Ngaio Marsh - Dead Water

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“The body” was discovered by Inspector Roderick Alleyn himself, old friend of the deceased, eighty-three-year-old Miss Emily Pride. Miss Pride had been looking for trouble: the sole inheritor of a tiny island, site of a miraculous spring, she didn’t approve of the sudden flood of visitors in search of miracles. So she threatened to close the spring. And
brought her what she’d been looking for…

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She remained on her perch until the sun went down behind the hill and, there being no more pilgrims to observe, descended and made her way downhill to Fisherman’s Bay, and thence, round the point, to Miss Cost’s shop. On her way she overtook the village police sergeant, who seemed to be loitering. Miss Emily gave him “Good evening.”

It was now a quarter to seven. The shop was open and, when Miss Emily went in, deserted. There was a bell on the counter but she did not ring it. She examined the welter of objects for sale. They were as Patrick had described them to Jenny: fanciful reconstructions in plastic of the spring, the waterfall and Wally’s cottage; badly printed rhyme-sheets; booklets, calendars and postcards all of which covered much the same ground. Predominant among all these wares, cropping up everywhere, in print and in plastic — smirking, even, in the form of doll and cut-out — was the Green Lady. The treatment was consistent: a verdigris-coloured garment, long yellow hair, upraised hand and a star on the head. There was a kind of madness in the prolific insistence of this effigy. Jostling each other in a corner were the products of Miss Cost’s handloom: scarves, jerkins and cloaks of which the prevailing colours were a sad blue and mauve. Miss Emily turned from them with a shudder of incredulity.

A door from the interior opened and Miss Cost entered on a wave of cottage pie, wearing one of her own jerkins.

“I thought I heard—” she began and then she recognized her visitor. “Ae-oh!” she said. “Good evening. Hem!”

“Miss Cost, I believe. May I have a dozen threepenny stamps, if you please?”

When these had been purchased Miss Emily said: “There is possibly no need for me to introduce myself. My name is Pride. I am your landlord.”

“So I understand,” said Miss Cost. “Quite.”

“You are no doubt aware of my purpose in visiting the Island; but I think, perhaps, I should make my position clear.”

Miss Emily made her position very clear indeed. If Miss Cost wished to renew her lease of the shop in three months’ time, it could only be on condition that any objects which directly or indirectly advertised the spring was withdrawn from sale.

Miss Cost listened to this with a fixed stare and a clasp-knife smile. When it was over she said that she hoped Miss Pride would not think it out of place if she, Miss Cost, mentioned that her little stock of fairings had been highly praised in discriminating quarters, and had given pleasure to thousands. Especially, she added, to the kiddies.

Miss Emily said she could well believe it, but that was not the point at issue.

Miss Cost said that each little novelty had been conceived in a spirit of reverence.

Miss Emily did not dispute the conception. The distribution, however, was a matter of commercial enterprise, was it not?

At this juncture a customer came in and bought a plastic Green Lady.

When she had gone, Miss Cost said she hoped that Miss Pride entertained no doubts about the efficacy of the cures.

“If I do,” said Miss Emily, “it is of no moment. It is the commercial exploitation that concerns us. That, I cannot tolerate.” She examined Miss Cost for a second or two and her manner changed slightly. “I do not question your faith in the curative properties of the spring,” she said. “I do not suggest, I assure you, that in exploiting public credulity you do so consciously and cynically.”

“I should hope not!” Miss Cost burst out. “I! I! My asthma…I, who am a living witness! Ae-oh!”

“Quite so. Moreover, when the Island has been restored to its former condition, I shall not prevent access to the spring any more than I shall allow extravagant claims to be canvassed. It will not be closed to the public. Quite on the contrary.”

“They will ruin it! The vandalism! The outrages! Even now, with every precaution…the desecration!”

“That can be attended to.”

“Faërie ground,” Miss Cost suddenly announced, “is holy ground.”

“I am unable to determine whether you adopt a pagan or a Christian attitude,” said Miss Emily. She indicated a rhyme-sheet which was clothes-pegged to a line above the counter. It read:

Ye olde olde wayes were wise old wayes.

(Iron and water, earthe and stone.)

Ye Hidden Folke of antient dayes,

Ye Greene Companions’ Runic Layes,

Wrought Magick with a Bone .

Ye plashing Falles ther Secrette holde.

(Iron and water, earthe and stone.)

On us as on those menne of olde

Their mighte of healing is Bestowed

And wonders still are showne .

Oh, thruste your hands beneathe the rille!

(Iron and water, earthe and stone.)

And itte will washe awae your ille,

With neweborn cheere your bodie fille

That antient Truth bee knowne .

“Who,” asked Miss Emily, fixing her gaze upon Miss Cost, “is the author of this doggerel?”

“It is unsigned,” she said loudly. “These old rhymes—”

“The spelling is spurious, and the paper contemporary. Does it express your own views, Miss Cost?”

“Yes,” said Miss Cost, shutting her eyes. “It does. A thousand times, yes.”

“So I imagined. Well, now,” Miss Emily briskly continued, “You know mine. Take time to consider…There is one other matter.”

Her black kid forefinger indicated a leaflet advertising the Festival. “This,” she said.

A spate of passionate defiance broke from Miss Cost. Her voice was pitched high, and she stared at some object beyond Miss Emily’s left shoulder.

“You can’t stop us!” she cried. “You can’t ! You can’t prevent people walking up a hill. You can’t prevent them singing. I’ve made inquiries. We’re not causing a disturbance, and it’s all authorized by the Mayor. He’s part of it. Ask him! Ask the Mayor. Ask the Major! We’ve got hundreds and hundreds of people coming, and you can’t stop them. You can’t, you can’t !”

Her voice cracked and she drew breath. Her hands moved to her chest.

Into the silence that followed there crept a very small and eerie sound: a faint, rhythmic squeak. It came from Miss Cost.

Miss Emily heard it. After a moment she said, with compassion: “I am sorry. I shall leave you. I shall not attempt to prevent your Festival. It must be the last, but I shall not prevent it.”

As she prepared to leave, Miss Cost, now struggling for breath, gasped after her.

“You wicked woman! This is your doing.” She beat her chest. “You’ll suffer for it. More than I do. Mark my words! You’ll suffer.”

Miss Emily turned to look at her. She sat on a stool behind the counter. Her head nodded backwards and forwards with her laboured breathing.

“Is there anything I can do?” Miss Emily asked. “You have an attack—”

“I haven’t! I haven’t! Go away . Wicked woman! Go away!”

Miss Emily, greatly perturbed, left the shop. As she turned up from the jetty, a boy shambled out of the shadows, stared at her for a moment, gave a whooping cry and ran up the steps. It was Wally Trehern.

The encounter with Miss Cost had tired Miss Emily. She was upset. It had, of course, been a long day and there were still those steps to be climbed. There was a bench halfway up and she decided to rest there for a few minutes before making the final ascent. Perhaps she would ask for an early dinner in her room and go to bed afterwards. It would never do to overtire herself. She took the steps slowly, using her umbrella as a staff, and was rather glad when she reached the bench. It was a relief to sit there and observe the foreshore, the causeway and the village.

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