Ed McBain - The Last Dance

told Palmer this was his first DBN of the week, which letters he jovially explained stood for Distressed British National.

"Murder, eh?" he said. "Who'd you kill?"

"I haven't killed anyone" Palmer said. "Don't be a bloody fool."

"Let me explain how American law works," Holden said. "If you actually hired someone to kill someone else, then you're as guilty as the person pulling the trigger. Murder for hire is first-degree murder, and the penalty is death by lethal injection. They use Valium. A massive dose that stops the heart. Conspiracy to commit murder is another A-felony. If you did either or both of these things . . ."

"I didn't."

"I was about to say you'd be in very deep trouble. If you did these things. Which you say you didn't."

"That's right."

"Being British is no excuse, by the way. It doesn't entitle you to immunity."

"I don't need immunity. I haven't done anything."

"Well, good then. D'you know anyone named John Bridges?"

"No."

"They seem to think you know him."

"I don't."

"How about a man named Charles Colworthy?"

Palmer's eyes opened wide.

"Supposed to work with you at Martins and Grenville. Good publishers, eh? D'you know him?"

Palmer was thinking it over.

"The way they have it," Holden said, "Colworthy knows someone named Delroy Lewis, who put you in touch with this Bridges chap to whom you and Cynthia Keating together paid five thousand dollars to kill her father. But that isn't so, is it?"

"Well, I know Colworthy, yes. But . . ."

"Ah, you do?"

"Yes. We work together in the post room. But I certainly didn't hire . . ."

"That's good. I'll just tell them they've made a mistake."

"Where'd they get those names, anyway?"

"From the woman."

"What woman?"

"Cynthia Keating," Holden said, and hooked his thumbs into his vest pockets. "She's ratted you out."

Palmer looked at him.

"But if you had nothing to do with this . . ."

"Just a minute. What do you mean? Just because she gave them the name of someone I work with . . ."

"The other man as well. Delroy Lewis. The one leading directly to Bridges. Who killed her father."

"Well, the only one / know is Charlie. He's the one I work with. I may have mentioned his name to her. In casual conversation. If so, she must have contacted him on her own."

"Ah," Holden said, and nodded. "To ask if he might know anyone who'd help kill her father, is that it?"

"Well, I ... I'm sure I don't know what she asked him." ,

"Called London to arrange his murder, is that how you see it?"

"I don't see it any way at all. I'm merely trying to explain . . ."

"Yes, that you, personally, had nothing to do with this."

"Nothing whatever."

"So Mrs Keating is lying to them. Has lied to them, in fact. She's accepted a deal, you see. They've dropped the conspiracy charge and lowered the murder charge to second degree. Twenty to life, with a recommendation

for parole." Holden paused. "They might even offer you the same deal. Then again, perhaps not."

Palmer looked at him.

"Because of the related murder."

Palmer kept looking at him.

"They seem to think you did that one personally. The old lady. Martha Coleridge. I have no idea where she fits into the scheme of things, but apparently she was threatening a plagiarism suit. Do you know the woman I mean?"

"Yes," Palmer said.

"That would constitute a second count of first-degree murder," Holden said, and stroked his mustache. "So I doubt if they'd offer you the same deal, after all."

"I'm not looking for a deal."

"Why should you be? You haven't done anything."

"That's right."

"I'll just tell them to forget it."

"Of course. They have no proof."

"Well, they have the woman's confession. Which implicates you, of course. And our chaps may get something more from Bridges, if ever they find him. They're looking for him now, apparently. In Euston. He lives in Euston."

Palmer fell silent again.

"You won't be granted bail, you realize," Holden said. "You're a foreigner implicated in murder, no one's going to risk your running. In fact, till the dust settles one way or another, they'll want your passport." He sighed heavily, said, "Well, I'll see about finding a lawyer for you," and went to the corner where he'd hung his overcoat. Shrugging into it, buttoning it, his back to Palmer, he said, "You wouldn't possibly have anything to ... offer them, would you?"

"How do you mean?"

Holden turned toward him.

"Well," he said, "I must tell you, with the woman's confession, they have more than enough for an indictment. It'll go worse for you if they catch up with the Jamaican and flip him as well, but even so they've got a quite decent case."

"But I haven't done anything."

"Right. Keep forgetting that. Sorry. Let me talk to them." He opened the door, hesitated, turned to Palmer again, and said, "You wouldn't know anything about this little black girl who got stabbed up in Diamondback, would you?"

Palmer merely looked at him.

"Althea Cleary? Because they like to tidy things up, you see. If you can tell them anything about that murder . . . they're not trying to implicate you in it, by the way, they seem to think the Jamaican did that one all on his own. Got into some sort of argument with the girl, lost his temper. Whatever." His voice lowered. "But if he mentioned anything about it to you . . . perhaps before he went back to London ... it might be worth a deal, hm?"

Palmer said nothing.

His voice almost a whisper, Holden said, "He's just a Yardie, y'know."

Palme'r sat as still as a stone.

"Well, I suppose not," Holden said.

It suddenly occurred to him that the man was simply very stupid.

He sighed again, and went out of the room.

In the squadroom, they were speculating about what might have happened to Althea Cleary.

"She takes the Jamaican back to her apartment," Parker suggested. "He drops the rope in her drink, figures he's home free. But while he's waiting for it to take effect,

Ed McBam

she casually mentions she's a working girl and this is gonna cost him two bills. He's offended because he's never had to pay for it in his life, male or female. So he stabs her."

"That's possible," Brown said, "but you're forgetting something."

"What's that?"

"He's gay."

"He's bi."

"He thinks he's bi."

"He wouldn'ta been there if he wasn't bi," Parker insisted.

"He gets into the apartment," Brown said, undaunted, "drops the pills, and starts moving on her. Trouble is he's gay. She doesn't excite him. He can't perform. So he loses his temper and jukes her."

"Well, that's a possibility," Meyer said, "but something else could've happened, too."

"What's that?"

"Bridges drops the pills, right? Five minutes or so, the girl starts feeling funny. She accuses him of having put something in her drink. He panics, grabs a knife from the counter, lets her have it."

"Yeah, maybe," Kling said, "but here's what / think happened. He gets in the apartment . . ."

"Who's for pizza?" Parker asked.

"They profile a Yardie as someone who enters the country carrying a forged or stolen British passport," Carella said. "Usually—but not necessarily—he's a black man from Jamaica, somewhere between the ages of eighteen and thirty-five. He's either got a record already . . ."

"Does Bridges have one?" Byrnes asked.

"Nobody by that name in their files. They said he may be a new kid on the block, there's a constant flow. Most of

them are in the drug trade. Getting rope would've been a walk in the park for him."

"Is he wanted for anything?"

"Not by the Brits. Not so far, anyway."

"Give him time," Byrnes said.

"Meanwhile, he's running around London someplace."