Raymond Chandler - The Long Goodbye

Здесь есть возможность читать онлайн «Raymond Chandler - The Long Goodbye» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Long Goodbye: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Long Goodbye»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

The Long Goodbye — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Long Goodbye», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I took a swig of my drink. Spencer had finished his. He was scratching at the material of the davenport. He had forgotten the pile of paper in front of him, the unfinished novel of the very much finished popular author.

"I wouldn't say he was nothing," I said.

She lifted her eyes and looked at me vaguely and dropped them again.

"Less than nothing," she said, with a new note of sarcasm in her voice. "He knew what she was, he married her. Then because she was what he knew she was, he killed her. And then ran away and killed himself."

"He didn't kill her," I said, "and you know it."

She came upright with a smooth motion and stared at me blankly. Spencer let out a noise of some kind.

"Roger killed her," I said, "and you also know that."

"Did he tell you?" she asked quietly.

"He didn't have to. He did give me a couple of hints. He would have told me or someone in time. It was tearing him to pieces not to."

She shook her head slightly. "No, Mr. Marlowe. That was not why he was tearing himself to pieces. Roger didn't know he had killed her. He had blacked out completely. He knew something was wrong and he tried to bring it to the surface, but he couldn't. The shock had destroyed his memory of it. Perhaps it would- have come back and perhaps in the last moments of his life it did come back. But not until then. Not until then."

Spencer said in a sort of growl: "That sort of thing just doesn't happen, Eileen."

"Oh yes, it does," I said. "I know of two well established instances. One was a blackout drunk who killed a woman he picked up in a bar. He strangled her with a scarf she was wearing fastened with a fancy clasp. She went home with him and what went on then is not known except that she got dead and when the law caught up with him he was wearing the fancy clasp on his own tie and he didn't have the faintest idea where he got it."

"Never?" Spencer asked. "Or just at the time?"

"He never admitted it. And he's not around any more to be asked. They gassed him. The other case was a head wound. He was living with a rich pervert, the kind that collects first editions and does fancy cooking and has a very expensive secret library behind a panel in the wall. The two of them had a fight. They fought all over the house, from room to room, the place was a shambles and the rich guy eventually got the low score. The killer, when they caught him, had dozens of bruises on him and a broken finger. All he knew for sure was that he had a headache and he couldn't find his- way back to Pasadena. He kept circling around and stopping to ask directions at the same service Station. The guy at the service station decided he was nuts and called the cops. Next time around they were waiting for him."

"I don't believe that about Roger," Spencer said. "He was no more psycho than I am."

"He blacked out when he was drunk," I said.

"I was there. I saw him do it," Eileen said calmly.

I grinned at Spencer. It was some kind of grin, not the cheery kind probably, but I could feel my face doing its best.

"She's going to tell us about it," I told him. "Just listen. She's going to tell us. She can't help herself now."

"Yes, that is true," she said gravely. "There are things no one likes to tell about an enemy, much less about one's own husband. And if I have to tell them publicly on a witness stand, you are not going to enjoy it, Howard. Your fine, talented, ever so popular and lucrative author is going to look pretty cheap. Sexy as all get out, wasn't he? On paper, that is. And how the poor fool tried to live up to it! AU that woman was to him was a trophy. I spied on them. I should be ashamed of that. One has to say these things. I am ashamed of nothing. I saw the whole nasty scene. The guest house she used for her amours happens to be a nice secluded affair with its own garage and entrance on a side street, a dead end, shaded by big trees. The time came, as it must to people like Roger, when he was no longer a satisfactory lover. Just a little too drunk. He tried to leave but she came out after him screaming and stark naked, waving some kind of small statuette. She used language of a depth of filth and depravity I couldn't attempt to describe. Then she tried to hit him with the statuette. You are -both men and you must know that nothing shocks a man quite so much as to hear a supposedly refined woman use the language of the gutter and the public urinal. He was drunk, he had had sudden spells of violence, and he had one then. He tore the statuette out of her hand. You can guess the rest."

"There must have been a lot of blood," I said.

"Blood?" She laughed bitterly. "You should have seen him when he got home. When I ran for my car to get away he was just standing there looking down at her. Then he bent and picked her up in his arms- and carried her into the guest house. I knew then that the shock had partially sobered him. He got home in about an hour. He was very quiet. It shook him when he saw me waiting. But he wasn't drunk then. He was dazed. There was blood on his face, on his hair, all over the front of his coat. I got him into the lavatory off the study and got him stripped and cleaned off enough to get him upstairs into the shower. I put him to bed. I got an old suitcase and went downstairs and gathered up the bloody clothes and put them in the suitcase. I cleaned the basin and the floor and then I took a 'wet towel out and made sure his car was clean. I put it away and got mine out. I drove to the Chatsworth Reservoir and you can guess what I did with the suitcase full of bloody clothes and towels."

She stopped. Spencer was scratching at the palm of his left hand. She gave him a quick glance and went on.

"While I was away he got up and drank a lot of whiskey. And the next morning he didn't remember a single thing. That is, he didn't say a word about it or behave as if he had anything on his mind but a hangover. And I said nothing."

"He must have missed the clothes," I said.

She nodded. "I think he did eventually-but he didn't say so. Everything seemed to happen at once about that time. The papers were full of it, then Paul was missing, and then- he was dead in Mexico. How was I to know that would happen? Roger was my husband. He had done an awful thing, but she was an awful woman. And he hadn't known what he was doing. Then almost as suddenly as it began the papers 'dropped it. Linda's father must have had something to do with that. Roger read the papers, of course, and he made just the sOrt of comments one would expect from an innocent bystander who had just happened to know the people involved."

"Weren't you afraid?" Spencer asked her quietly.

"I was sick with fear, Howard. If he remembered, he would probably kill me. He was a good actor-most writers are-and perhaps he already knew and was just waiting for a chance. But I couldn't be sure. He might- just might-have forgotten the whole thing permanently. And Paul was dead."

"If he never mentioned the clothes that you had dumped in the reservoir, that proved he suspected something," I said. "And remember, in that stuff he left in the typewriter the other time-the time he shot the gun off upstairs and I found you trying to get it away from him-he said a good nián had died for him."

"He said that?" Her eyes widened just the right amount.

"He wrote it-on the typewriter. I destroyed it, he asked me to. I supposed you had already seen it."

"I never read anything he wrote in his study."

"You read the note he left the time Verringer took him away. You even dug something out of the wastebasket."

"That was different," she said coolly. "I was looking for a due to where he might have gone."

"Okay," I said, and leaned back. "Is there any more?"

She shook her head slowly, with a deep sadness. "I suppose not. At the very last, the afternoon he killed himself, he may have remembered. We'll never know. Do we want to know?"

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Long Goodbye»

Представляем Вашему вниманию похожие книги на «The Long Goodbye» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Long Goodbye»

Обсуждение, отзывы о книге «The Long Goodbye» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x