Ngaio Marsh - Enter A Murderer

He sent for Detective-Sergeant Bailey, who came in looking puzzled.

“About that typewriter,” he said at once. “It’s a rum thing. There’s no doubt about it; the anonymous letter was written on the machine in the theatre. We tested that machine on the night of the affair, and found only Mr. Gardener’s and Prop’s prints. Mr. Gardener used it in the play, so that was all right. Well, according to your instructions, sir, we’ve tested it again, and it’s got no prints on the keyboard at all now, except on the letter Q, which still has Mr. Gardener’s. I couldn’t make it out at all, at first, but I reckon I’ve got an idea now.”

“Yes? What is it, Bailey?”

“Well, sir — after we’d tested the machine it was put into the property-room. All the actors, as you know, were in the wardrobe-room. But Jacob Saint wasn’t. He came in afterwards. Now, suppose he went into the property-room and rattled that off? The doors were shut. We wouldn’t hear him on the stage, and it would only take a second or two. The paper was in the machine. He could put it in his pocket — you’d already searched him — and go off comfortably. The letter Q is out at the side, and he’d miss it when he wiped his prints off the keys.”

“Where is the property-room?” asked Nigel.

“All down that passage to the stage door. It’s a dock really. Big double doors open on to the stage, and, beyond old Blair’s perch, there are other doors opening into the yard. See what I mean, sir? When Saint goes off with Miss Emerald he passes our man at the stage door, goes out into the yard, and slips into the dock by the pilot door that’s cut in the big ones. The double doors on to the stage are shut. He turns on one light, types his letter, wipes over the keys, and slips out. And that dame knows what he’s doing and keeps a look out.”

“Still after the Emerald, I see,” said Alleyn.

Nigel remembered his theory about Saint and the proscenium door. He advanced it modestly and was listened to by Detective Bailey with a kind of grudging respect peculiar to that official.

“Well,” said Alleyn, “it’s possible, Bailey. But any of the others could have done the typewriter business — or, at any rate, some of them could. Simpson could, for instance. Think a moment. Who was nearest to the stage door and most able to slip out unnoticed?”

Bailey stared at him.

“Gosh!” he said at last.

“ You mean — old Blair ?” Nigel said slowly.

“Who was asleep,” added Alleyn placidly. The other two gaped at him.

“Well,” said Alleyn, “nothing’s conclusive, but everything is healthier. It all begins to come together very nicely.”

“Glad you’re pleased, sir,” said Bailey with unexpected sarcasm.

“What about prints on the letter?”

“Only Mr. Gardener and Mr. Bathgate.”

“And the paper from Surbonadier’s flat? The one with the forged signature?”

“Plenty of Mr. Surbonadier’s, sir, and something else that’s very indistinct and old. I’m having an enlarged photograph taken and can’t give an opinion till I’ve got it. It may turn out to be the deceased, too.”

“Let me know at once if it is, Bailey. I’d like to see the photograph.”

“Very good, sir.”

Bailey was at the door when Alleyn stopped him.

“By the way, Bailey,” he said, “I suppose you’ve heard that we couldn’t get any forrader with the cartridges. Inspector Fox tells me every gunsmith’s and sports shop in the country has been probed.”

“That’s right, sir. Very unsatisfactory,” said Bailey, and withdrew.

“Alleyn,” said Nigel, after a pause, “can’t you force Props to say whom he saw moving round in the dark?”

“I could try, but he can so easily say he doesn’t know who it was. His words were: ‘If I thought I saw a bloke, or it might have been a woman, moving round in the dark… ’ Not very conclusive.”

“But surely he now thinks you’ve got the wrong man, and will tell you who it was, to save Saint.”

“He’s very anxious,” said Alleyn, “to save — the murderer.”

“Who is probably Saint,” said Nigel. “I see. But what about Stephanie Vaughan? Alleyn, if you’d heard her as I did — Oh, my God, I believe she did it! I believe she did.”

“Look here, Bathgate. Could you take a day off tomorrow and go into the country on a job for me?”

“Not possible,” said the astonished Nigel. “What sort of job? I’ve got my own job, you might remember.”

“I want you to go to High Wycombe and see if you can trace a man called Septimus Carewe.”

“You want to get rid of me,” said Nigel indignantly. “Septimus Carewe, my foot!” he added with conviction.

“I mean it.”

“What on earth for!”

“I’m uneasy about you.”

“Bosh!”

“Have it your own way.”

“What are you doing to-morrow, may I ask?”

“I,” said Alleyn, “am putting on a show at the Unicorn.”

“What the devil do you mean?”

“The company is under notice to report at various police stations every day. They have all been asked to report at the Unicorn at eleven to-morrow. I intend to hold a reconstruction of the murder.”

“As you did in the Frantock case?”

“The conditions are very different. In this instance I am simply using the characters to prove my theory. In the Arthur Wilde case I forced his confession. This, unless these unspeakable mummers insist on dramatising themselves, will be less theatrical.”

“I shall be there, however.”

“I don’t want you there.”

“Why ever not?”

“It’s a very unpleasant business. I loathe homicide cases and the result of this investigation will be perfectly beastly.”

“If I could stand the Frantock case, when my own cousin was murdered, I can stand this.”

“You’d much better keep away.”

“I do think you’re bloody,” said Nigel fretfully.

Fox came in.

“Hullo,” said Alleyn. “Everything fixed up?”

“Yes. Saint’s tucked up in bed and the specialist’s been sent for.”

“I’ve just been telling Mr. Bathgate,” said Alleyn, “that I don’t want him at the theatre to-morrow, and he’s got the huff in consequence.”

“Inspector Alleyn’s quite right, sir,” said Fox. “You’d better keep clear of this business. After what you overheard this morning.”

“Do you suppose Miss Vaughan is going to ram an arsenic chocolate down my maw?”

The two detectives exchanged a look.

“Oh, well, I’m off,” said Nigel angrily.

“Good evening,” said Alleyn cheerfully.

Nigel allowed himself the doubtful luxury of slamming the door.

Once out in the street he began to feel rather foolish, and angrier than ever with Chief Detective-Inspector Alleyn for causing this uncomfortable sensation. It was now seven o’clock and Nigel was hungry. He walked rapidly to Regent Street and went into the downstairs restaurant at the Hungaria, where he had a morose and extravagant dinner. He ordered himself brandy, and a cigar which he did not want and did not enjoy. When these were exhausted Nigel called for his bill, tipped his waiter, and marched out of the restaurant.

“Damn it,” he said to Lower Regent Street. “I’m going there to-morrow whether he likes it or not.”

He took a taxi to his flat in Chester Terrace.

Chief Detective-Inspector Alleyn also dined alone, at a restaurant near the Yard. He returned to his room soon after eight, opened the file of the Unicorn case and went over it very carefully with Inspector Fox. They were two hours at this business. Naseby came in and reported. He had seen Props and had brought off his conversation nicely. Props had seemed very much upset and when last seen was walking in the direction of the King’s Road. Naseby had seen him go into a telephone-box and had then left him to Detective Thompson, who preferred to carry on without being relieved.