Raymond Chandler - The Long Goodbye

I looked at my watch and this high-powered publisher man was already twenty minutes late. I would wait half an hour and then I would leave. It never pays to let the customer make all the rules. If he can push you around, he will assume other people can too, and that is not what he hires you for. And right now I didn't need the work badly enough to let some fathead from back east use me for a horse-holder, some executive character in a paneled office on the eighty-fifth floor, with a row of pushbuttons and an intercom and a secretary in a Hattie Carnegie Career Girl's Special and a pair of those big beautiful promising eyes. This was the kind of operator who would tell you to be there at nine sharp and if you weren't sitting quietly with a pleased smile on your pan when he floated in two hours later on a double Gibson, he would have a paroxysm of outraged executive ability which would necessitate five weeks at Acapulco before he got back the hop on his high hard one.

The old bar waiter came drifting by and glanced softly at my weak Scotch and water. I shook my head and he bobbed his white thatch, and right then a dream walked in. It seemed to me for an instant that there was no sound in the bar, that the sharpies stopped sharping and the drunk on the stool stopped burbling away, and it was like just after the conductor taps on his music stand and raises his aims and holds them poised.

She was slim and quite tall in a white linen tailormade with a black and white polka-dotted scarf around her throat. Her hair was the pale gold of a fairy princess. There was a small hat on it into which the pale gold hair nestled like a bird in its nest. Her eyes were cornflower blue, a rare color, and the lashes were long and almost too pale. She reached the table across the way and was pulling off a white gauntleted glove and the old waiter had the table pulled out in a way no waiter ever will pull a table out for me. She sat down and slipped the gloves under the strap of her bag and thanked him with a smile so gentle, so exquisitely pure, that he was damn near paralyzed by it. She said something to him in a very low voice. He hurried away, bending forward. There was a guy who really had a mission in life.

I stared. She caught me staring. She lifted her glance half an inch and I wasn't there any more. But wherever I was I was holding my breath.

There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an iceblue glare. There is the blonde who gives you the up-fromunder look and smells lovely and shimmers and hangs on your arm and is always very very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo's rapier or Lucrezia's poison vial.

There is the soft and willing and alcoholic blonde who doesn't care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly.ut of nowhere and you can't lay a finger on her because in the first place you don't want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them.

And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.

The dream across the way was none of these, not even of that kind of world. She was unclassifiable, as remote and clear as mountain water, as elusive as its color. I was still staring when a voice dose to my elbow said:

"I'm shockingly late. I apologize. You must blame it on this. My name's Howard Spencer. You're Marlowe, Of course."

I turned my head and looked at him. He was middle. aged, rather plump, dressed as if he didn't give any thought to it, but well shaved and with thin hair smoothed back carefully over a head that was wide between the ears. He wore a flashy double-breasted vest, the sort of thing you hardly ever see in California except perhaps on a visiting Bostonian. His glasses were rimless and he was patting a shabby old dog of a briefcase which was evidently the "this."

"Three brand new book-length manuscripts. Fiction. It would be embarrassing to lose them before we have a chance to reject them." He made a signal to the old waiter who had just stepped back from placing a tall green something or other in front of the dream. "I have a weakness for gin and orange. A silly sort of drink really. Will you join me? Good."

I nodded and the old waiter drifted away.

Pointing to the briefcase I said: "How do you know you are going to reject them?"

"If they were any good, they wouldn't be dropped at my hotel by the writers in person. Some New York agent would have them."

"Then why take them at all?"

"Partly not to hurt feelings. Partly the thousand-to-one chance all publishers live for. But mostly you're at a cocktail party and get introduced to all sorts of people, and some of them have novels written and you are just liquored up enough to be benevolent and full of love for the human race, so you say you'd love to see the script. It is then dropped at your hotel with such sickening speed that you are forced to go through the motions of reading it. But I don't suppose you are much interested in publishers and their problems."

The waiter brought the drinks. Spencer grabbed for his and took a healthy swig. He wasn't noticing the golden girl across the way. I had all his attention. He was a goodcontact man.

"If it's part of the job," I said. "I can read a book once in a while."

"One of our most important authors lives around here," he said casually. "Maybe you've read his stuff. Roger Wade."

"Uh-huh."

"I see your point." He smiled sadly. "You don't care for historical romances. But they sell brutally."

"I don't have any point, Mr. Spencer. I looked at one of his books once. I thought it was tripe. Is that the wrong thing for me to say?"

He grinned, "Oh no. There are many people who agree with you. But the point is at the moment that he's an automatic best seller. And every publisher has to have a couple with the way costs are now."

I looked across at the golden girl. She had finished her limeade or whatever it was and was glancing at a microscopic wrist watch. The bar was filling up a little, but not yet noisy. The two sharpies were still waving their hands and the solo drinker on the bar stool had a couple of pals with him. I looked back at Howard Spencer.

"Something to do with your problem?" I asked him. "This fellow Wade, I mean."