Ngaio Marsh - Enter A Murderer

“All right, I’ll remember them. And now I’ll have to see Miss Vaughan. I should have done so earlier and let her go home.”

“She wanted the others to go first,” said Fox. “I— took her clothes into the wardrobe-room and she said she’d change. She’s not quite ready.”

It was obvious from Inspector Fox’s manner that he put Miss Vaughan in a superior catalogue to the rest of the cast Alleyn looked at him and grinned.

“What’s the joke?” inquired Fox suspiciously.

“No offence in the world. Have you carried on with routine work?”

“Mr. Melville helped Bailey re-set the scene in which the revolver was loaded. Haven’t found the gloves.”

“I’ll just take a look at it while she’s changing.” They returned to the stage. Felix Gardener was walking up and down the passage to the outside exit, and paid little attention to them. Nigel went and spoke to Gardener, but he answered at random and looked at him as though they were strangers.

“It’ll be all right, Felix,” ventured Nigel lamely.

“What’ll be all right?”

“Alleyn will find out who did it. Innocent people are never accused nowadays.”

“Do you think I’m worrying about that?” asked Gardener, and fell to walking up and down again. Nigel left him alone.

On the stage Alleyn looked critically at the reconstruction of the penultimate scene. The desk was in position. Miss Max’s arm-chair was on the O.P. side, and the window-seat in position, near which Janet Emerald had had her last conversation with Arthur Surbonadier.

“We’ve had all the chair-seats out, and so on,” said Bailey, who was in shirt sleeves. The two constables, who had been helping him, stared solemnly at the furniture. Melville had gone.

“There’s something missing,” said Alleyn.

“Mr. Melville said not, sir,” said Bailey.

“Yes, there is. A spot of colour. What is it?” He turned to Nigel. “There was a spot of colour somewhere in that scene. Something red.”

“I know,” said Nigel suddenly. “Miss Max’s bag for her knitting. It hung on that chair arm.”

“Good man,” exclaimed Alleyn. “Let’s find it.” They hunted about. One of the constables disappeared in the direction of the property room.

“Damn the thing, where is it?” murmured Alleyn. “It hung on the chair throughout the scene, and at the end she stuffed her knitting into it and left it there.” He hunted round offstage and muttered to himself.

“Does it matter much?” Nigel asked wearily.

“What?”

“Does it matter much?”

“No. I just want to make the stage look pretty.”

Nigel was silent.

“Is this the affair, sir?” said the constable, reappearing. In his paw he held a large red bag. Alleyn strode over and took it.

“That’s it.”

He drew out a long and loud strip of knitting, and then thrust his hand deeper into the bag. A singularly blank look stole over his face, and the others, who knew him, pricked up their ears.

“Has any gentleman in the audience missed an article of clothing?” asked Alleyn. He made a face at Nigel, and looked round, most provokingly. Then so suddenly that they all jumped, he whisked out his hand and held it high above his head.

In it was a pair of grey suede gloves. “Eureka!” said Chief Detective-Inspector Alleyn.

“Yes, but look here,” Nigel began indignantly.

“Old Miss Max — I mean to say, that’s a bit too thick. She’s a nice old thing.”

Alleyn gave one of his rare laughs. “All right, all right,” he said. “Don’t bite my head off. I didn’t plant the things.”

“Well, somebody else did, then.”

“Quite possible. During the black-out. Oh, it’s a very nasty bit of goods, this is. And so clever, so filthily clever. Everything nice and simple. No fancy touches. I tell you one thing, all of you, for what it’s worth. I’ve been telling it to myself ever since this started. We’re up against good acting.”

“Yes,” said Nigel thoughtfully, “the very best.”

“As you say. It’s a West End production, bad luck to it.”

“Anything on the thumb of the right-hand glove?” asked Fox abruptly.

Alleyn picked it up by one finger.

“Oh, Mr. Fox, aren’t you wonderful?” he said. “Such a lovely quality, moddom, or, rather, sir. Yes, definitely, ‘sir.’ Have a sniff.” He held them out

“I’ve got it,” said Fox. “They smell of cigars, and scent, and — damn it — where did I smell that scent?”

“On Mr. Jacob Saint.”

“By gum, you’re right, sir.”

“It’s a very good scent. Something rather special. But how careless of Mr. Saint to lose his gloves, how rather surprisingly careless.” He handed the glove over to his colleague.

“When were they lost? He was wearing none when he came round,” Fox declared. “I know that because he shoved me aside at the door, and his ring dug into my hand.”

“His altogether too big signet ring,” murmured Alleyn. “It does dig in. Look!”

He held up the little finger of the left-hand glove. The base showed a distinct bulge.

“He was behind the scenes earlier in the evening, you know. Before the curtain went up. Then he was in front.”

“Could he have come round again, later?” asked Nigel.

“We must find out. By George, Fox, what happened to the old gentleman?”

“Who’s he?”

“The stage door keeper.”

“I never saw one. He must have gone home during the first few moments.”

“He was there when we came round. Not very good. He’ll have to be traced. Oh well, let’s have Miss Vaughan. I think I’ll see her alone, if you please, Fox. There’s nothing much else to be done here that I can think of. Have you looked closely at the thumb?”

“Yes,” said Fox carefully. “There’s a bit of whitish stain on it.”

“There is, indeed. We may want an analysis of that to compare with the cartridges.”

“What do you make it out to be?”

“Oh, cosmetic, Fox, cosmetic. While I’m talking to Miss Vaughan, see if you two can match it in any of the dressing-rooms. Take samples of any make-up that looks like it and note where from, and all that. And now would you take my compliments to Miss Vaughan and ask her if she would be kind enough to come out here?”

Fox and Bailey went off. Presently the constable who had been stationed outside the wardrobe-room came back and with a glance at Alleyn disappeared in the direction of the stage door. Alleyn followed him, said something that Nigel did not catch and returned.

“Any objection to noting this down for me?” asked Alleyn.

“No,” said Nigel. “If I had any, they are overruled by curiosity. I’ll go back to my cache-cache.”

“Thank you. Here she comes.”

Nigel slipped through the doorway in the set. He discovered that, by moving his seat, he could leave the door half open and get a fuller view of the stage without being visible. In this way he was able to see Stephanie Vaughan when she came on to the scene. She had changed her dress and was wearing a dark fur wrap. The stage make-up was gone, and she looked pale and rather tired. There was no hint of histrionics in her manner now. She was grave and dignified, and a little remote. “Why, it’s not the same woman,” thought Nigel.

“You sent for me,” she said quietly.

“I’m sorry if my message sounded peremptory,” answered Alleyn.

“Why not? You’re in charge.”

“Will you sit down?”

She sank into an arm-chair, and there was a little silence.

“What do you want to ask me?” she said at last

“Several questions. The first — where were you during the black-out at the beginning of the last act?”