Raymond Chandler - The Long Goodbye

Здесь есть возможность читать онлайн «Raymond Chandler - The Long Goodbye» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Long Goodbye: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Long Goodbye»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

The Long Goodbye — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Long Goodbye», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I turned and saw Mrs. Loring on a couch beside a prissy-looking man in rimless cheaters with a smear on his chin that might have been a goatee. She had a drink in her hand and looked bored. He sat still with his arms folded and scowled.

I went over there. She smiled at me and gave me her hand. "This is my husband, Dr. Loring. Mr. Philip Marlowe, Edward."

The guy with the goatee gave me a brief look and a still briefer nod. He didn't move otherwise. He seemed to be saving his energy for better things.

"Edward is very tired," Linda Loring said. "Edward is always very tired."

"Doctors often are," I said. "Can I get you a drink, Mrs. Loring? Or you, Doctor?"

"She's had enough," the man said without looking at either of us. "I don't drink. The more I see of people who do, the more glad I am that I don't."

"Come back, little Sheba," Mrs. Loring said dreamily.

ETc swung around and did a take. I got away from there and made it to the bar. In the company of her husband Linda Loring seemed like a different person. There was an edge to her voice and a'sneer in her expression which she hadn't used on me even when she was angry.

Candy was behind the bar. He asked me what I would drink.

"Nothing right now, thanks. Mr. Wade wants to see me,"

"Es muy occupado, señor. Very busy."

I didn't think I was going to like Candy. When I just looked at him he added: "But I go see. De pronto, señor."

He threaded his way delicately through the mob and was back in no time at all. "Okay, chum, let's go," he said cheerfully.

I followed him across the room the long way of the house. He opened a door, I went through, he shut it behind me, and a lot of the noise was dimmed. It was a corner room, big and cool and quiet, with french windows and roses outside and an airconditioner set in a window to one side. I could see the lake, and I could see Wade lying flat out on a long blond leather couch. A big bleached wood desk had a typewriter on it and there was a pile of yellow paper beside the typewriter.

"Good of you to come, Marlowe," he said lazily. "Park yourself. Did you have a drink or two?"

"Not yet." I sat down and looked at him. He still looked a bit pale and pinched. "How's the work going?"

"Fine, except that I get tired too quick. Pity a four-day drunk is so painful to get over. I often do my best work after one. In my racket it's so easy to tighten up and get all stiff and wooden. Then the stuff is no good. When it's good it comes easy. Anything you have read or heard to the contrary is a lot of mishmash?'

"Depends who the writer is, maybe," I said. "It didn't come easy to Flaubert, and his stuff is good."

"Okay," Wade said, sitting up. "So you have read Flaubert, so that makes you an intellectual, a critic, a savant of the literary world." He rubbed his forehead. "I'm on the wagon and I hate it. I hate everybody with a drink in his hand. I've got to go out there and smile at those creeps, Every damn one of them knows I'm an alcoholic. So they wonder what I'm running away from. Some Freudian bastard has made that a commonplace. Every ten-year-old kid knows it by now. If I had a ten-year-old kid, which God forbid, the brat would be asking me, 'What are you running away from when you get drunk, Daddy?"

"The way I got it, all this was rather recent," I said.

"It's got worse, but I was always a hard man with a bottle. When you're young and in hard condition you can absorb a lot of punishment. When you are pushing forty you don't snap back the same way."

I leaned back and lit a cigarette. "What did you want to see me about?"

'What do you think I'm running away from, Marlowe?"

"No idea. I don't have enough information, Besides, everybody is running away from something."

"Not everybody gets drunk. What are you running away from? Your youth or a guilty conscience or the knowledge that you're a small time operator in a small time business?"

"I get it," I said. "You need somebody to insult. Fire away, chum. When it begins to hurt I'll let you know."

He grinned and rumpled his thick curly hair. He speared his chest with a forefinger. "You're looking right at a small time operator in a small time business, Marlowe. All writers are punks and I am one of the punkest. I've written twelve best sellers, and if I ever finish that stack of magoozium on the desk there I may possibly have- written thirteen. And not a damn one of them worth the powder to blow it to hell. I have a lovely home in a highly restricted residential neighborhood that belongs to a highly restricted multimillionaire. I have a lovely wife who loves me and a lovely publisher who loves me and I love me the best of all. I'm an egotistical son of a bitch, a literary prostitute or pimp-choose your own word-and -an -all-round heel. So what can you do for me?"

"Well, what?"

"Why don't you get sore?"

"Nothing to get sore about. I'm just listening to you hate yourself. It's boring but it doesn't hurt my feelings."

He laughed roughly. "I like you," he said, "Let's have a drink."

"Not in here, chum. Not you and me alone. I don't care to watch you take the first one. Nobody can stop you and I don't guess anyone would try. But I don't have to help."

He stood up. "We don't have to drink in here. Let's go outside and glance at a choice selection of the sort of people you get to know when you make enough lousy money to live where they live,"

"Look," I said. "Shove it. Knock it off. They're no different from anybody else."

"Yeah," he said tightly, "but they ought to be. If they're not, what use are they? They're the dass of the county and they're no better than a bunch of truckdrivers full of cheap whiskey. Not as good."

"Knock it off," I said again. "You want to get boiled, get boiled. But don't take it out on a crowd that can get boiled without having to lie up with Dr. Verringer or get loose in the head and throw their wives down the stairs."

"Yeah," he said, and he was suddenly calm and thoughtful. "You pass the test, chum. How about coming to live here for a while? You could do me a lot of good just being here."

"I don't see how."

"But I do. Just by being here. Would a thousand a month interest you? I'm dangerous when I'm drunk. I don't want to be dangerous and I don't want to be drunlc"

"I couldn't stop you."

"Try it for three months. I'd finish the damn book and then go far off for a while. Lie up some place in the Swiss mountains and get dean."

"The book, huh? Do you have to have the money?"

"No. I just have to finish something I started. If I don't I'm through. I'm asking you as a friend. You did more than that for Lennox."

I stood up and walked over dose to him and gave him a hard stare. "I got Lennox killed, mister. I got him killed."

"Phooey. Don't go soft on me, Marlowe." He put the edge of his hand against his throat. "I'm up to here in the soft babies."

"Soft?" I asked. "Or just kind?"

He stepped back and stumbled against the edge of the couch, but didn't lose his balance.

"The hell with you," he said smoothly. "No deal. I don't blame you, of course. There's something I want to know, that I have to know. You don't know what it is and I'm not sure I know myself. All- I'm positive of is that there is something, and I have to know it."

"About who? Your wife?"

He moved his lips one ever the other. "I think it's about me," he said. "Let's go get that drink."

He walked to the door and threw it open and we went out.

If he had been trying to make me uncomfortable, he had done a first dass job.

24

When he opened the door the buzz from the living room exploded into our faces. It seemed -louder than before, if possible. About two drinks louder. Wade said hello here and there and people seemed glad to see him. But by that time they would have been glad to see Pittsburgh Phil with his custom-built icepick. Life was just one great big vaudeville show.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Long Goodbye»

Представляем Вашему вниманию похожие книги на «The Long Goodbye» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Long Goodbye»

Обсуждение, отзывы о книге «The Long Goodbye» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x