hear a lot of talk. He was here six weeks last year — the man who was killed. He told me he bought something from you.”

“One time. With Mr. Farnham.”

“Did he say anything about anybody?”

“I forget.”

“But you don’t forget what people have said about him this week, since he was killed. That’s my most important question. I don’t expect you to name anybody, only what anyone has said about him.” I got a sawbuck from my wallet and kept it visible. “It might help me help Mr. Greve. Tell me what you’ve heard about him.”

Her black eyes lowered to fix on the bill and raised again. “No,” she said.

And it stayed no, though I spent ten minutes trying to budge her. I returned the sawbuck to my wallet. It wouldn’t have done any good to double it or even make it a hundred; she wasn’t going to risk being asked questions in the court even if I swore on ten saddles that she wouldn’t have to. I left her and surveyed the field. Of the dozen or more people in view, I knew the names of all but three, but none of them was likely to spill any beans, and I went out and along to Woody’s.

The hall was even bigger than Vawter’s store outside, but inside it was partitioned into three sections, with the entrance at the middle section, which had shelves and counters with displays of cultural material, some of it for sale. There were phonograph records, paperbacks, reproductions of paintings and drawings, busts of great men, facsimiles of the Declaration of Independence, and a slew of miscellaneous items like the Bible in Armenian, most of them one-of-a-kind. Very few people ever bought anything there; Woody had told Lily that he took in about twenty dollars a week. His income came from the other two sections, where you had to pay to get in — the one at the left to see a movie and the one at the right to dance and mix, both Saturdays only.

When I entered, Woody was conversing with a quartet of dudes from some ranch upriver or downriver, three men and a woman, whom I had never seen before. I listened a while, looking at paperbacks, learning nothing. Woody claimed he never offered a book for sale unless he had read it, and I won’t call him a liar. His opinion of dudes in general was fully as low as that of most of his fellow Montanans, but he liked Lily so he accepted me, and he left the quartet to come and ask me if Miss Rowan was coming. I told him no, she was tired and going early to bed, and she had asked me to give him her regards.

He wasn’t as short as Alma Greve, but he too had to tilt his head back to me. His eyes were as black as Henrietta’s, and his mop of hair was as white as the top of Chair Mountain. “I bow to her,” he said. “I kiss her hand with deep respect. She is a doll. May I ask, have you made some progress?”

“No, Woody, I haven’t. Are you still with us?”

“I am. Forever and a day. If Mr. Greve shot that man like a coward I am a bow-legged coyote. I have told you I had the pleasure of meeting him when he was two years old. I was sixteen. His mother bought four blankets from my father that day and two dozen handkerchiefs. You have made no progress?”

“Not a smell. Have you?”

He shook his head, slow, his lips pursed. “I must confess I haven’t. Of course during the week I don’t see many people. Tonight there will be much talk and I’ll keep my ears open, and with some I can ask questions. You will stay?”

I said sure, that I had already asked questions of everybody who might have answers, but I would listen to the talk. A pair of dudes had entered and were approaching to speak with the famous Woody, and I went back to the paperbacks, picked one entitled The Greek Way , by Edith Hamilton, which I had heard mentioned by both Lily and Nero Wolfe, and went to a bench with it.

At 9:19 a man in a pink shirt, working Levi’s, cowboy boots, and a yellow neck rag, arrived, opened the door at the right, and set up his equipment, supplied by Woody, just outside the door — a till and a box of door checks on a little table. The gun at his belt was for looks only; Woody always checked it to make sure it wasn’t loaded. At 9:24 the musicians came — having met at Vawter’s probably, at Henrietta’s possibly — dressed fully as properly as the doorman, with a violin, an accordion, and a sax. Local talent. The piano, which Lily said was as good as hers, was on the platform inside. At 9:28 the first patrons showed, and at 9:33 the door at the left opened and the movie audience poured out, most of them across to the other door; and the fun started. The next four hours was what brought people of all ages from Timberburg, and both natives and dudes from as far away as Flat Bank. When the rush at the door had let up a little I paid my two bucks and went in. The band was playing “Horsey, Keep Your Tail Up,” and fifty couples were already on the floor, twisting and hopping. One of them was Woody and Flora Eaton, a big-boned widow out of luck who did the laundry and housework at the Bar JR. Many a dudine had tried to snare Woody for that first dance, but he always picked a native.

I said this is a sample, and I mustn’t drag it out. In those four hours at the hall I heard much and saw much, but left around one-thirty no wiser.

I heard a girl in a cherry-colored shirt call across to Sam Peacock, one of the two wranglers at Farnham’s, who came late, “Get a haircut, Sam, you look awful,” and his reply, “I ain’t so bad now. You should have seen me when I was a yearling, they had to tie my mother up before she’d let me suck.”

I saw Johnny Vawter and Woody bounce a couple of boiled dudes who were trying to take the accordion away from the musician. The hooch that had inspired them had been brought by them, which was customary. At the bar in a corner the only items available were fizz-water, ice, paper cups, soft stuff, and aspirin.

I heard more beats and off-beats, and saw more steps and off-steps, than I had heard and seen at all the New York spots I was acquainted with.

I heard a middle-aged woman with ample apples yell at a man about the same age, “Like hell they’re milk-fake!” and saw her slap him hard enough to bend him.

I heard a dude in a dinner jacket tell a woman in a dress nearly to her ankles, “A sheet-snapper is not a prostitute. It’s a girl or a woman who makes beds.” I heard Gil Haight say to another kid, “Of course she’s not here. She’s got a baby to look after.” I saw about eight dozen people, all kinds and sizes, look the other way, or stop talking, or give me the fish-eye, when I came near.

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