Agatha Christie - Sparkling Cyanide

"I wanted it to be a surprise!"

Lucilla had to smile.

"What a boy you are, George."

Iris said: "I don't mind about colour schemes. I'm sure Ruth will have made it perfect. She's so clever. What shall we do down there? There's a tennis court, I suppose."

"Yes, and golf links six miles away, and it's only about fourteen miles to the sea. What's more we shall have neighbours. Always wise to go to a part of the world where you know somebody, I think."

"What neighbours?" asked Iris sharply.

George did not meet her eyes.

"The Farradays," he said. "They live about a mile and a half away just across the park."

Iris stared at him. In a minute she leapt to the conviction that the whole of this elaborate business, the purchasing and equipping of a country house, had been undertaken with one object only – to bring George into close relationship with Stephen and Sandra Farraday.

Near neighbours in the country, with adjoining estates, the two families were bound to be on intimate terms. Either that or a deliberate coolness!

But why? Why this persistent harping on the Farradays? Why this costly method of achieving an incomprehensible aim?

Did George suspect that Rosemary and Stephen Farraday had been something more than friends? Was this a strange manifestation of post-mortem jealousy? Surely that was a thought too far-fetched for words!

But what did George want from the Farradays? What was the point of all the odd questions he was continually shooting at her, Iris? Wasn't there something very queer about George lately?

The odd fuddled look he had in the evenings! Lucilla attributed it to a glass or so too much of port. Lucilla would!

No, there was something queer about George lately. He seemed to be labouring under a mixture of excitement interlarded with great spaces of complete apathy when he sunk in a coma.

Most of that August they spent in the country at Little Priors. Horrible house! Iris shivered. She hated it. A gracious well-built house, harmoniously furnished and decorated (Ruth Lessing was never at fault!). And curiously, frighteningly vacant. They didn't live there. They occupied it. As soldiers, in a war, occupied some look-out post.

What made it horrible was the overlay of ordinary normal summer living. People down for weekends, tennis parties, informal dinners with the Farradays. Sandra Farraday had been charming to them – the perfect manner to neighbours who were already friends. She introduced them to the county, advised George and Iris about horses, was prettily polite and deferential to Lucilla as an older woman.

And behind the mask of her pale smiling face no one could know what she was thinking. A woman like a sphinx.

Of Stephen they had seen less. He was very busy, often absent on political business. To Iris it seemed certain that he deliberately avoided the Little Priors party more than he could help.

So August had passed and September, and it was decided that in October they should go back to the London house.

Iris had drawn a deep breath of relief. Perhaps, once they were back George would return to his normal self.

And then, last night, she had been roused by a low tapping on her door. She switched on the light and glanced at the time. Only one o'clock. She had gone to bed at half-past ten and it had seemed to her it was much later.

She threw on a dressing-gown and went to the door. Somehow that seemed more natural than just to shout "Come in."

George was standing outside. He had not been to bed and was still in his evening clothes. His breath was coming unevenly and his face was a curious blue colour.

He said: "Come down to the study, Iris. I've got to talk to you. I've got to talk to someone."

Wondering, still dazed with sleep, she obeyed.

Inside the study, he shut the door and motioned her to sit opposite him at the desk. He pushed the cigarette box across to her, at the same time taking one and lighting it, after one or two attempts, with a shaking hand.

She said, "Is anything the matter, George?"

She was really alarmed now. He looked ghastly.

George spoke between small gasps, like a man who has been running.

"I can't go on by myself. I can't keep it any longer. You've got to tell me what you think – whether it's true – whether it's possible –"

"But what is it you're talking about, George?"

"You must have noticed something, seen something. There must have been something she said. There must have been a reason." She stared at him.

He passed his hand over his forehead.

"You don't understand what I'm talking about. I can see that. Don't look so scared, little girl. You've got to help me. You've got to remember every damned thing you can. Now, now, I know I sound a bit incoherent, but you'll understand in a minute – when I've shown you the letters."

He unlocked one of the drawers at the side of the desk and took out two single sheets of paper.

They were of a pale innocuous blue, with words printed on them in small prim letters.

"Read that," said George.

Iris stared down at the paper. What it said was quite clear and devoid of circumlocution:

"YOU THINK YOUR WIFE COMMITTED SUICIDE. SHE DIDN'T. SHE WAS KILLED."

The second ran:

"YOUR WIFE ROSEMARY DIDN'T KILL HERSELF. SHE WAS MURDERED."

As Iris stayed staring at the words, George went on:

"They came about three months ago. At first I thought it was a joke – a cruel rotten sort of joke. Then I began to think. Why should Rosemary have killed herself?"

Iris said in a mechanical voice: "Depression after influenza."

"Yes, but really when you come to think of it, that's rather piffle, isn't it? I mean lots of people have influenza and feel a bit depressed afterwards – what?"

Iris said with an effort: "She might – have been unhappy?"

"Yes, I suppose she might." George considered the point quite calmly. "But all the same I don't see Rosemary putting an end to herself because she was unhappy. She might threaten to, but I don't think she would really do it when it came to the point."

"But she must have done, George! What other explanation could there be? Why, they even found the stuff in her handbag."

"I know. It all hangs together. But ever since these came," he tapped the anonymous letters with his fingernail, "I've been turning things over in my mind. And the more I've thought about it the more I feel sure there's something in it. That's why I've asked you all those questions – about Rosemary ever making any enemies. About anything she'd ever said that sounded as though she were afraid of someone. Whoever killed her must have had a reason –"

"But, George, you're crazy –"

"Sometimes I think I am. Other times I know that I'm on the right track. But I've got to know. I've got to find out. You've got to help me, Iris. You've got to think. You've got to remember. That's it – remember. Go back over that night again and again. Because you do see, don't you, that if she was killed, it must have been someone who was at the table that night? You do see that, don't you?"

Yes, she had seen that. There was no pushing aside the remembrance of that scene any longer. She must remember it all. The music, the roll of drums, the lowered lights, the cabaret and the lights going up again and Rosemary sprawled forward on the table, her face blue and convulsed.

Iris shivered. She was frightened now – horribly frightened…

She must think – go back – remember.

Rosemary, that's for remembrance.

There was to be no oblivion.

Ruth Lessing, during a momentary lull in her busy day, was remembering her employer's wife, Rosemary Barton.

She had disliked Rosemary Barton a good deal. She had never known quite how much until that November morning when she had first talked with Victor Drake.