Antonia Hodgson - A Death at Fountains Abbey

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The new twisting mystery from CWA Historical Dagger 2014 winner Antonia Hodgson.
Late spring, 1728, and Thomas Hawkins has left London for the wild beauty of Yorkshire – forced on a mission he can't refuse. John Aislabie, one of the wealthiest men in England, has been threatened with murder. Blackmailed into investigating, Tom must hunt down those responsible – or lose the woman he loves forever.
Arriving at the grand estate of Studley Royal, Tom realises that the threats to Aislabie and his family must be connected to someone in the house itself. Could one of the servants be responsible? And what of the mysterious Mrs Fairwood, the young widow who claims to be Aislabie's lost daughter?
Far from the ragged comforts of home, Tom and his ward, Sam Fleet, enter a world of elegant surfaces and hidden danger. Someone is determined to punish John Aislabie – and anyone who stands in the way. As the violence escalates and shocking truths are revealed, Tom is dragged inexorably towards the darkest night of his life.
Inspired by real characters, events and settings, A Death at Fountains Abbey is a gripping stand-alone historical thriller. It also continues the story that began with the award-winning The Devil in the Marshalsea and The Last Confession of Thomas Hawkins.

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‘Then I beg you to visit me tomorrow sir, at Fountains Hall,’ he beamed. ‘Have you viewed the abbey yet?’

‘There is a painting-’

‘No? Splendid – you must permit me to tour it with you. We must pray for good weather. Now: promise me you will set aside at least three hours, sir! One cannot appreciate all the finer details if one rushes through…’ He then ruined five perfectly decent minutes of my life talking about flying buttresses. Mr Gatteker, the traitor, drifted away. My eyes flickered across Forster’s face, which was more interesting than his conversation. A brilliant white scar crossed one golden brow, and another cut into his lip. The lines at the edges of his eyes suggested a man of at least five and thirty, but they might have been formed from squinting at the Italian sun. In fact he mentioned later that evening that he was born in 1700, ‘the very cusp of the new century’. It had aged him, that bright sunshine.

‘I’m sorry to hear about your arm,’ I said, leaping into a momentary lull in his monologuing.

Forster winced. ‘Broke the wrist too, would you believe. Damned horse stumbled on the Nottingham road.’ The sling kept his arm high upon his chest, his bandaged thumb and fingers pressed to his heart.

‘Must have been painful.’

‘Screamed like a baby,’ he said, laughing at himself in a likeable way – and I forgave him for his lamentable skills in conversation.

But not enough to sit with him at supper.

We were a smaller gathering in the dining room, our party whittled down to eight for a light meal. It was almost nine when we sat down, but the curtains were left open to the black night. It gave a dramatic backdrop to the room, which was bright with candles, flames mirrored in the silverware. Aislabie and Lady Judith sat at either end of the table, our elegant hosts, exchanging affectionate jests at each other’s expense. Elizabeth Fairwood sat next to her would-be father in her grey gown, training her displeasure upon her plate. Francis Forster took the chair opposite, eager to speak with Aislabie. They fell swiftly into a discussion about the new stables, to the point that Aislabie called for Bagby, ordering him to bring in the plans for closer scrutiny. Lady Judith overruled her husband, her clear voice cutting above the rest. ‘Not at supper, dearest. Poor Mrs Fairwood is drooping with boredom.’

I was seated to her left, Mr Gatteker upon her right. She leaned closer, whispered in my ear. ‘Forster is a tedious fellow. I’m glad that you are at my side tonight.’ I felt a slim hand on my knee, followed by a gentle squeeze.

Sneaton, placed between Mr Gatteker and Mrs Fairwood, reached for the salted fish, struggling with his damaged hand.

‘If you will permit me, sir,’ Mrs Fairwood offered, bringing the dish closer.

‘Much obliged, madam,’ Sneaton replied.

The exchange was brief and excruciatingly polite. They clearly loathed one another.

‘How quiet you are, Master Fleet,’ Lady Judith scolded Sam, cocooned in silence to my left. ‘I believe you have not spoken one word since we sat down.’

To my surprise, Mrs Fairwood spoke up in his defence. ‘Is that not refreshing, madam? To speak only when one has something pertinent to say?’

Lady Judith was too subtle to acknowledge the insult. ‘Now there is a noble ambition! Though I fear under such instruction, the dining rooms of England would fall silent at a stroke. Tell me, Master Fleet, do you enjoy your stay at Studley Hall?’

I sensed Sam’s consternation at the question, and his horror at being asked anything at all, to feel the eyes of the table swivel upon him. An honest reply would be no, he was not enjoying his stay at Studley, that – in fact – he hated it and wished more than anything to be gone. I had at least taught him enough manners to know that this was not an acceptable response.

‘Yes,’ he lied.

I trod on his toe.

‘Thank you,’ he added, miserable.

Another press of the toe, as if he were a pipe organ.

‘Madam.’ Half yelped.

‘There is much to commend a quiet gentleman,’ Mrs Fairwood announced to the air, dark ringlets shaking with the force of her feeling. ‘It suggests a thoughtful nature. To speak is a common necessity. To listen – a rare virtue.’

‘Quite so, well said, madam!’ Forster cried. ‘Nothing worse than a fellow who cannot keep his mouth closed. I have always felt…’

Lady Judith gave me a satirical look.

The supper continued. No one mentioned the threatening notes, or the deer. Talk returned to the stables, and the gardener’s extravagant bill for seeds, and then worse: politics. I could sense Sam growing increasingly restless. Eventually, he could bear it no longer.

‘Mr Sneaton. How were you burned?’

There was an appalled silence.

‘Mr Sneaton-’ I began.

He waved away my apology with his damaged hand. He seemed unable to speak. Gatteker poured himself another glass of claret, the wine glugging from the bottle in the silent room.

‘There was a fire in my London home,’ Aislabie answered at last, in a flat voice. ‘Many years ago now. My son William was a baby at the time. I tried to reach him…’ He swallowed hard. ‘I was forced back by the flames. Mr Sneaton ran into the fire and the smoke, and he found my son. I lost my wife, my Anne.’ He grabbed Mrs Fairwood’s hand. ‘But Mr Sneaton saved my son. He almost lost his own life as a consequence. He suffered years of pain. Still suffers now, without complaint. Mr Sneaton is the bravest, most admirable man I have ever met. I owe him everything . ’ He glared down the table. ‘Does that answer your question, Master Fleet?’

‘Yes,’ Sam said, reaching for the salt. ‘Thank you.’

The company rose from the table, subdued by Aislabie’s story and his obvious distress. I sent Sam to our rooms, which pleased him very well. He had plans to sketch in his room, using candles he’d tucked beneath his shirt. Sam’s instinct was to steal what he needed, rather than to ask and risk refusal. It would not have occurred to him that he could simply demand what he wanted. Not without a blade in his hand.

I suppose I should have reprimanded him for his behaviour, but why waste my breath? I had tried to explain the subtleties of polite conversation. It was like trying to recommend a complicated gavotte to a soldier striding hard across a battlefield. Sam’s view was that if one must speak, it should be to a purpose – to discover a useful fact, for example, or to offer a plan of action. Sam had wanted to know how Sneaton had been burned, and now he knew. This, to his mind, was a highly satisfactory conversational exchange.

And how could I argue with him? I now knew how Sneaton had come by his injuries, and why he was treated more as a member of the family than as Aislabie’s secretary. After all, servants did not sit down to supper with their masters, in the main. I was certain now that Sneaton had not written the threatening notes. He was loyal, and he was treated with respect – perhaps even affection – by the family. I might not have discovered this if Sam hadn’t ignored the constrants of etiquette.

I needed to think, and to restore my nerves. I needed a pipe. As Lady Judith escorted her guests to the drawing room I slipped away, through the great hall and down the front steps. It was a clear night, the waxing moon a brilliant silver. The front of the house was very still now that the work on the stables had ended for the day. Candles glowed softly in the drawing room and I could hear the sound of the harpsichord through an open window.

I stepped on to the drive, feet crunching on the gravel, then moved further out into the deer park beyond, the grass wet around my ankles. Here the darkness found me, and wrapped me in its quiet embrace. In London, night was day for me: I lived in Covent Garden, surrounded by coffeehouses, gin shops and brothels. I had run headlong into that wild and rowdy city, craving its hectic pace – the perfect tempo for my restless spirit.

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