Agatha Christie - One, Two, Buckle My Shoe

After this had been repeated, da capo, and with various embellishments, several times, Agnes drew a little nearer to the subject of the interview.

"I wouldn't like to say anything to Miss Morley, sir, because it might be, you see, that she'd say as how I ought to have said something before, but me and cook, we talked it over and we didn't see as it was any business of ours, because we'd read quite clear and plain in the paper as how the master had made a mistake in the drug he was giving and that he'd shot himself and the pistol was in his hands and everything, so it did seem quite clear, didn't it, sir?"

"When did you begin to feel differently?" Poirot hoped to get a little nearer the promised revelation by an encouraging but not too direct question.

Agnes replied promptly:

"Seeing it in the paper about that Frank Carter – Miss Nevill's young man as was. When I read as he'd shot at that gentleman where he was gardener, well, I thought, it looks as if he might be queer in the head, because I do know people it takes like that, think they are persecuted, or something, and all people around are enemies, and in the end they are put in a home and they have to stay there. And I thought that perhaps Frank Carter was like that. Because he always talked about Mr. Morley, how he was against him and trying to turn Gladys against him, but of course she wouldn't hear of it, because you know the nice girl she is. And we thought how right she was, because he was an educated lad and very nice looking and neither of us thought he'd really done anything to Mr. Morley. We just thought it was a bit queer if you know what I mean."

Poirot said patiently:

"What was queer?"

"It was that morning, sir, the morning Mr. Morley shot himself. I'd been wondering if I dared run down and get the post. The postman had come but that Alfred hadn't brought up the letters, which he wouldn't do, not unless there was some for Miss Morley or Mr. Morley, but if it was just for Emma or me he wouldn't bother to bring them up till lunch time.

"So I went out on the landing and I looked down over the stairs. Miss Morley didn't like us going down to the hall, not during the master's business hours, but I thought maybe as I'd see Alfred taking in a patient to the master and I'd call down to him as he came back."

Agnes gasped, took a deep breath and went on:

"And it was then I saw him – that Frank Carter, I mean. Half way up the stairs he was – our stairs, I mean, above the master's floor. And he was standing there waiting and looking down – and I've come to feel more and more as though there was something queer about it. He seemed to be listening very intent, if you know what I mean."

"What time was this?"

"It must have been getting on for half past twelve, sir. And just as I was thinking, there, now, it's Frank Carter, and Miss Nevill's away for the day and won't he be disappointed, and I was wondering if I ought to run down and tell him because it looked as though that lump of an Alfred had forgot, otherwise I thought he wouldn't have been waiting for her. And just as I was hesitating, Mr. Carter, he seemed to make up his mind, and he slipped down the stairs very quick and went along the passage towards the master's surgery, and I thought to myself, the master won't like that, and I wondered if there was going to be a row. But just then Emma called me, said whatever was I up to? and I went up again and then, afterwards, I heard the master had shot himself and, of course, it was so awful it just drove everything out of my head. But later, when that police Inspector had gone I said to Emma, I said, I didn't say anything about Mr. Carter having been up with the master this morning, and she said was he, and I told her, and she said well, perhaps I ought to tell, but anyway I said I'd better wait a bit, and she agreed, because neither of us didn't want to get Frank Carter into trouble if we could help. And then, when it came to the inquest and it come out that the master had made that mistake in a drug and really had got panicky and shot himself, quite natural-like – well, then, of course, there was no call to say anything. But reading that piece in the paper two days ago – oh! it did give me a turn! And I said to myself, if he's one of those loonies that thinks they're persecuted and goes round shooting people, well, then maybe he did shoot the master after all!"

Her eyes, anxious and scared, looked hopefully at Hercule Poirot. He put as much reassurance into his voice as he could.

"You may be sure that you have done absolutely the right thing in telling me, Agnes," he said.

"Well, I must say, sir, it does take a load off my mind. You see, I've kept saying to myself as perhaps I ought to tell. And then, you see, I thought of getting mixed up with the police and what mother would say. She's always been so particular about all…"

"Yes, yes," said Hercule Poirot hastily.

He had had, he felt, as much of Agnes's mother as he could stand for one afternoon.

Poirot called at Scotland Yard and asked for Japp.

He was taken up to the Chief Inspector's room.

"I want to see Carter," said Hercule Poirot.

Japp shot him a quick, sideways glance. He said:

"What's the big idea?"

"You are unwilling?"

Japp shrugged his shoulders. He said:

"Oh, I shan't make objections. No good if I did. Who's the Home Secretary's little pet? You are. Who's got half the Cabinet in his pocket? You have. Hushing up their scandals for them."

Poirot's mind flew for a moment to that case he had named the Case of the Augian Stables. He murmured, not without complacence:

"It was ingenious, yes? You must admit it. We imagined, let us say."

"Nobody but you would ever have thought of such a thing! Sometimes, Poirot, I think you haven't scruples at all!"

Poirot's face became suddenly grave. He said:

"That is not true."

"Oh, all right, Poirot, I didn't mean it. But you're so pleased sometimes with your damned ingenuity. What do you want to see Carter for? To ask whether he really murdered Morley?"

To Japp's surprise, Poirot nodded his head emphatically.

"Yes, my friend, that is exactly the reason."

"And I suppose you think he'll tell you if he did?"

Japp laughed as he spoke. But Hercule Poirot remained grave. He said:

"He might tell me – yes."

Japp looked at him curiously. He said:

"You know, I've known you a long time – twenty years? Something like that. But I still don't always catch on to what you're driving at. I know you've got a bee in your bonnet about young Frank Carter. For some reason or other, you don't want him to be guilty -"

Hercule Poirot shook his head energetically.

"No, no, there you are wrong. It is the other way about -"

"I thought perhaps it was on account of that girl of his – the blond piece. You're a sentimental old buzzard in some ways -"

Poirot was immediately indignant.

"It is not I who am sentimental! That is an English failing! It is in England that they weep over young sweethearts and dying mothers and devoted children. Me, I am logical. If Frank Carter is a killer, then I am certainly not sentimental enough to wish to unite him in marriage to a nice but commonplace girl who, if he is hanged, will forget him in a year or two and find someone else."

"Then why don't you want to believe he is guilty?"

"I do want to believe he is guilty."

"I suppose you mean that you've got hold of something which more or less conclusively proves him to be innocent? Why hold it up, then? You ought to play fair with us, Poirot."

"I am playing fair with you. Presently, very shortly, I will give you the name and address of a witness who will be invaluable to you for the prosecution. Her evidence ought to clinch the case against him."