Patricia Wentworth: Miss Silver Deals With Death

UK Title Miss Silver Intervenes

Miss Silver, #06

Meade Underwood woke with a start. Something had waked her-some sound-but she did not know what it was. It had startled her back from a dream in which she walked with Giles Armitage-Giles who was dead. But in her dream he wasn’t dead, but warm and alive, and they walked together and were glad.

She listened for the sound that had waked her with bitter resentment in her heart. Only once before had he been so near to her in a dream. Sometimes he called her in a voice which wrung her heart, sometimes he whispered and she could not catch the words, but in this one dream there had been no words at all, only a deep and satisfied content.

And she had waked. They had found each other, and she had waked and lost him all over again. She sat up and listened. It was the third time she had waked like this in the night with that sense of a sound heard in sleep. There was no sound now. Her waking memory had no knowledge of what the sound had been. Wind? The night was still. A passing car-the hoot of an owl- a bat brushing against the window-someone moving here, or in the flat overhead… She rejected these things one by one. A car would not have startled her. It wasn’t an owl-not that sort of sound, not a cry at all-somehow she did know that. And not a bat. Who had ever heard of a bat blundering up against a window? The floors in this old house were much too solid and thick to let any sound come through from above, and in the flat around her no one stirred.

She had turned instinctively to the window. There was a moon, but its light was thickly veiled. A luminous mist hung there like a curtain, hiding the night sky and the trees which should have been massed against it-two old elms, relics perhaps of a time when the garden boundary was a hedgerow and the place where the house now stood an open field. She went over and looked out. The old-fashioned sash window, too heavy to move without a pulley, was open as far as it would go. That is to say, the top half had been pulled right down behind the lower pane. Meade had therefore two thicknesses of glass to look through, and the mist beyond that again.

She put her hand to the pulley and raised both panes. Now the bottom half of the window was clear. But the mist was still there, white with the light of the unseen moon but quite impenetrable. She could see nothing at all. Leaning out over the sill, she could hear nothing either. The still misty night, the moon veiled, the house asleep, only Meade Underwood awake, brought her back from her happy dream to a world where Giles Armitage lay drowned beneath the sea.

She kneeled down by the window and stayed there, her elbows on the sill, her thoughts bitter and sad. There hadn’t been any sound at all. She had waked and lost her dream of Giles because she was a coward, because her nerves still played her false, startling her out of sleep with an echo of the crash which had roused them all three months ago in mid Atlantic. She ought to be over it by now, she ought to be well. She wanted to be at work, too busy to hear what she had heard that night or see what she had seen. Her ribs had mended and the broken arm was sound again. Hearts take longer to mend than bones. She would not have minded dying with Giles, but he had died alone, and she had waked in a hospital ward to hear that his life was gone and hers was left to her.

She kneeled there, bringing up her courage to meet an agony of depression, fighting it back inch by inch-“I shall be able to work soon, and then it will be better. They’ll let me join something. I’m doing half a day at those parcels now-that’s better than nothing. Everyone’s so kind, even Aunt Mabel-I wish I liked her better. But she’s been so kind. Only it’ll be much easier when I can get right away and not have people being sorry for me.”

The mist came chill against her face, her breast, her bare arms. It pressed against her eyes like a bandage. Mary Hamilton’s lament came wailing through her mind: “They’ll tie a bandage roon ma een and no let me see to dee.” Horrible! That was what it had been like on the night when the ship went down-when Giles went down. A shudder went over her from head to foot. She wrenched away from the thought and sprang up. How many thousands of times had she said, “I won’t look back-I won’t remember.” If you keep the door shut upon the past, it can’t get at you. It’s gone, it’s dead, it’s over. No one can make you live it again except yourself-that traitor self which creeps out to unbar the bolts and let the enemy past creep in upon you again. She would have no traitors in her citadel. She must look to her bars and wait until the enemy tired and fell away.

She got into bed and lay down. The stillness of the night came nearer. Strange to think of this big house and all the people in it, and no sound, not so much as a breath, to show that it was inhabited.

Perhaps it wasn’t. When we are asleep, where are we? Not in the place where our bodies lie without sight or sense. Where had she been herself before she waked? She had walked with Giles-

The barred door was opening again. She thrust it to. “Don’t think about yourself. You mustn’t! Do you hear-you mustn’t! Think about all the other people in the house-not about yourself or Giles- Giles -”

The house-the people-

Vandeleur House-four stories and a basement set in what had once been a field bordered by a lane when Putney was a village in the days before London swallowed it up. A big square house, shorn now of most of its grounds and turned into flats. Vandeleur had lived and painted there-old Joseph Vandeleur who had been called the English Winterhalter. He had certainly rivalled that celebrated court painter in the number of times he had painted Prince Albert, Queen Victoria, and all the little princes and princesses. He had painted Mr. Gladstone and Lord John Russell, he had painted Dizzy and Pam, he had painted the Duke of Wellington and the Archbishop of Canterbury. He had painted all the lovely ladies of the day and made them even lovelier, and all the plain ones and made them interesting. A tactful man, a charming host, a liberal friend, he had painted his way to fame, fortune, and a well-dowered wife.

Vandeleur House had been graced by the presence of Royalty. A thousand candles had lighted its chandeliers. Five thousand roses had decorated it for a ball. Now, where the large, well-garnished rooms had been, there were flats, two to each floor- eight flats, and a basement given over to central heating, luggage-rooms, and a caretaker. The large kitchen no longer sent out generous steaming meals, course upon unnecessary course. Instead each flat had its kitchenette, an exiguous slip of a room into which had been crowded a sink, an electric cooking-stove, and some cleverly planned cupboards. The fine staircase had given place to a lift and a narrow concrete stair, cold and uncarpeted, winding its way from floor to floor about the lift-shaft.

All this was familiar and present to Meade Underwood’s mind. She began to go over the flats and the people in them. It was better than counting sheep, because there was more to fix your attention. There was so little about sheep to hold the thought or to keep it from slipping back to that closed and bolted door. But you could be interested in people. She began to go over the people in her mind, counting them up.

Begin at the bottom. Old Bell in the basement-James Bell- old Jimmy Bell, porter and caretaker. With a warm, fuggy lair tucked in between the furnace and one of the luggage-rooms. A cheerful old man, Jimmy Bell. Face like a withered apple, and a bright blue eye. “Morning, miss-morning, Mrs. Underwood. Oh, yes, it’ll clear. Why, it stands to reason rain can’t keep on falling.” Perhaps it couldn’t-perhaps the sun would shine again some day.