Джозефина Тэй - The Daughter of Time

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The Daughter of Time: краткое содержание, описание и аннотация

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The Alan Grant series #5
Convalescing from a broken leg, Inspector Alan Grant undertakes to solve one of the greatest mysteries of all time – the murder of the princes in the Tower. Intrigued by a sympathetic portrait of King Richard III, Grant questions conventional accounts that condemn the monarch as the murderer of his young nephews. With the help of his friend, Marta Hallard, and a new acquaintance, Brent Carradine, Grant delves into the evidence – or lack thereof – surrounding the heinous crime and comes to a startling conclusion.
The Daughter of Time is the fifth novel to feature Inspector Alan Grant of Scotland Yard, and the last novel to be published by author Josephine Tey during her lifetime. It is recognized as a classic of detective literature and was voted number one in the UK Crime Writers' Association list of the top 100 crime novels of all time.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards…

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And yet young Edward, aged eighteen, idol of a capital city and on the way to the first of his victories, found time to come every day to see his small brothers.

Was it now, Grant wondered, that the remarkable devotion of Richard to his elder brother was born. An unwavering life-long devotion that the history books not only did not deny but actually used in order to point the moral. ‘Up to the moment of his brother’s death Richard had been in all vicissitudes his loyal and faithful helpmeet, but the opportunity of a crown proved too much for him.’ Or in the simpler words of the Historical Reader: ‘He had been a good brother to Edward but when he saw that he might become king greed hardened his heart.’

Grant took a sideways look at the portrait and decided that the Historical Reader was off the beam. Whatever had hardened Richard’s heart to the point of murder had not been greed. Or did the Historical Reader mean greed for power? Probably. Probably.

But surely Richard must have had all the power that mortal man could wish. He was the king’s brother, and rich. Was that short step further so important that he could murder his brother’s children to achieve it?

It was an odd set-up altogether.

He was still mulling it over in his mind when Mrs. Tinker came in with fresh pyjamas for him and her daily précis of the newspaper headlines. Mrs. Tinker never read past the third headline of a report unless it happened to be a murder, in which case she read every word and bought an evening paper for herself on the way home to cook Tinker’s supper.

Today the gentle burble of her comment on a Yorkshire arsenic-and-exhumation case flowed over him unbroken until she caught sight of the morning paper lying in its virgin condition alongside the books on the table. This brought her to a sudden halt.

‘You not feelin’ so good today?’ she asked in a concerned way.

‘I’m fine, Tink, fine. Why?’

‘You ’aven’t as much as opened your paper. That’s ’ow my sister’s gel started her decline. Not takin’ no notice of what was in the paper.’

‘Don’t you worry. I’m on the up-grade. Even my temper has improved. I forgot about the paper because I’ve been reading history stories. Ever heard of the princes in the Tower?’

Everyone’s ’eard of the princes in the Tower.’

‘And do you know how they met their end?’

‘Course I do. He put a pillow on their faces when they was asleep.’

‘Who did?’

‘Their wicked uncle. Richard the Third. You didn’t ought to think of things like that when you’re poorly. You ought to be reading something nice and cheerful.’

‘Are you in a hurry to get home, Tink, or could you go round by St. Martin’s Lane for me?’

‘No, I’ve plenty of time. Is it Miss Hallard? She won’t be at the theatre till six-about.’

‘No, I know. But you might leave a note for her and she’ll get it when she comes in.’

He reached for his scribbling pad and pencil and wrote:

‘For the love of Mike find me a copy of Thomas More’s history of Richard III.’

He tore off the page, folded it and scribbled Marta’s name on it.

‘You can give it to old Saxton at the stage door. He’ll see that she gets it.’

‘If I can get near the stage door what with the stools for the queue,’ Mrs. Tinker said; in comment rather than in truth. ‘That thing’s going to run forever.’

She put the folded paper carefully away in the cheap pseudo-leather handbag with the shabby edges that was as much a part of her as her hat. Grant had, Christmas by Christmas, provided her with a new bag; each of them a work of art in the best tradition of English leather-working, an article so admirable in design and so perfect in execution that Marta Hallard might have carried it to luncheon at the Blague. But that was the last he had ever seen of any of them. Since Mrs. Tinker regarded a pawnshop as one degree more disgraceful than prison, he absolved her from any suspicion of cashing in on her presents. He deduced that the handbags were safely laid away in a drawer somewhere, still wrapped up in the original tissue paper. Perhaps she took them out to show people sometimes, sometimes perhaps just to gloat over; or perhaps the knowledge that they were there enriched her, as the knowledge of ‘something put by for my funeral’ might enrich another. Next Christmas he was going to open this shabby sack of hers, this perennial satchel à toute faire, and put something in the money compartment. She would fritter it away, of course, on small unimportances; so that in the end she would not know what she had done with it; but perhaps a series of small satisfactions scattered like sequins over the texture of everyday life was of greater worth than the academic satisfaction of owning a collection of fine objects at the back of a drawer.

When she had gone creaking away, in a shoes-and-corset concerto, he went back to Mr. Tanner and tried to improve his mind by acquiring some of Mr. Tanner’s interest in the human race. But he found it an effort. Neither by nature nor by profession was he interested in mankind in the large. His bias, native and acquired, was towards the personal. He waded through Mr. Tanner’s statistics and longed for a king in an oak-tree, or a broom tied to a masthead, or a Highlander hanging on to a trooper’s stirrup in a charge. But at least he had the satisfaction of learning that the Englishman of the fifteenth century ‘drank water only as a penance.’ The English labourer of Richard III’s day was, it seemed, the admiration of the continent. Mr. Tanner quoted a contemporary, writing in France.

The king of France will allow no one to use salt, but what is bought of himself at his own arbitrary price. The troops pay for nothing, and treat the people barbarously if they are not satisfied. All growers of vines must give a fourth to the king. All the towns must pay the king great yearly sums for his men-at-arms. The peasants live in great hardship and misery. They wear no woollen. Their clothing consists of little short jerkins of sackcloth, no trowse but from the knees up, and legs exposed and naked. The women all go barefoot. The people eat no meat, except the fat of bacon in their soup. Nor are the gentry much better off. If an accusation is brought against them they are examined in private, and perhaps never more heard of.
In England it is very different. No one can abide in another man’s house without his leave. The king cannot put on taxes, nor alter the laws, nor make new ones. The English never drink water except for penance. They eat all sorts of flesh and fish. They are clothed throughout in good woollens, and are provided with all sorts of household goods. An Englishman cannot be sued except before the ordinary judge.

And it seemed to Grant that if you were very hard up and wanted to go to see what your Lizzie’s first-born looked like it must have been reassuring to know that there was shelter and a handout at every religious house, instead of wondering how you were going to raise the train fare. That green England he had fallen asleep with last night had a lot to be said for it.

He thumbed through the pages on the fifteenth century, looking for personal items; for individual reports that might, in their single vividness, illumine the scene for him as a ‘spot’ lights the desired part of a stage. But the story was distressingly devoted to the general. According to Mr. Tanner, Richard III’s only Parliament was the most liberal and progressive within record; and he regretted, did the worthy Mr. Tanner, that his private crimes should have militated against his patent desire for the common weal. And that seemed to be all that Mr. Tanner had to say about Richard III. Except for the Pastons, chatting indestructibly through the centuries, there was a dearth of human beings in this record of humanity.

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