Raymond Chandler - The Long Goodbye

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The Long Goodbye: краткое содержание, описание и аннотация

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The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

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"You sound like a Red," I said, just to needle him. "I wouldn't know," he said contemptuously. "I ain't been investigated yet You liked the suicide verdict, didn't you?"

"What else could it be?"

"Nothing else, I guess." He put his hard blunt hands on the desk and looked at the big brown freckles on the backs of them. "I'm getting old. Keratosis, they call those brown spots. You don't get them until you're past fifty. I'm an old cop and an old cop is an old bastard. I don't like a few things about this Wade death."

"Such as?" I leaned back and watched the tight sun wrinkles around his eyes.

"You get so you can smell a wrong setup, even when you know you can't do a damn thing about it. Then you jttst sit and talk like now. I don't like that he left no note."

"He was drunk. Probably just a sudden crazy impulse."

Ohls lifted his pale eyes and dropped his hands off the desk. "I went through his desk. He wrote letters to himself. He wrote and wrote and wrote. Drunk or sober he hit that typewriter. Some of it is wild, some of it kind of funny, and some of it is sad. The guy had something on his mind.

He wrote all around it but he never quite touched it. That guy would have left a two-page letter if he knocked himself off."

"He was drunk," I said again.

"With him that didn't matter," Ohls said wearily. "The next thing I don't like is he did it there in that room and left his wife to find him. Okay, he was drunk. I still don't like it. The next thing I don't like Is he pulled the trigger just when the noise of that speedboat could drown out the shot What difference would it make to him? More coinddence, huh? More coinddence still that the wife forgot her door keys on the help's day off and had to ring the bell to get into the house."

"She could have walked around to the back," I said.

"Yeah, I know. What I'm talking about is a situation. Nobody to answer the door but you, and she said on the stand she didn't know you were there. Wade wouldn't have heard the bell if he bad been alive and working in his study. His door is soundproofed. The help was away, That was Thursday. That the forgot. Like she forgot her keys."

"You're forgetting something yourself, Bernie. My car was in the driveway. So she knew I was there-or that somebody was there-before the rang the bell."

He grinned. "I forgot that, didn't I? All right, here's the picture. You were down at the lake, the speedboat was making all that racket-incidentally it was a couple of guys from Lake Arrowhead just visiting, had their boat on a trailer-Wade was asleep In his study or passed out, somebody took the gun out of his desk already, and she knew you had put it there because you told her that other time. Now suppose she didn't forget her keys, that she goes into the house, looks across and sees you down at the water, looks into the study and sees Wade asleep, knows where the gun is, gets it, waits for the right moment, plugs him, drops the gun where it was found, goes back outside the house, waits a little while -for the speedboat to go away, and then rings the doorbell and waits for you to open it. Any objections?"

"With what motive?"

"Yeah," he said sourly. "That knocks it. If she wanted to slough the guy, it was easy. She had him over a barrel, habitual drunk, record of violence to her. Plenty alimony, nice fat property settlement, No motive at all. Anyhow the timing was too neat. Five minutes earlier and she couldn't have done it unless you were in on it."

I started to say something but he put his-hand up. "Take it easy. I'm not accusing anybody, just speculating. Five minutes later and you get the same answer. She had ten minutes to pull it off."

"Ten minutes," I said irritably, "that couldn't possibly have been foreseen, much less planned."

He leaned back in the chair and sighed. "I know. You've got all the answers, I've got all the answers. And I still don't like it. What the hell were you doing with these people anyway? The guy writes you a check for a grand, then tears it up. Got mad at you, you say. You didn't want it anyway, wouldn't have taken it, you say. Maybe. Did be think you were sleeping with his wife?"

"Lay off, Bernie."

"I didn't ask were you, I asked did he think you were."

"Same answer."

"Okay, try this. What did the Mex have on him?"

"Nothing that I know of."

"The Mex has too much money. Over fifteen hundred in the bank, all kinds of dothes, a brand new Chevvy."

"Maybe he peddles dope," I said.

Ohls pushed himself up out of the chair and scowled down at me.

"You're an awful lucky boy, Marlowe. Twice you've slid out from under a heavy one. You could get overconfident. You were pretty helpful to those people and you didn't make a dime. You were pretty helpful to a guy named Lennox too, the way I hear it. And you didn't make a dime out of that one either. What do you do for eating money, pal? You gut a lot saved so you don't have to work anymore?"

I stood up and walked around the desk and faced him. a romantic, Bernie. I hear voices crying in the night and I go see what's the matter. You don't make a dime that way. You got sense, you shut your windows and turn up more sound on the TV set. Or you shove down on the gas and get far away from there. Stay out of other people's troubles. All it can get you is the smear. The last time I saw Terry Lennox we had a cup of coffee together that I made myself in my house, and we smoked a cigarette. So when I heard be was dead I went out to the kitchen and made some coffee and poured a cup for him and lit a cigarette for him and when the coffee was cold and the cigarette was burned down I said goodnight to him. You don't make a dime that way. You wouldn't do it. That's why you're a good cop and I'm private eye. Eileen Wade is worried about her husband, so I go out and find him and bring him home. Another time he's in trouble and calls me up and I go out and carry him in off the lawn and put him to bed and I don't make a dime out of it. No percentage at all. No nothing, except sometimes I get my face pushed in or get tossed in the can or get threa-tened by some fast money boy like Mendy Menendez. But no money, not a dime. I've got a five-thousand-dollar bill in my safe but I'll never spend a nickel of it. Because there was something wrong with the way I got it. I played with it a little at first and I still get it out once in a while and look at it. But that's all-not a dime of spending money."

"Must be a phony," Ohls said dryly, "except they don't make them that big. So what's your point with all this yap?"

"No point. I told you I was a romantic."

"I heard you. And you don't make a dime at it. I heard that too."

"But I can always tell a cop to go to hell. Go to hell, Bernie."

"You wouldn't tell me to go to hell if I had you in the back room under the light, chum."

"Maybe we'll find out about that some day."

He walked to the door and yanked it open. "You know something, kid? You think you're cute but you're just stupid. You're a shadow on the wall. I've got twenty years on the cops without a mark against me. I know when I'm being kidded and I know when a guy is holding out on me. The wise guy never fools anybody but himself. Take it from me, chum. I know."

He pulled his head back out of the doorway and let the door close. His heels hammered down the corridor. I could still hear them when the phone on my desk started to sound. The voice said in that dear professional tone:

"New York is calling Mr. Philip Marlowe."

"I'm Philip Marlowe."

"Thank you. One moment, please, Mr. Marlowe. Here is your party."

The next voice I knew. "Howard Spencer, Mr. Marlowe. We've heard about Roger Wade. It was a pretty hard blow. We haven't the full details, but your name seems to be involved."

"I was there when it happened. He just got drunk and shot himself. Mrs. Wade came home a little later. The servants were away-Thursday's the day off."

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