Raymond Chandler - The Long Goodbye

Здесь есть возможность читать онлайн «Raymond Chandler - The Long Goodbye» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Long Goodbye: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Long Goodbye»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Long Goodbye (1953) is a milestone in the genre. This novel demonstrated for the first time that hard-boiled fiction could serve as a vehicle for social comment and critique. While the apparent plot is slower paced and less metaphoric than Chandler's previous novels, the revealed plot shows him using his own life as a material, an autobiographical turn that prepared the way for Ross Macdonald.
Marlowe meets and befriends English expatriate Terry Lennox, a drunk who has been abandoned by his ex-wife Sylvia, at The Dancers Club. Months later he spots Lennox drunk again, runs him home, and sobers him up, giving him traveling money to Las Vegas. Lennox sends repayment and re-marries Sylvia, after which Marlowe shares an occasional drink with him: during one, Lennox accuses Sylvia of infidelity. He next appears at Marlowe's door in flight to Tijuana, apparently because he has killed her. Marlowe drives him there and stonewalls policemen Green and Dayton when he returns, spending time in jail. He refuses to cooperate with a lawyer sent by Sylvia's millionaire father, local magnate Harlan Potter.
Marlowe won't talk even after the D.A. says that Lennox wrote a full confession before shooting himself in Mexico. A reporter suggests to him that there is a cover-up, which is confirmed by calls from the lawyer and warnings from gangster Mendy Menendez, an old friend of Lennox, who explains that Lennox was captured by the Nazis during World War II. Marlowe gets a letter from Lennox, which waffles on his role in the murder and contains a $5,000 bill.
A second apparent plot begins when Howard Spencer, a publisher's representative, hires Marlowe to baby-sit hack novelist Roger Wade (Chandler's self-portrait). The alcoholic writer can't finish his novel and is missing, but his stunning blonde wife Eileen provides a note about "Dr. V" and details of Wade's stays at drunk farms. Marlowe gets information on these places from an old friend in a big agency and narrows his list to three suspects. None pan out except Dr. Verringer, who is about to sell out so that he can support a manic-depressive named Earl. Spying Wade through a window, Marlowe saves him from crazy Earl. For this he collects a kiss from Eileen, and he learns that she knew Sylvia Lennox, which links the two plots.
A lull follows, during which Marlowe meets Sylvia's sister Linda Loring and her insufferable doctor husband. They argue about Sylvia's murder and whether Harlan Potter wants the case closed, but a respectful friendship ensues. Marlowe sees the Lorings again at Roger Wade's cocktail party, where the doctor accuses the novelist of sleeping with his wife. A scene follows, but Wade handles the blow-up well. Marlowe, however, won't accept $1,000 to nanny the author through his novel. He doesn't like the writer's ego or his wife, who tells him her own story of true love lost.
A week later Wade calls for help, and Marlowe arrives to find him collapsed in front of his house, with Eileen sitting nearby smoking. He and the house-boy put Wade to bed, and Marlowe walks away from an opportunity with Eileen. Instead he collects Wade's drunken notes to gain insight into his problems. Then there's a shot. Marlowe finds husband and wife struggling over a gun, the novelist claiming he attempted suicide. Dosed with drugs, he finally sleeps. Eileen invites Marlowe into her bed, but he declines.
Linda Loring introduces Marlowe to Harlan Potter, who wants the Lennox murder closed. Marlowe demurs. Now information develops that Lennox used to call himself Paul Marston, and that Roger Wade had an affair with Sylvia. Marlowe, at the Wades with Eileen, finds the writer dead. His old friend Lt. Ohls treats the case as a suicide, but Eileen accuses Marlowe. More comes out about Lennox's former life: he was married to Eileen and presumed dead in World War I, so she married Wade. But then he reappeared and she panicked.
In the revealed plot, she killed both Sylvia and Roger. Lennox' name is cleared. Linda Loring divorces her obnoxious husband and asks Marlowe to marry her; he refuses to be a kept man, but does spend a night with her, the only woman Marlowe ever beds (aside from Helen Vermilyea in Chandler's better-off-forgotten swan song, Playback. There's a final detail to check and it's supplied by Senor Maioranos ("Mr. Better-years"), who is Terry Lennox in disguise. He and Marlowe talk, but the old affection is gone. As Marlowe said of Linda Loring's departure, "to say goodbye is to die a little."
As he had in the preceding The Little Sister (1949), Chandler engaged in pointed social criticism in The Long Goodbye, stretching the genre. The brunt of his attack is born by the rich: Marlowe sees their enterprises – business, the press, gambling interests, lawyers, and the courts – forming a monolith that disenfranchises the average citizen. "Money tends to have a life of its own, even a conscience of its own," says villain Harlan Potter, who is the ironic spokesman for many of Chandler's views (190-91). The roots of crime lie not with nymphomaniacs (as in The Big Sleep) or in economic climbing (Farewell's Velma Valento), but in big money's exploitation of the lowest-common-denominator effect of mass institutions and democracy. This, Chandler finally decided, rather than some inherently debilitating effect of the setting, robs immigrants to L.A. of the admirable independence that drew them there.
More interesting still is the way Chandler used the novel, which he wrote as his wife lay dying, to analyze and comment on his own life. Like Terry Lennox, Chandler was a soldier scarred by World War I, whose young days at Dabney Oil were full of big cars and illicit affairs. Like Roger Wade, he had become a middle-aged, childless, self-hating, alcoholic, celebrity writer. Like Philip Marlowe, Chandler clung in conscience to early ideals, belief in character, fidelity, and respect for creation. The novel detests the very self-pity that propels it. Can Chandler integrate the parts of his life? Marlowe's last words to Lennox are "So long, Senor Maioranos. Nice to have known you – however briefly" (311). The final answer is no. It is no accident that Terry Lennox and Roger Wade never appear together, but rather a psychological impossibility. That a woman undoes both is Chandler's old saw, but secondary here. "Your husband is a guy who can take a long hard look at himself and see what is there," says Marlowe to Eileen. "Most people go through life using up half their energy trying to protect a dignity they never had" (153). Not until Ross Macdonald would the hard-boiled novel again be exploited for autobiographical insight so sharply.

The Long Goodbye — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Long Goodbye», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"I could be wetter than a drowned kitten. I'll call you when I know. I just wanted to make sure Roger hadn't come home and that you hadn't recalled anything definite."

"I'm afraid I haven't been of much help to you," she said sadly. "Please call me at any time, no matter how late it is."

I said I would do that and we hung up. I took a gun and a three-cell flashlight with me this time, The gun was a tough little short-barreled.32 with flat-point cartridges. Dr. Verringer's boy Earl might have other toys than brass knuckles. If he had, he was plenty goofy enough to play with them.

I hit the highway again and drove as fast as I dared. It was a moonless night, and would be getting dark by the time I reached the entrance to Dr. Verringer's estate. Darkness was what I needed.

The gates were still locked with the chain and padlock. I drove on past and parked well off the highway. There was still some light under the trees but it wouldn't last long. I climbed the gate and went up the side of the hill looking for a hiking path. Far back in the valley I thought I heard a quail. A mourning dove exclaimed against the miseries of life. There wasn't any hiking path or I couldn't find one, so I went back to the road and walked along the edge of the gravel. The eucalyptus trees gave way to the oaks and I crossed the ridge and far off I could see a few lights. It took me three quarters of an hour to work up behind the swimming pool and the tennis courts to a spot where I could look down on the main building at the end of the road. It was lighted up and I could hear music coming from it. And farther off in the trees another cabin showed light. There were small dark cabins dotted all over the place in the trees. I went along a path now and suddenly a floodlight went on at the back of the main cabin. I stopped dead. The floodlight was not looking for anything. It pointed straight down and made a wide pool of light on the back porch and the ground beyond. Then a door banged open and Earl came out. Then I knew I was in the right place.

Earl was a cowpoke tonight, and it had beeti a cowpoke who brought Roger Wade home the time before. Earl was spinning a rope. He wore a dark shirt stitched with white and a polka-dot scarf knotted loosely around his neck. He wore a wide leather belt with a load of silver on it and a pair of tooled leather holsters with ivory-handled guns in them. He wore elegant riding pants and boots cross-stitched in white and glistening new. On the back of his head was a white sombrero and what looked like a woven silver cord hanging loosely down his shirt, the ends not fastened.

He stood there alone under the white floodlight, spinning his rope around him, stepping in and out of it, an actor without an audience, a tall, slender, handsome dude wrangler putting on a show all by himself and, loving every minute of it. Two-Gun Earl, the Terror of Cochise County. He belonged on one of those guest ranches that are so all-fired horsy the telephone girl wears riding boots to work.

All at once he heard a sound, or pretended to. The rope dropped, his hands swept the two suns from the holsters, and the crook of his thumbs was over the hammers as they came level. He peered into the darkness. I didn't dare move. The damn guns could be loaded. But the floodlight had blinded him and he didn't see anything. He slipped his guns back in the holsters, picked up the rope and gathered it loosely, went back into the house. The light went off, and so did I.

I moved around through the trees and got close to the small lighted cabin on the slope. No sound came from it. I reached a screened window and looked in. The light came from a lamp on a night table beside a bed. A man lay flat on his back in the bed, his body relaxed, his arms in pajama sleeves outside the covers, his eyes wide open and staring at the ceiling. He looked big. His face was partly shadowed, but I could see that he was pale and that he needed a shave and had needed one for just about the right length of time. The spread fingers of his hands lay motionless on the outside of the bed. He looked as if he hadn't moved for hours.

I heard steps coming along the path at the far side of the cabin. A screen door creaked and then the solid shape of Dr. Verringer showed in the doorway. He was carrying what looked like a large glass of tomato juice. He switched on a standing lamp. His Hawaiian shirt gleamed yellowly. The man in the bed didn't even look at him.

Dr. Verringer put the glass down on the night table and pulled a chair dose and sat down. He reached for one of the wrists and felt a pulse. "How are you feeling now, Mr. Wade?" His voice was kindly and solicitous.

The man on the bed didn't answer him or look at him. He went on staring at the ceiling.

"Come, come, Mr. Wade. Let us not be moody. Your pulse is only slightly faster than normal. You are weak, but otherwise-"

"Tejjy," the man on the bed said suddenly, "tell the man that if he knows how I am, the son of a bitch needn't bother to ask me." He had a nice dear voice, but the tone was bitter.

"Who is Tejjy?" Dr. Verringer said patiently.

"My mouthpiece. She's up there in the corner."

Dr. Verringer looked up. "I see a small spider," he said."Stop acting, Mr. Wade. It is not necessary with me."

"Tegenaria domestica, the common jumping spider, pal. I like spiders. They practically never wear Hawaiian shirts."

Dr. Verringer moistened his lips. "I have no time for playfulness, Mr. Wade."

"Nothing playful about Tejjy." Wade turned his head slowly, as if it weighed very heavy, and stared at Dr. Verringer contemptuously. "Tejjy is dead serious. She creeps up on you. When you're not looking she makes a quick silent hop. After a while she's near enough. She makes the last jump. You get sucked dry, Doctor. Very dry, Tejjy doesn't eat you. She just sucks the juice until there's nothing left but the skin. If you plan to wear that shirt much longer, Doctor, I'd say it couldn't happen too soon."

Dr. Verringer leaned back in the chair. "I need five thousand dollars," he said calmly. "How soon could that happen?"

"You got six hundred and fifty bucks," Wade said nastily. "As well as my loose change. How the hell much does it cost in this bordello?"

"Chicken feed," Dr. Verringer said. "I told you my rates had gone up."

"You didn't say they had moved to Mount Wilson."

"Don't fence with me, Wade," Dr. Verringer said curtly. "You are in no position to get funny. Also you have betrayed my confidence."

"I didn't know you had any."

Dr. Vet-ringer tapped slowly on the arms of the chair, "You called me up in the middle of the night," he said. "You were in a desperate condition. You said you would kill yourself if I didn't come. I didn't want to do it and you know why. I have no license to practice medicine in this state. I am trying to get rid of this property without losing it all. I have Earl to look after and he was about due for a bad spell. I told you it would cost you a lot of money. You still insisted and I went. I want five thousand dollars."

"I was foul with strong drink," Wade said. "You can't hold a man to that kind of bargain. You're damn well paid already."

"Also," Dr. Vet-ringer said slowly, "you mentioned my name to your wife. You told her I was coming for you."

Wade looked surprised. "I didn't do anything of the sort," he said. "I didn't even see her. She was asleep."

"Some other time then. A private detective has been here asking about you. He couldn't possibly have known where to come, unless he was told. I stalled him off, but he may come back. You have to go home, Mr. Wade. But first I want my five thousand dollars."

"You're not the brightest guy in the world, are you, Doc? If my wife knew where I was, why would she need a detective? She could have come herself-supposing she cared that much. She could have brought Candy, our houseboy. Candy would cut your Blue Boy into thin strips while Blue Boy was making up his mind what picture he was starring in today."

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Long Goodbye»

Представляем Вашему вниманию похожие книги на «The Long Goodbye» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Long Goodbye»

Обсуждение, отзывы о книге «The Long Goodbye» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x