Agatha Christie - Death On The Nile

Race came out of Bessner's cabin, and said authoritatively:

"Would you mind all clearing off. We want to bring out the body."

Every one moved away obediently. Poirot went with them. Cornelia said to him with sad earnestness.

"I'll never forget this trip as long as I live Three deaths It's just like living in a nightmare." Ferguson overheard her. He said aggressively: "That's because you're overcivilised. You should look on death as the Oriental does. It's a mere incident hardly noticeable." Cornelia said:

"That's all very well-they're not educated, poor creatures"

"No, and a good thing too. Education has devitalised the white races. Look at America-goes in for an orgy of culture. Simply disgusting."

"I think you're talking nonsense," said Cornelia, flushing. "I attend lectures every winter on Greek Art and the Renaissance-and I went to some on Famous Women of History."

Mr. Ferguson groaned in agony.

"Greek Art! Renaissance! Famous Women of History! It makes me quite sick to hear you. It's the future that matters, woman, not the past. Three women are dead on this boat-well, what of it? They're no loss! Linnet Doyle and her money!

The French maid a domestic parasite-Mrs. Otterbournea useless fool of a woman. Do you think any one really cares whether they're dead or not? I don't. I think it's a damned good thing!"

"Then you're wrong!" Cornelia blazed out at him. "And it makes me sick to hear you talk and talk as though nobody mattered but you. I didn't like Mrs.

Otterbourne much, but her daughter was ever so fond of her and she's all broken up over her mother's death. I don't know much about the French maid, but I expect somebody was fond of her somewhere, and as for Linnet Doyle-well, apart from everything else, she was just lovely! She was so beautiful when she came into a room that it made a lump come in your throat. I'm homely myself, and that makes me appreciate beauty a lot more. She was as beautifuljust as a woman-as anything in Greek Art. And when anything beautiful's dead, it's a loss to the world. So there!"

Mr. Ferguson stepped back a pace. He caught hold of his hair with both hands and tugged at it vehemently.

"I give it up," he said. "You're unbelievable. Just haven't got a bit of natural female spite in you anywhere." He turned to Poirot. "Do you know, sir, that Cornelia's father was practically ruined by Linnet Ridgeway's old man? But does the girl gnash her teeth when she sees the heiress sailing about in pearls and Paris models? No, she just bleats out, 'Isn't she beautiful?' like a blessed baa lamb. I don't believe she even felt sore at her."

Cornelia flushed.

"I did-just for a minute. Poppa kind of died of discouragement, you know, because he hadn't made good."

"Felt sore for a minute! I ask you."

Cornelia flashed round on him.

"Well, didn't you say just now it was the future that mattered, not the past?

All that was in the past, wasn't it? It's over."

"Got me there," said Ferguson. "Cornelia Robson, you're the only nice woman I've ever come across. Will you marry me?"

"Don't be absurd."

"It's a genuine proposal--even if it is made in the presence of Old Man Sleuth. Anyway, you're a witness, M. Poirot. I've deliberately offered marriage to this female-against all my principles because I don't believe in legal contracts. between the sexes, but I don't think she'd stand for anything else, so marriage it shall be. Come on, Cornelia, say yes." "I think you're utterly ridiculous," said Cornelia, flushing. "Why won't you marry me?" "You're not serious," said Cornelia.

"Do you mean not serious in proposing or do you mean not serious in character?" "Both, but I really meant character. You laugh at all sorts of serious things.

Education and Culturand and Death. You wouldn't'be reliable." She broke off, flushed again, and hurried along into her cabin.

Ferguson stared after her.

"Damn the girl! I believe she really means it. She wants a man to be reliable. Reliable-ye gods!" He paused and then said curiously, "What's the matter with you, M. Poirot? You seem very deep in thought." Poirot roused himself with a start.

"I reflect, that is all. I reflect." "Meditation on Death. Death, the Recurring Decimal, by Hercule Poirot, One of his well-known monographs." "Mr. Ferguson," said Poirot. "You are a very impertinent young man." "You must excuse me. I like attacking established institutions." "And I-am an established institution?" "Precisely. What do you think of that girl?" "Of Miss Robson?" "Yes." "I think that she has a great deal of character." "You're right. She's got spirit. She looks meek, but she isn't. She's got guts.

She's-oh, damn it, I want that girl. It mightn't be a bad move if I tackled the old lady. If I could once get her thoroughly against me, it might cut some ice with Cornelia." He wheeled and went into the observation saloon.

Miss Van Schuyler was seated in her usual corner. She looked even more arrogant than usual. She was knitting.

Ferguson strode up to her. Hercule Poirot, entering unobtrusively, took a seat a discreet distance away and appeared to be absorbed in a magazine.

"Good-afternoon, Miss Van Schuyler." Miss Van Schuyler aised her eyes for a bare second, dropped them again and murmured frigidly: "Er-good-afternoon." "Look here, Miss Van Schuyler, I want to talk to you about something pretty important. It's just this. I want to marry your niece." Miss Van Schuyler's ball of wool dropped on to the ground and ran wildly across the saloon.

She said in a venomous tone: "You must be out of your senses, young man." "Not at all. I'm determined to marry her. I've asked her to marry me!" Miss Van Schuyler surveyed him coldly, with the kind of speculative interest she might have accorded to an odd sort of beetle.

"Indeed? And I presume she sent you about your business." "She refused me." "Naturally." "Not 'naturally' at all. I'm going to go on asking her till she agrees." "I can assure you, sir, I shall take steps to see that my young cousin is not subjected to any such persecution," said Miss Van Schuyler in a biting tone." "What have you got against me?"

Miss Van Schuyler merely raised her eyebrows and gave a vehement tug to her wool, preparatory to regaining it and closing the interview.

"Come now," persisted Mr. Ferguson. "What have you got against me?"

"I should think that was quite obvious, Mr.--er-I don't know your name." "Ferguson."

"Mr. Ferguson." Miss Van Schuyler uttered the name with definite distaste.

"Any such idea is quite out of the question."

"You mean," said Ferguson, "that I'm not good enough for her?" "I should think that would have been obvious to you." "In what way am I not good enough?" Miss Van Schuyler again did not answer.

"I've got two legs two arms, good health and quite reasonable brains. What's wrong with that?"

"There is such a thing as social position, Mr. Ferguson."

"Social position is bunk!"

The door swung open and Cornelia came in. She stopped dead on seeing her redoubtable Cousin Marie in conversation with her would-be suitor.

The outrageous Mr. Ferguson turned his head, grinned broadly and called out:

"Come along, Cornelia. I'm asking for your hand in marriage in the best conventional manner."

"Cornelia," said Miss Van Schuyler, and her voice was truly awful in quality. "Have you encouraged this young man?"

"I-no, of course not-at least-not exactly-I mean-"

"What do you mean?"

"She hasn't encouraged me," said Mr. Ferguson helpfully. "I've done it all.

She hasn't actually pushed me in the face because she's got too kind a heart.

Cornelia, your aunt says I'm not good enough for you. That, of course, is true, but not in the way she means it. My moral nature certainly doesn't equal yours, but her point is that I'm hopelessly below you socially."