Laura Rowland - Bundori - A Novel Of Japan

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From Publishers Weekly
Brutal murders linked to an ancient betrayal send late 17th-century Tokyo into a panic. They also spell big trouble for the Shogun's special investigator, Sano Ichiro, in this sequel to Rowland's well-received first novel, Shinju. The killings are made known when the severed heads of the victims are put on public display, in the manner of an ancient custom known as bundori, or war trophy. The victims are descendants of warriors who, more than a century earlier, were involved in the murder of a powerful warlord. As the killings continue, Sano, though hampered in his investigation by his devotion to the warrior-code of bushido and its precepts of silent obedience and service, suspects three of the most powerful men in the Shogunate, including Chamberlain Yanagisawa. Also complicating Sano's quest for the truth is a female ninja in Yanagisawa's power; aiding it are an eager young officer in the Tokyo police and a quirky old morgue attendant. Sano's allegiance to bushido makes him an unexpectedly passive hero, undermining the author's apparent attempt to wed Japanese philosophy to Western mystery-thriller conventions. But the novel reads smoothly and positively smokes with historical atmospherics.
From Library Journal
Part historical novel, part detective story, and part romance, Rowland's sequel to Shinju (LJ, 8/94) features, once again, the samurai detective Sano Ichiro, working for the shogun of the city of Edo in Tokugawa-era Japan. Several questionable plot devices effectively remove the novel from the detective genre, but the story is well constructed and compulsively readable. Sano must track down, virtually single-handedly, a serial killer who is at work in the region and whose motivation is complex, related to events of 129 years prior. The detective's job is complicated by court intrigue, increasingly so as his clues point toward suspects of influence. The richness of the historical detail adds enormously to the novel, and the reader comes away with a highly visual sense of life in feudal Japan. An enjoyable light reading experience, recommended for public libraries and popular reading collections.
David Dodd, Univ. of Colorado Libs., Colorado Springs

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“The nightwatchmen are planning to steal rice from the shogun’s warehouse,” Aoi would report. Or whatever other crimes she’d discovered.

Michiko’s answer was always the same. “Very good, child. Your father would be proud of you.”

Now, fifteen years later, the thought of her father still made tears sting Aoi’s eyes. He might accept, but never condone the ruin his child had wrought: the men and women beaten, or even executed for petty offenses against the government. As in the past, she toyed with the idea of failing at the task before her, and sparing the new victim. Death would provide the release she sought. But to fail was dishonorable, impossible, and unthinkable. She listened closely to Yanagisawa’s orders.

Yanagisawa’s pacing quickened; the turbulence around him intensified. “You will keep me informed on Sano’s progress. But more important, you must mislead him with false spirit messages. Use your intelligence to gain his respect; his loneliness to secure his affection and trust.”

Ryakuhon no jitsu : the ninja art of winning an enemy’s confidence by pretending to be a comrade. Aoi had perfected this during her first three years at Edo Castle, as she rose from maid to attendant to the women of the shogun’s top officials. Her sympathetic manner, knowledge of medicine, and skills as a masseuse made her popular. Instead of the trivial offenses of servants, she reported to Michiko tales of madness, adultery, perversion, and dissipation at the bakufu’s highest levels. In time, resignation replaced grief; homesickness dulled to a constant but bearable ache. Aoi found a certain fulfillment in exercising her talents. She, like her female ancestors, enjoyed a freedom and mobility greater than that of ordinary women-if only to do her master’s bidding. She lived from day to day, focusing on the work at hand, not allowing herself to think of the future.

Just as she must now. She would help Sano just enough to convince him that her intentions were good and her counsel worth heeding. Then she would betray his trust, destroy him, and never think of him again.

“Another idea has just occurred to me.” Yanagisawa’s intense dark eyes sparkled, lending his face a vibrant charm. Such beauty, wasted on a man so evil. “Perhaps if you seduce Sano and distract him from his work, the shogun will remove him from the case- or even dismiss him for neglecting his duties. And the ruin of his marriage negotiations would be a bonus.”

Yanagisawa laughed again. “I dare say I need not tell you how to destroy a man, kunoichi .”

Aoi kept her face calm, her breathing steady. But ice crystals formed in her blood at the thought of performing monomi no jitsu : finding and attacking the weak point in the enemy’s defenses.

At age twenty, she’d begun spying directly upon the shogun’s men, entertaining-and bedding-high bakufu officials in order to discover their acts of disloyalty and corruption, or to exploit their secret vices until they ruined themselves. She despised their weakness and stupidity; she never thought of the demotions, banishments, or suicides that followed her disclosures. Selective memory erased each victim from her conscience, much the same way that the poisonous herbs she took rid her body of unwanted pregnancies. Until six years ago, when she had destroyed the one man who’d mattered to her.

Fusei Matsugae. An influential member of the Council of Elders when Tokugawa Tsunayoshi had become shogun, he’d encouraged the new dictator’s early efforts at government reform and opposed Yanagisawa’s attempts to usurp power. His intelligence, integrity, and striking physical appearance had attracted Aoi. In him, she finally discovered a samurai worth her regard. For the first time, she experienced sexual pleasure with a man. Unlike the others who had often treated her with callous disrespect, he was kind. And he somehow satisfied her longing for her father and home.

In the beginning, she’d thought her happiness simply meant that the cruelty of her work no longer bothered her. Seeing Fusei grow infatuated with her, she’d believed her satisfaction purely professional. The sexual ecstasy gave her qualms, which she dismissed in her eagerness to explore a new delight. Never having been in love before, she didn’t recognize the danger until it was too late.

Now guilt and self-loathing choked Aoi as Yanagisawa’s innuendo conjured up the image of herself and Fusei on their last night together. The dim lamplight of his bedchamber had failed to obscure the signs of his physical deterioration: the lean, fit body gone weak and stringy; the once-keen eyes bloodshot; the trembling mouth and hands. He reeked of the sake that had ravaged him. She could always identify those men with a dangerous affinity for liquor by the unique smell they gave off as it mixed with their blood, and she’d deliberately encouraged Fusei to drink as she charmed him. But that night, she realized that she missed the man he’d once been, and that she loved him.

“No,” she whispered, stricken by the sudden knowledge of how much bleaker her life would be when she finished destroying the only person in Edo she cared for.

Seated on the floor, Fusei gazed at her, eyes glassy with drunkenness and incipient dementia. “Perform the ritual, Aoi,” he said, his words slurred.

She had often exploited her victims’ religious beliefs and filial piety by evoking the spirits of their beloved dead to influence them. It wasn’t a trick. The dead did speak-through their possessions, through the minds of living persons who had known them. She need only focus her concentration to hear their voices, then use her excellent acting skill to recreate their personae and manipulate vulnerable men like Fusei. But her heart rebelled against performing the act that would complete her lover’s ruin.

“Not tonight, dearest,” she murmured, stroking his face.

Fusei ignored her attempts to entice him to bed. With shaky hands, he lit the incense on the altar. “I am losing all my allies,” he complained. He couldn’t see that his drunken ravings had alienated them, any more than he could see that she was helping him destroy himself. “The whole council has joined Yanagisawa’s clique. I don’t know how to stop this madness. Aoi, I must have my mother’s advice.”

Amid the smoking incense burners, he set the sash that had belonged to his deceased mother, then waited in the same anticipation with which he’d once greeted sex.

Go , Aoi wanted to cry, before all is lost! And take me with you, away from this awful place . Then she thought of her people, whose lives depended on her continued obedience. Sighing mournfully, she laid her hands upon the sash.

“Listen, my son.” She assumed the old woman’s raspy voice, and arranged her features in the expression she’d gleaned from Fusei’s memory.

“Yes, mother.” He leaned toward her eagerly.

“My son, you must take your sword to your enemy.”

“No! I cannot!” Fusei’s clouded gaze cleared; his mother’s message had shocked him sober. “It would be treason!” Then, as he gazed upon what he thought was his mother, speaking through Aoi from the spirit realm, his expression turned resolute. “But if I must, then so be it.”

Holding back her tears took every bit of self-control Aoi possessed. “Yes, my son,” she whispered. Two days later, he was dead in a violent scandal of his own making-and hers. Yanagisawa succeeded to the post of chamberlain without further opposition. Night after night, Aoi lay awake, weeping silently, hating herself and the duty that bound her. Then fate dealt her another blow when Chamberlain Yanagisawa summoned her to the keep for the first of many secret meetings.

“Michiko is dead,” he said. “From now on, you will command the spy network, reporting directly to me.”

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