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Agatha Christie: Double Sin and Other Stories

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Double Sin and Other Stories: краткое содержание, описание и аннотация

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In one of London's most elegant shops, a decorative doll in green velvet adopts some rather human, and sinister, traits....A country gentleman is questioned about a murder that has yet to be committed....In summoning spirits, a medium is drawn closer to the world of the dead than she ever imagined possible....In a small country church, a dying man's last word, sanctuary, becomes both an elegy and a clue to a crime. Only the Queen of Mystery could have conceived such delicious treats for suspense lovers. Only the inimitable Hercule Poirot and Miss Marple could solve them with such chilling perfection.

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“I think you were interested before that,” I said shrewdly. “In the office of cars, when you first caught sight of that young man, though what drew your attention to him I don’t know.”

“Don’t you, Hastings? You should. Well, well, that must remain my little secret.”

We had a short conversation with the police inspector in charge of the case before leaving. He had interviewed Mr. Norton Kane, and told Poirot in confidence that the young man’s manner had not impressed him favourably. He had blustered, denied, and contradicted himself.

“But just how the trick was done, I don’t know,” he confessed. “He could have handed the stuff to a confederate who pushed off at once in a fast car. But that’s just theory. We’ve got to find the car and the confederate and pin the thing down.”

Poirot nodded thoughtfully.

“Do you think that was how it was done?” I asked him, as we were seated in the train.

“No, my friend, that was not how it was done. It was cleverer than that.”

“Won’t you tell me?”

“Not yet. You know—it is my weakness—I like to keep my little secrets till the end.”

“Is the end going to be soon?”

“Very soon now.”

We arrived in Ebermouth a little after six and Poirot drove at once to the shop which bore the name “Elizabeth Penn.” The establishment was closed, but Poirot rang the bell, and presently Mary herself opened the door, and expressed surprise and delight at seeing us.

“Please come in and see my aunt,” she said.

She led us into a back room. An elderly lady came forward to meet us; she had white hair and looked rather like a miniature herself with her pink-and-white skin and her blue eyes. Round her rather bent shoulders she wore a cape of priceless old lace.

“Is this the great Monsieur Poirot?” she asked in a low charming voice. “Mary has been telling me. I could hardly believe it. And you will really help us in our trouble. You will advise us?”

Poirot looked at her for a moment, then bowed.

“Mademoiselle Penn—the effect is charming. But you should really grow a moustache.”

Miss Penn gave a gasp and drew back.

“You were absent from business yesterday, were you not?”

“I was here in the morning. Later I had a bad headache and went directly home.”

“Not home, mademoiselle. For your headache you tried the change of air, did you not? The air of Charlock Bay is very bracing, I believe.”

He took me by the arm and drew me towards the door. He paused there and spoke over his shoulder.

“You comprehend, I know everything. This little—farce—it must cease.”

There was a menace in his tone. Miss Penn, her face ghastly white, nodded mutely. Poirot turned to the girl.

“Mademoiselle,” he said gently, “you are young and charming. But participating in these little affairs will lead to that youth and charm being hidden behind prison walls—and I, Hercule Poirot, tell you that that will be a pity.”

Then he stepped out into the street and I followed him, bewildered.

“From the first, mon ami, I was interested. When that young man booked his place as far as Monkhampton only, I saw the girl’s attention suddenly riveted on him. Now why? He was not of the type to make a woman look at him for himself alone. When we started on the coach, I had a feeling that something would happen. Who saw the young man tampering with the luggage? Mademoiselle and mademoiselle only, and remember she chose that seat—a seat facing the window—a most unfeminine choice.

“And then she comes to us with the tale of robbery—the despatch box forced which makes not the common sense, as I told you at the time.

“And what is the result of it all? Mr. Baker Wood has paid over good money for stolen goods. The miniatures will be returned to Miss Penn. She will sell them and will have made a thousand pounds instead of five hundred. I make the discreet inquiries and learn that her business is in a bad state—touch and go. I say to myself—the aunt and niece are in this together.”

“Then you never suspected Norton Kane?”

Mon ami! With that moustache? A criminal is either clean-shaven or he has a proper moustache that can be removed at will. But what an opportunity for the clever Miss Penn—a shrinking elderly lady with a pink-and-white complexion as we saw her. But if she holds herself erect, wears large boots, alters her complexion with a few unseemly blotches and—crowning touch—adds a few sparse hairs to her upper lip. What then? A masculine woman, says Mr. Wood and ‘a man in disguise’ say we at once.”

“She really went to Charlock yesterday?”

“Assuredly. The train, as you may remember telling me, left here at eleven and got to Charlock Bay at two o’clock. Then the return train is even quicker—the one we came by. It leaves Charlock at four-five and gets here at six-fifteen. Naturally, the miniatures were never in the despatch case at all. That was artistically forced before being packed. Mademoiselle Mary has only to find a couple of mugs who will be sympathetic to her charm and champion beauty in distress. But one of the mugs was no mug—he was Hercule Poirot!”

I hardly liked the inference. I said hurriedly: “Then when you said you were helping a stranger, you were wilfully deceiving me. That’s exactly what you were doing.”

“Never do I deceive you, Hastings. I only permit you to deceive yourself. I was referring to Mr. Baker Wood—a stranger to these shores.” His face darkened. “Ah! When I think of that imposition, that iniquitous overcharge, the same fare single to Charlock as return, my blood boils to protect the visitor! Not a pleasant man, Mr. Baker Wood, not, as you would say, sympathetic. But a visitor! And we visitors, Hastings, must stand together. Me, I am all for the visitors!”

Two

WASPS’ NEST

“Wasps’ Nest” was first published as “The Wasps’ Nest” in the Daily Mail, 20 November 1928.

Out of the house came John Harrison and stood a moment on the terrace looking out over the garden. He was a big man with a lean, cadaverous face. His aspect was usually somewhat grim but when, as now, the rugged features softened into a smile, there was something very attractive about him.

John Harrison loved his garden, and it had never looked better than it did on this August evening, summery and languorous. The rambler roses were still beautiful; sweet peas scented the air.

A well-known creaking sound made Harrison turn his head sharply. Who was coming in through the garden gate? In another minute, an expression of utter astonishment came over his face, for the dandified figure coming up the path was the last he expected to see in this part of the world.

“By all that’s wonderful,” cried Harrison. “Monsieur Poirot!”

It was, indeed, the famous Hercule Poirot whose renown as a detective had spread over the whole world.

“Yes,” he said, “it is. You said to me once: ‘If you are ever in this part of the world, come and see me.’ I take you at your word. I arrive.”

“And I’m obliged,” said Harrison heartily. “Sit down and have a drink.”

With a hospitable hand, he indicated a table on the veranda bearing assorted bottles.

“I thank you,” said Poirot, sinking down into a basket chair. “You have, I suppose, no sirop? No, no. I thought not. A little plain soda water then—no whisky.” And he added in a feeling voice as the other placed the glass beside him: “Alas, my moustaches are limp. It is this heat!”

“And what brings you into this quiet spot?” asked Harrison as he dropped into another chair. “Pleasure?”

“No, mon ami, business.”

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