Ngaio Marsh - Last Ditch

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As particular about her horses as she was casual about her lovers, young Dulcie Harkness courted trouble — and found it in a lonely and dangerous jump. What will her death reveal? Young Roderick Alleyn (Ricky) is the object of special interest.

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He opened his eyes. Leda and the Swan had gone from their place on the wall and now lay face down on the floor, close to his feet. He recognized the frame and wondered bemusedly by what means it had hung up there because there was no cord or wire to be seen although there were the usual ring screws.

Ferrant and Syd went quietly about their business. They spoke seldom and in low voices but they generated a floating sense of urgency and at times seemed to argue. He began to long for the moment to come when they would have to release whatever it was that bound and cut into his ankles. If he were to walk between them down to the boat, that was what they would have to do. And where would the Cid be, then? Watching with Br’er Fox from the window in Ricky’s room? Unable to do anything because if he did — Would the Cid ever get the message? Where was he? Now? Now, when Ricky wanted him so badly. It’s too much, he thought. Yesterday and the thunder and lightning and the sea and blacking my eye and now all this: face, jaw, mouth, ankle. No, it’s too much. The wall poured upwards, his eyes closed, and he fainted.

The boy Louis did not follow the path down to the front but turned off it to his right and slithered, darkling, along tortuous passages that ran uphill and down, behind the backs of cottages, some occupied and some deserted.

The moon had not yet risen and the going was tricky but he was surefooted and knew his ground. He was excited and thought of himself in terms of his favorite comic strip as a Miracle Kid.

He came out of his labyrinth at the top of the lane that ran down to the police station.

Here he crouched for a moment in the blackest of the shadows. There was no need to crouch — the lane was deserted — but he enjoyed doing it and then flattening himself against a wall and edging downhill.

The blue lamp was on but the station windows were dark, while those in the living quarters glowed. He could hear music, radio or telly, with the fuzz family watching it and the Miracle Kid, all on his own, out in the dark.

Whee-ee !!”

Across the lane like the Black Shadow. Envelope. Under the door. Stuck. Push. Bell. Push. “Zing!!!”

In by the back door with Maman waiting. Hands in pockets. Cool. Slouch in wagging the hips.

Eh bien ?” said Mrs. Ferrant, nodding her head up and down. “ Tu es fort satisfait de ta petite personne, n’est-ce pas ?”

Around the corner in the police station, Mrs. Plank, peering up and down the lane, told herself it was too late for a runaway knock. Unless, she thought, it was that young Louis from around the corner who was allowed to wait up until all hours and was not a nice type of child. Then she noticed the envelope at her feet. She picked it up. Addressed to the Super and sealed. She shut the front door, went into the kitchen, and turned the envelope over and over in her hands.

There was no telling how late it might be when they returned, all of them. Joe had been very quiet when he came in but she knew he was gratified by the way the corners of his mouth twitched. He had told her they were going to search Syd Jones’s premises but it was not to be mentioned. He knew, thought Mrs. Plank, that he could trust her.

It had been a most irregular way of delivering the note, if it was a note. Suppose it was important? Suppose Mr. Alleyn should know of it at once and suppose that by leaving it until he came in, if he did come in and not drive straight back to Montjoy, some irreparable damage was done? On the other hand, Joe and Mr. Alleyn and Mr. Fox might be greatly displeased if she butted in at that place with a note that turned out to be some silly prank.

She worried it over, this way and that. She examined the envelope again and again, particularly the direction, written in capital letters with some sort of crayon, it looked like: “MR. ALLEN.” Someone who didn’t know how to spell his name.

The flap was not all that securely gummed down.

“Well I don’t care, I will,” she thought.

She maneuvered it open, and read the message.

ii

Before they set out for Syd’s Pad, Alleyn had held a short briefing at the station with Fox, Plank, and the two constables from Montjoy: Cribbage and Moss.

“We’re going into the place,” he had told them, “because I think we’ve sufficient grounds to justify a search for illicit drugs. It will have to be an exhaustive search and as always in these cases it may bring us no joy. The two men we’re interested in are known to have been in Saint Pierre yesterday and as far as we’ve been able to find out, haven’t returned to the island. Certainly not by air. There has been no official passage to the Cove by sea and your chaps”—he looked at the two constables—“checked the ferry at Montjoy. This doesn’t take in the possibility that they came back during the night in a French chum’s craft and were transshipped somewhere near the heads into Ferrant’s dinghy and brought ashore. We’ve no evidence—” he hesitated for a moment and caught Fox’s eye—“no evidence,” he repeated, “to support any such theory: it is pure speculation. If, however, it had so happened, it might mean that Ferrant as well as Jones is up at the Pad and they might turn naughty. Mr. Fox and Sergeant Plank are carrying handcuffs.” He looked around at the four impassive faces. “Well,” he said, “that’s it. Shall we push off? Got your lamps?”

Plank had produced two acetylene lamps in addition to five powerful hand torches because, as he said, they didn’t know but what the power might be off. He had also provided himself with a small torch with a blue light.

They had driven along the front, past the Cod-and-Bottle, and parked their car near Fisherman’s Steps.

Ricky had described his visit to Syd’s pad so vividly that Alleyn felt as if he himself had been there before. They didn’t say much to each other as they climbed the steps. Plank, who in the course of duty beats had become familiar with the ground, led the way and used his torch to show awkward patches.

“We don’t want to advertise ourselves,” Alleyn had said. “On the other hand, we’re making a routine search, not scaling the cliffs of Abraham in blackface. If there’s somebody at home who won’t answer the door we effect an entrance. If nobody’s there we still effect an entrance. And that’s it.”

They were about halfway up the steps and had passed the last of the cottages, when Plank said: “The place is up on the right, sir. If there was lights in the front windows we’d see them from here.”

“I can just make out the roof.”

“Somebody might be in a back room,” said Fox.

“Of course. We’ll take it quietly from here. Plank, you’re familiar with the lie of the land. When we get there you take a man with you and move round to the back door as quietly as you can. We three will go to the front door. If there’s anybody at home he might try a break. From now on, softly’s the word. Don’t rush it and don’t use your torch unless you’ve got to and then keep it close to the ground.”

They moved on slowly. The going became increasingly difficult, their feet slipped, they breathed hard, and once the larger of the Montjoy men fell heavily, swore, and said, “Pardon.” Plank administered a stern rebuke. They continued uphill still led by Plank who turned every now and then to make sure they were all together.

On the last of these occasions he put out his hand and touched Alleyn.

“Sir,” Plank breathed, “has someone fallen back?”

No, they were all there.

“What is it?”

“We’re being followed.”

Alleyn turned. Some way below them a torchlight darted momentarily about the steps, blacked out and reappeared, nearer.

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