Gail Bowen - Burying Ariel

“That’s a good question,” he said.

“And I was pretty close to giving it a rotten answer,” I said. “Damn it, I always let Ann get under my skin. Let’s tough it out.”

Ed frowned. “This isn’t a night for muscle-flexing,” he said. “You were right. This is supposed to be about Ariel.”

I looked down at my daughter. “Do you want to stay?”

But she was concerned about Ed. “Would you be okay going home by yourself?”

“I’d be okay,” he said. “Besides, somebody has to drink those Shirley Temples before they lose their oomph.”

“ Oomph!” Taylor scrunched her face at the cartoon word, then for the first time since we’d set out for the vigil, she smiled.

I reached out and touched Ed’s cheek. “We’ll see you later,” I said. “And take it easy on the Shirley Temples. A good man is hard to find.”

The vigil for Ariel Warren exists in my memory as a series of images, which revealed truths as familiar to the philosopher as they are to the chiaroscurist. The first was that light is fully appreciated only when it is set against an absence of light; the second was that even the most familiar figures can cast lengthy shadows.

As I watched Ed walk towards the Parkway, I was sick at heart. He was heading west, and while I had balked at the suggestion that Ariel Warren was a symbol, I had seen too many old westerns not to feel a twinge at the image of a decent man disappearing into the sunset. It took an act of will not to follow him.

Livia Brook met me by the fountain. She was wearing a black T-shirt dress and strappy patent-leather flats. Draped around her shoulders was an extravagantly fringed antique satin shawl covered with oversized poppies that appeared to be hand-painted. It was a festive accessory for a mourner, but no one looking into Livia’s face could doubt her pain. She had removed the barrettes that usually held her hair in place, and against the cascade of chestnut and grey curls, her face was wan.

“Ariel’s mother wants to talk to you before we start,” she said.

It was a request I couldn’t ignore. Dr. Molly Warren was not a friend, but I liked and respected her. She had been my gynecologist for the past fifteen years, and as far as I was concerned she was just about perfect. She treated my concerns seriously, answered my questions fully, and shepherded me through a difficult menopause with information and brisk good humour. Even when I was sitting on the edge of the table in the examination room, shivering and apprehensive in my blue paper gown, the click of her impossibly high heels coming down the hall reassured me. I knew she wouldn’t talk down; I knew she wouldn’t scare me needlessly; I knew she’d tell the truth. She had been a rock to me and to many other women I knew. Any of us would have done whatever we could to redress the balance.

A group of women had come together just inside the door. To the right of them, standing in front of the glass case that housed displays from the Classics department, were Molly Warren and Solange Levy. Two facts were immediately apparent: Solange was in deep psychological trouble, and Molly was doing what she could to help. Back in her uniform of black jeans, T-shirt and Converse high-tops, Solange was beyond wired; she was blowing out all the circuits. She was talking non-stop. As she spoke, her hands chopped the air, and her feet danced like a boxer’s. Even her black, henna-shined hair seemed charged with manic electricity. Molly listened with an expression I had seen often: capable, concerned, but with her lips tight, insulating herself against the weaknesses of the flesh that beset the rest of us.

The moment must have been one of unimaginable horror for her, but Molly Warren, as she always did, looked as if she had just stepped off the cover of Vogue. If it seemed cruel to notice her appearance, it was also inevitable. I have never known a woman to whom personal appearance mattered more. She was not a beauty – Ariel’s chiselled good looks had come from her father – but Molly took meticulous care of what she had: her skin was deep-cleansed, rehydrated, and dewy; her Diane Sawyer haircut subtly layered and highlighted; her outfits chosen with care and knowledge. Whenever she glided into her Delft-blue outer office to pick up a file or take a phone call, we patients leaned towards one another and whispered about her unerring sense of style.

That night the silk suit she was wearing was soft grey with a mauve undertone like lilacs in the mist, and her simple grey Salvatore Ferragamo pumps and bag glowed as only seven hundred dollars’ worth of calfskin can. I imagined her selecting her ensemble in the morning, holding the bag against the suit, checking the match, not knowing that by day’s end she would be wearing her perfect outfit to a vigil for her daughter.

I pulled Taylor closer. She leaned across me to peer down the hall, then up at the huge expanse of glass at the front of the library. “I’ve been here a million times,” she whispered. “But never at night. It’s different.” Suddenly, Solange caught her attention. “What’s the matter with that girl over there?”

“She was best friends with the woman who died.”

“And she’s acting up?”

“Something like that,” I said.

As we watched, Molly opened her bag, took out a prescription bottle, removed a tablet and handed it to Solange. Meek as a child, Solange took the pill and put it under her tongue. Whether it was from exhaustion, medication, or the power of suggestion, she seemed to calm down. She whispered something to Molly, then walked over and joined Ann Vogel and Rae Colby, the director of the Women’s Centre.

Molly Warren looked as alone as anyone I had ever seen. She was not a person who invited physical contact, but I had no idea how to approach her except through an embrace. Her body was stiff and unresponsive, but she didn’t step away, so I held her, staring uncomprehendingly at the announcement of a lecture on the Eleusinian Mysteries the Hellenic Society was sponsoring and wondering what in the name of God to do next.

Finally, Molly took a step back. Her words surprised me. “I had a battle with myself about coming to this. It seemed wrong to be part of an event at which Ariel’s father wasn’t welcome.”

“Someone told you that?”

“Not in so many words, but Solange hinted that Drew might find the evening uncomfortable. I’m sure her warning was intended as a kindness.” Molly made a gesture of dismissal with her hand. “None of that matters now. I’m glad I came. Joanne, have you heard the rhetoric here tonight? It’s pretty virulently anti-male.”

I shook my head. “We were late.”

“Then you haven’t heard the rumours that are swirling around.”

“No,” I said, “but I can imagine they’re ugly.”

“They are,” she said. “And they’re irresponsible. Until we have the autopsy results, no one will know whether the crime was sexually motivated. But that’s the assumption made by almost everyone who’s talked to me. Suddenly all men are suspect.” Molly raised her fingers to her temples and rubbed in a circular motion. “Joanne, I don’t know what happened to my daughter in that archive room. At the moment, I lack the courage to imagine it. But there’s one thing I do know. I will not allow Ariel’s death to become an excuse for anybody to push a political agenda.”

“Should I talk to the organizers?”

“I already have,” she said. “I hoped I’d be able to say a few words to keep the evening in perspective, but I just can’t seem to form a coherent thought. That’s why I asked the organizing committee to find you. I know I’m putting you on the spot, but you and Solange are the only friends of Ariel’s from the university that I know. You’ve seen the state Solange is in. She’s promised she won’t do anything to make matters worse, but she can’t be counted on to do much beyond that.”