Ngaio Marsh - A Wreath for Rivera

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When Lord Pasern Bagott takes up with the hot music of Breezy Bellair and his Boys, his disapproving wife Cecile has more than usual to be unhappy about. The band's devastatingly handsome but roguish accordionist, Carlos Rivera, has taken a rather intense and mutual interest in her precious daughter Félicité. So when a bit of stage business goes awry and actually kills him, it's lucky that Inspector Rodrerick Alleyn is in the audience. Now Alleyn must follow a confusing score that features a chorus of family and friends desperate to hide the truth and perhaps shelter a murder in their midst.

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“Discussing his special articles. Picking up his galley sheets or whatever they do.”

“Better than that, Mr. Alleyn. This gentleman told Mr. Bathgate that Mr. Manx has been noticed coming out of G.P.F.’s room on several occasions, one of them being a Sunday afternoon.”

“Oh.”

“Fits, doesn’t it?”

“Like a glove. Good for Bathgate. We’ll ask him to meet us at the Harmony offices. This being the last Sunday in the month, Br’er Fox, we’ll see what we can see. But first — the Metronome.”

When Carlisle left the Yard, it was with a feeling of astonishment and aimless boredom. So it wasn’t Uncle George’s revolver after all. So there had been an intricate muddle that someone would have to unravel. Alleyn would unravel it and then someone else would be arrested and she ought to be alarmed and agitated because of this. Perhaps, in the hinterland of her emotions, alarm and agitation were already established and waited to pounce, but in the meantime she was only drearily miserable and tired. She was pestered by all sorts of minor considerations. The thought of returning to Duke’s Gate and trying to cope with the situation there was intolerable. It wasn’t so much the idea that Uncle George or Aunt Cile or Fée might have murdered Carlos Rivera that Carlisle found appalling: it was the prospect of their several personalities forcing themselves upon her own; their demands upon her attention and courtesy. She had a private misery, a galling unhappiness, and she wanted to be alone with it.

While she walked irresolutely towards the nearest bus stop, she remembered that not far from here, in a cul-de-sac called Coster’s Row, was Edward Manx’s flat. If she walked to Duke’s Gate she would pass the entry into this blind street. She was persuaded that she did not want to see Edward, that an encounter would, indeed, be unbearable; yet, aimlessly, she began to walk on. Church-going people returning home with an air of circumspection made a pattering sound in the empty streets. Groups of sparrows flustered and pecked. The day was mildly sunny. The Yard man, detailed to keep observation on Carlisle, threaded his way through a trickle of pedestrians and recalled the Sunday dinners of his boyhood. Beef, he thought, Yorkshire pudding, gravy, and afterwards a heavy hour or so in the front room. Carlisle gave him no trouble at all but he was hungry.

He saw her hesitate at the corner of Coster’s Row and himself halted to light a cigarette. She glanced along the file of house fronts and then, at a more rapid pace, crossed the end of the row and continued on her way. At the same time a dark young man came out of a house six doors down Coster’s Row and descended the steps in time to catch a glimpse of her. He shouted, “Lisle!” and waved his arm. She hurried on, and once past the corner, out of his sight, broke into a run. “Hi, Lisle!” he shouted. “Lisle!” and loped after her. The Yard man watched him go by, turn the corner and overtake her. She spun round at the touch of his hand on her arm and they stood face to face.

A third man who had come out from some doorway further up the cul-de-sac walked briskly down the path on the same side as the Yard man. They greeted each other like old friends and shook hands. The Yard man offered cigarettes and lit a match. “How’s it going, Bob?” he said softly. “That your bird?”

“That’s him. Who’s the lady?”

“Mine,” said the first, whose back was turned to Carlisle.

“Not bad,” his colleague muttered, glancing at her.

“I’d just as soon it was my dinner, though.”

“Argument?”

“Looks like it.”

“Keeping their voices down.”

Their movements were slight and casual: acquaintances pausing for a rather aimless chat.

“What’s the betting?” said the first.

“They’ll separate. I never have the luck.”

“You’re wrong, though.”

“Going back to his place?”

“Looks like it.”

“I’ll toss you for it.”

“O.K.” The other pulled his clenched hand out of his pocket. “Your squeak,” he said.

“Heads.”

“It’s tails.”

“I never get the luck.”

“I’ll ring in then and get something to eat. Relieve you in half an hour, Bob.”

They shook hands again heartily as Carlisle and Edward Manx, walking glumly towards them, turned into Coster’s Row.

Carlisle had seen Edward Manx out of the corner of her eye as she crossed the end of the cul-de-sac . Unreasoned panic took hold of her. She lengthened her stride, made a show of looking at her watch and, when he called her name, broke into a run. Her heart pounded and her mouth was dry. She had the sensation of a fugitive in a dream. She was the pursued and, since even in her sudden alarm she was confusedly aware of something in herself that frightened her, she was also the pursuer. This nightmarish conviction was intensified by the sound of his feet clattering after her and of his voice, completely familiar but angry, calling her to stop.

Her feet were leaden, he was overtaking her quite easily. Her anticipation of his seizing her from behind was so vivid that when his hand actually closed on her arm it was something of a relief. He jerked her round to face him and she was glad to feel angry.

“What the hell do you think you’re doing?” he said breathlessly.

“That’s my business,” she panted, and added defiantly, “I’m late. I’ll be late for lunch. Aunt Cile will be furious.”

“Don’t be an ass, Lisle. You ran when you saw me. You heard me call out and you kept on running. What the devil d’you mean by it?”

His heavy eyebrows were drawn together and his lower lip jutted out.

“Please let me go, Ned,” she said. “I really am late.”

“That’s utterly childish and you know it. I’m getting to the bottom of this. Come back to the flat. I want to talk to you.”

“Aunt Cile…”

“Oh for God’s sake! I’ll ring Duke’s Gate and say you’re lunching here.”

“No.”

For a moment he looked furious. He still held her arm and his fingers bit into it, hurting her. Then he said more gently: “You can’t expect me to let a thing like this pass — it’s a monstrous state of affairs. I must know what’s gone wrong. Last night, after we got back from the Metronome, I could tell there was something. Please, Lisle. Don’t let’s stand here snarling at each other. Come back to the flat.”

“I’d rather not. Honestly. I know I’m behaving queerly.”

He had slipped the palm of his hand inside her arm, pressing it against him. His hand was gentler now but she couldn’t escape it. He began to speak persuasively and she remembered how, even when they were children, she had never been able to resist his persuasiveness. “You will, Lisle, won’t you? Don’t be queer, I can’t bear all this peculiarity. Come along.”

She looked helplessly at the two men on the opposite corner, thinking vaguely that she had seen one of them before. “I wish I knew him,” she thought. “I wish I could stop and speak to him.”

They turned into Coster’s Row. “There’s some food, in the flat. It’s quite a nice flat. I want you to see it. We’ll have lunch together, shan’t we? I’m sorry I was churlish, Lisle.”

His key clicked in the lock of the blue door. They were in a small lobby. “It’s a basement flat,” he said, “but not at all bad. There’s even a garden. Down those stairs.”

“You go first,” she said. She actually wondered if that would give her a chance to bolt and if she would have the nerve to do it. He looked fixedly at her.

“I don’t believe I trust you,” he said lightly. “On you go.”

He followed close on her heels down the steep stairs and took her arm again as he reached past her and unlocked the second door. “Here we are,” he said, pushing it open. He gave her a little shove forward.

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