Aaron Elkins - Skeleton dance

"They were. Faint, smudged… but ultimately identifiable."

"Huh. So you think… what? That he killed Jacques and then he went out and killed himself?"

"I should be surprised if it were the other way around," said Joly dryly. "And apparently a single day elapsed between the two. Roussillot, after endless equivocation, has finally concluded that he's been dead about two days. Beaupierre was killed three days ago, as you know. Are you there?" he asked when there was no response from Gideon.

"Lucien, I have to tell you, I have a funny feeling about all this. Why would Bousquet kill himself?"

"Remorse?"

"You're not serious."

"I'm simply-Gideon, if you're free, why don't you come to the morgue here in Perigueux? It would be easier to talk. And Roussillot especially asked me to say he would be happy to delay the autopsy until you arrived."

"Please, not on my account. I'm not that keen on autopsies. I like my corpses ten thousand years old. Not," he added, "that I don't appreciate the gesture."

"He'll be disappointed. He was hoping you'd be there."

"What for? He's the pathologist, not me."

"I think he wants to show off a little for you. He doesn't often get so distinguished an audience, you know."

"I'm flattered, but-"

"And the truth is, I would be more comfortable as well. Not that Roussillot isn't perfectly competent, of course, but all the same… well, you know how it is, and inasmuch as you're here in any event-"

"Okay, sure. I doubt if I'll be any help, but tell me how to get there."

He used the pen chained to the reception desk to jot down the instructions. "Thanks, I'll see you in a little while. Oh, and please-will you tell Roussillot to feel perfectly free to get started without me? In fact, encourage him to." Watching that first big "Y" incision-clavicles to pubis-was something he could easily live without.

"Who was it?" Julie asked, looking up a moment later. "Anything important?"

"Joly," Gideon said. "They found Bousquet. He killed himself, apparently right after murdering Jacques. He used the same rifle that killed Ely."

"Really!" She put down her pen. "So that's that," she said thoughtfully after a few moments. "All the loose ends have been tied up."

"Yeah. That's what's bothering me about it."

Julie looked at him with her head cocked. "Why should tying up the loose ends bother you?"

"Because every loose end is tied up. Every question is answered. Who faked the Tayac find? Jacques. Who murdered Ely? Jacques and Bousquet together. Who murdered Jacques? Bousquet. Who killed Bousquet? Bousquet killed himself. End of story, case closed. No more questions to ask, and nobody to ask them of if we did have them."

"But it happens that way sometimes, doesn't it? Murderers do kill themselves. I still don't see the problem."

"Look, Julie, one of the things I've learned about people murdering each other is that it's never neat, it's never cut-and-dried. It's always messy, there are always loose ends, ambiguities, things that don't add up. But this package is too… too tidy, that's all."

"Gideon, didn't you tell me the other day that I was getting too melodramatic? Well, to tell you the truth-"

"All right, think about the air rifle for a minute. Why would Bousquet have hung on to it for three years? Did he take it with him to Corsica? And especially-why would he bring it back here?"

"Well, presumably he did show up with murder on his mind."

"But why bring the Cobra? An air rifle, even a super high-powered one like this one, still makes a lousy weapon. Even your cheapo Saturday night special would beat it for killing power. Besides that, it's awkward. It's big, and hard to hide, and I think you need air from a diving tank or something to charge it… and anyway, he didn't shoot Jacques, he hit him with a hand-axe. I'm telling you, something's off. We're being had."

"I remember when I first met you, before you were the Skeleton Detective," Julie said wistfully, "you were such a nice, innocent, mild-mannered professor. You trusted everyone, you didn't see trickery and deception everywhere you looked."

"You're right. That was before I learned the First Rule of Forensic Analysis."

"Which is?"

"When in doubt, think dirty," he said, laughing. "Look, I'd better get going. They want me in Perigueux, at the morgue. For the autopsy, I'm sorry to say. I should be back in three or four hours."

"Lucky you," Julie said, getting up. "Well, I'll drive you. It's starting to rain again."

"No, don't bother. I'm fine, really."

"No, you're not fine."

"Yes, I am fine. Anyway, I want to think this stuff through on the way."

"That, my darling absent-minded professor, is what I'm worried about. I've seen you drive while you were thinking something through and it's a terrifying sight; no one on the road is safe. I'll drive; you think. And anyway," she added, reaching into the leather purse on the floor beside her, "I have the keys."

Once in Perigueux, with the rain tapering off and the sun beginning to peek through, they left the car in a parking garage near the Arenes, the public gardens on the site of the Gallo-Roman arena, and found a sidewalk cafe overlooking some of the ancient, tumbled blocks of stone, where they agreed to meet again in two hours. In the meantime, Gideon suggested, it might be nice to have an afternoon espresso, and perhaps even a bite, before he reported to the police commissariat.

"Not that I don't enjoy your company," Julie said, stirring sugar into her coffee at an awninged table, "but I thought you were in a hurry. Aren't they waiting for you?"

"Oh, I don't think another half-hour's going to make any difference. Besides, the longer I take to get there, the further along Roussillot's going to be on the autopsy, which suits me fine."

"It does? I would have thought that the further it goes the worse it gets."

"Not to me, it doesn't. The longer the cutting goes on, the less the thing on the table resembles a human being. It's just a pile-well, separate piles, really-of intestines, liver, spleen… the lungs and heart come out early, you see-"

"Whup-whup." Julie held up her hand, traffic-cop style. "I get the idea; thank you so much for explaining. Here, you're welcome to my tart, if you like. I can't imagine what happened to my appetite."

"I'm sorry, honey," he said sincerely, then sighed. "Well, I've probably procrastinated about as much as I can get away with; I'd better be on my way." He tossed off the last of his coffee, stood up, and bent to kiss her. "See you in a couple of hours. Have fun."

She gave him a sympathetic smile. "You have fun too."

At the commissariat, he was met at the front desk by Joly, who led him downstairs to the autopsy room. (Like most autopsy rooms, it was in the basement, where there were no windows to distract the technicians on the inside or to spoil the day of any innocents who might happen to look in from the outside.)

On the way, he succinctly filled Gideon in on what had been learned so far. That the corpse was Bousquet's had been confirmed with visual identifications, by his landlady, by Emile Grize, and by Audrey Godwin-Pope. That the weapon found under his body was the same one that had killed Ely Carpenter had also been established: the ballistics section had compared the rifling of the Cobra's barrel to the rifling marks on the pellet found under Carpenter's body in the abri and determined that they matched.

"What about Bousquet?" Gideon asked. "Did you find the bullet-I mean the pellet?"

"It's still in his body, unless Roussillot has removed it in the last few minutes. But X-rays have been taken, and it shows up quite clearly-a wasp-waisted pellet of the same approximate size as the one that killed Carpenter. We'll know for certain later, but I think that for now we can assume that the same weapon was used in both cases."