Agatha Christie: The Mystery of the Blue Train

Ruth Kettering looked down at her hands; they were shaking violently.

"But I can't draw back now."

"Why not?"

"I-it is all arranged, and it would break his heart."

"Don't you believe it," said Katherine robustly;

"hearts are pretty tough."

"He will think I have no courage, no strength of purpose."

"It seems to me an awfully silly thing that you are going to do," said Katherine. "I think you realize that yourself."

Ruth Kettering buried her face in her hands. "I don't know-I don't know. Ever since I left Victoria I have had a horrible feeling of something-something that is coming to me very soon-that I can't escape."

She clutched convulsively at Katherine's hand.

"You must think I am mad talking to you like this, but I tell you I know something horrible is going to happen."

"Don't think it," said Katherine; "try to pull yourself together. You could send your father a wire from Paris, if you like, and he would come to you at once."

The other brightened.

"Yes, I could do that. Dear old Dad. It is queer-but I never knew until to-day how terribly fond of him I am." She sat up and dried her eyes with a handkerchief. "I have been very foolish. Thank you so much for letting me talk to you. I don't know why I got into such a queer, hysterical state."

She got up. "I am quite all right now. I suppose, really, I just needed some one to talk to. I can't think now why I have been making such an absolute fool of myself." Katherine got up too.

"I am so glad you feel better," she said, trying to make her voice sound as conventional as possible. She was only too well aware that the aftermath of confidences is embarrassment. She added tactfully:

"I must be going back to my own compartment."

She emerged into the corridor at the same time as the maid was also coming out from the next door. The latter looked towards Katherine, over her shoulder, and an expression of intense surprise showed itself on her face. Katherine turned also, but by that time whoever it was who had aroused the maid's interest had retreated into his or her compartment, and the corridor was empty. Katherine walked down it to regain her own place, which was in the next coach. As she passed the end compartment the door opened and a woman's face looked out for a moment and then pulled the door to sharply.

It was a face not easily forgotten, as Katherine was to know when she saw it again. A beautiful face, oval and dark, very heavily made up in a bizarre fashion. Katherine had a feeling that she had seen it before somewhere.

She regained her own compartment without other adventure and sat for some time thinking of the confidence which had just been made to her. She wondered idly who the woman in the mink coat might be, wondered also how the end of her story would turn out.

"If I have stopped any one from making an idiot of themselves, I suppose I have done good work," she thought to herself. "But who knows? That is the kind of woman who is hard-headed and egotistical all her life, and it might be good for her to do the other sort of thing for a change. Oh, well-I don't suppose I shall ever see her again. She certainly won't want to see me again. That is the worst of letting people tell you things. They never do."

She hoped that she would not be given the same place at dinner. She reflected, not without humour, that it might be awkward for both of them. Leaning back with her head against a cushion she felt tired and vaguely depressed. They had reached Paris, and the slow journey round the ceinture, with its interminable stops and waits, was very wearisome.

When they arrived at the Gare de Lyon she was glad to get out and walk up and down the platform. The keen cold air was refreshing after the steam-heated train.

She observed with a smile that her friend of the mink coat was solving the possible awkwardness of the dinner problem in her own way. A dinner basket was being handed up and received through the window by the maid.

When the train started once more, and dinner was announced by a violent ringing of bells, Katherine went along to it much relieved in mind. Her vis-a-vis to-night was of an entirely different kind-a small man, distinctly foreign in appearance, with a rigidly waxed moustache and an egg-shaped head which he carried rather on one side. Catherine had taken in a book to dinner with her. She found the little man's eyes fixed on it with a kind of twinkling amusement.

B i i r\1^

"I see, Madame, that you have a Roman Policier. You are fond of such things?"

"They amuse me," Katherine admitted.

The little man nodded with the air of complete understanding.

"They have a good sale always, so I am told. Now why is that, eh. Mademoiselle? I ask it of you as a student of human nature -why should that be?"

Katherine felt more and more amused.

"Perhaps they give one the illusion of living an exciting life," she suggested.

He nodded gravely.

"Yes, there is something in that."

"Of course, one knows that such things don't really happen," Katherine was continuing, but he interrupted her sharply.

"Sometimes, Mademoiselle! Sometimes! I who speak to you-they have happened to me."

She threw him a quick, interested glance.

"Some day, who knows, you might be in the thick of things," he went on. "It is all I chance." ' "I don't think it is likely," said Katherine; "Nothing of that kind ever happens to me."

He leaned forward.

"Would you like it to?"

The question startled her, and she drew her breath sharply. "It is my fancy, perhaps," said the little man, as he dexterously polished one of the forks, "but I think that you have a yearning in you for interesting happenings. Eh bien, Mademoiselle, all through my life I have observed one thing-'All one wants one gets!' Who knows?" His face screwed itself up comically. "You may get more than you bargain for."

"Is that a prophecy?" asked Katherine, smiling as she rose from the table.

The little man shook his head.

"I never prophesy," he declared pompously.

"It is true that I have the habit of being always right-but I do not boast of it.

Good-night, Mademoiselle, and may you sleep well."

Katherine went back along the train amused and entertained by her little neighbour.

She passed the open door of her friend's compartment and saw the conductor baking up the bed. The lady in the mink coat was standing looking out of the window. fhe second compartment, as Katherine saw trough the communicating door, was ^pty, with rugs and bags heaped up on the ^at. The maid was not there.

Katherine found her own bed prepared and since she was tired, she went to bed and switched off her light about half-past nine.

She woke with a sudden start; how much time had passed she did not know. Glancing at her watch, she found that it had stopped.

A feeling of intense uneasiness pervaded her and grew stronger moment by moment. At last she got up, threw her dressing-gown round her shoulders, and stepped out into the corridor. The whole train seemed wrapped in slumber. Katherine let down the window and sat by it for some minutes, drinking in the cool night air and trying vainly to calm her uneasy fears. She presently decided that she would go along to the end and ask the conductor for the right time so that she could set her watch. She found, however, that his little chair was vacant.

She hesitated for a moment and then walked through into the next coach. She looked down the long, dim line of the corridor and saw, to her surprise, that a man was standing with his hand on the door of the compartment occupied by the lady in the mink coat. That is to say, she thought it was the compartment. Probably, however, she was mistaken. He stood there for a moment or two with his back to her, seeming uncertain and hesitating in his attitude. Then he slowly turned, and with an odd feeling of fatality, Katherine recognized him as the same man whom she had noticed twice before-once in the corridor of the Savoy Hotel and once in Cook's offices. Then he opened the door of the compartment and passed in, drawing it to behind him.