E. Hornung - The Shadow of the Rope

To the man on her left she had not been introduced, but he had offered one or two civil observations while Mr. Venables was better engaged; and, after the second, Rachel had chanced to catch sight of the card upon which his name had been inscribed. He was, it seemed, a Mr. Langholm; and all at once Rachel leant back and looked at him. He was a loose–limbed, round–shouldered man, with a fine open countenance, and a great disorderly moustache; his hair might have been shorter, and his dress–coat shone where it caught the light. Rachel put the screw upon her courage.

"These cards," she said, with a glimpse of her own colonial self, "are very handy when one hasn't been introduced. Your name is not very common, is it?"

"Not very," he answered, "spelt like that."

"Yes it's spelt the same way as the Mr. Langholm who writes."

"It is."

"Then are you any relation?"

"I am the man himself," said Langholm, with quite a hearty laugh, accompanied by a flush of pleasurable embarrassment. He was not a particularly popular writer, and this did not happen to him every day.

"I hoped you were," said Rachel, as she helped herself to the first entr? .

"Then you haven't read my books," he chuckled, "and you never must."

"But I have," protested Rachel, quite flushed in her turn by the small excitement. "I read heaps of them in Tauchnitz when we were abroad. But I had no idea that I should ever meet you in the flesh!"

"Really?" he said. "Then that's funnier still; but I suppose Mr. Steel didn't want to frighten you. We saw quite a lot of each other last year; he wrote to me from Florence before you came over; and I should have paid my respects long ago, but I have been up in town, and only just come back."

The flush had died out of Rachel's face. Her husband told her nothing—nothing! In her indignation she was tempted to say so to the stranger; she had to think a moment what to say instead. A falsehood of any sort was always a peculiar difficulty to Rachel, a constitutional aversion, and it cost her an effort to remark at last that it was very stupid of her, she had quite forgotten, but now she remembered—of course! And with that she turned to her host, who was offering an observation across his empty plate.

"Strange thing, Mrs. Steel, but you can't get the meat in the country that you can in town. Those fillets, now—I wish you could taste 'em at my club; but we give our chef a thousand a year, and he drives up every day in his brougham."

The novels of Charles Langholm were chiefly remarkable for their intricate plots, and for the hope of better things that breathed through the cheap sensation of the best of them. But it was a hope that had been deferred a good many years. His manner was better than his matter; indeed, an incongruous polish was said by the literary to prevent Langholm from being a first favorite either with the great public or the little critics. As a maker of plots, however, he still had humble points; and Rachel assured him that she had burnt her candle all night in order to solve one of his ingenious mysteries.

"What!" he cried; "you call yourself a lady, and you don't look at the end before you reach it?"

"Not when it's a good book."

"Well, you have pitched on about the best of a bad lot; and it's a satisfaction to know you didn't cut the knot it took some months to tie."

Rachel was greatly interested. She had never before met a literary man; had no idea how the trick was done; and she asked many of those ingenuous questions which seldom really displease the average gentleman of this type. When not expatiating upon the heroine whom the exigencies of "serial rights" demanded in his books, Charles Langholm, the talker and the man, was an unmuzzled misogynist. But nobody would have suspected it from his answers to Rachel's questions, or from any portion of their animated conversation. Certainly the aquiline lady whom Langholm had taken in, and to whom he was only attentive by remorseful fits and penitential starts, had not that satisfaction; for her right–hand neighbor did not speak to her at all. There was thus one close and critical follower of a conversation which without warning took the one dramatic turn for which Rachel was forever on her guard; only this once, in an hour of unexpected entertainment, was she not.

"How do I get my plots?" said Langholm. "Sometimes out of my head, as they say in the nursery; occasionally from real life; more often a blend of the two combined. You don't often get a present from the newspaper that you can lift into a magazine more or less as it stands. Facts are stubborn things; they won't serialize. But now and then there's a case. There was one a little time ago. Oh, there was a great case not long since, if we had but the man to handle it, without spoiling it, in English fiction!"

"And what was that?"

"The Minchin case!"

And he looked straight at her, as one only looks at one's neighbor at table when one is saying or hearing something out of the common; he turned half round, and he looked in Rachel's face with the smile of an artist with a masterpiece in his eye. It was an inevitable moment, come at last when least expected; instinct, however, had prepared Rachel, just one moment before; and after all she could stare coldly on his enthusiasm, without a start or a tremor to betray the pose.

"Yes?" she said, her fine eyebrows raised a little. "And do you really think that would make a book?"

It was characteristic of Rachel that she did not for a moment—even that unlooked–for moment—pretend to be unfamiliar with the case.

"Don't you?" he asked.

"I haven't thought about it," said Rachel, looking pensively at the flowers. "But surely it was a very sordid case?"

"The case!" he cried. "Yes, sordid as you like; but I don't mean the case at all."

"Then what do you mean, Mr. Langholm?"

"Her after life," he whispered; "the psychology of that woman, and her subsequent adventures! She disappeared into thin air immediately after the trial. I suppose you knew that?"

"I did hear it."

Rachel moistened her lips with champagne.

"Well, I should take her from that moment," said Langholm. "I should start her story there."

"And should you make her guilty or not guilty?"

"Ah!" said Langholm, as though that would require consideration; unluckily, he paused to consider on the spot.

"Who are you talking about?" inquired Mr. Venables, who had caught Rachel's last words.

"Mrs. Minchin," she told him steadily.

"Guilty!" cried Mr. Venables, with great energy. "Guilty, and I'd have gone to see her hanged myself!"

And Mr. Venables beamed upon Rachel as though proud of the sentiment, while the diamonds rose and fell upon her white neck, where he would have had the rope.

"A greater scandal," he went on, both to Rachel and to the lady on his other side (who interrupted Mr. Venables to express devout agreement), "a greater scandal and miscarriage of justice I have never known. Guilty? Of course she was guilty; and I only wish we could try her again and hang her yet! Now don't pretend you sympathize with a woman like that," he said to Rachel, with a look like a nudge; "you haven't been married long enough; and for Heaven's sake don't refuse that bird! It's the best that can be got this time of year, though that's not saying much; but wait till the grouse season, Mrs. Steel! I have a moor here in the dales, keep a cellar full of them, and eat 'em as they drop off the string."

"Well?" said Rachel, turning to Langholm when her host became a busy man once more.

"I should make her guilty," said the novelist; "and she would marry a man who believed in her innocence, and he wouldn't care two pins when she told him the truth in the last chapter, and they would live happily ever afterwards. Nobody would touch the serial rights. But that would be a book!"