John Roberts - The Catiline Conspiracy

I went to my home in the Subura to put on my best toga, thinking of how I might establish a link with Curius. It should not be difficult. The social life of Rome, like its political life, was dominated by a rather small group of men and women. Since I was dining out almost every evening, it should not take me more than a few days to make the necessary connections. The opportunity was to come far sooner than I had hoped.

The house of the Egyptian ambassador was located outside the city walls, on the Janiculum. This gave it almost the aspect of a country villa and allowed the ambassador to lavish his guests with entertainments restricted or forbidden within the walls. The politics of Egypt formed a source of endless entertainment for Romans. The huge, rich nation of the great river was ruled, to use the term loosely, by a Macedonian family that had adopted the quaint Egyptian custom of legitimizing one's reign by marrying one or perhaps more of one's close female kin. This family had an almost Roman paucity of names, all the men being named Ptolemy or Alexander, and all the women Cleopatra or Berenice. (There was an occasional Selene, but that was usually a third daughter. By the time you were down to marrying a Selene, your claim to the throne was shaky, indeed.) At least one of them, named Ptolemy, deposed his older brother, also named Ptolemy, married his brother's wife, Cleopatra, who was also sister to both of them, and then, just to make clean sweep of it, married her daughter and his niece), also named Cleopatra.

The last of the legitimate Ptolomaic line had been Ptolemy X, a Roman client, who claimed the throne by marching his troops into Alexandria and marrying his elderly cousin and stepmother, Berenice, whom he assassinated within twenty days. The Alexandrians, who had been fond of that particular Berenice, promptly killed him. Needing a Ptolemy, lest the natural order of things be shaken, they found a bastard, Philopater Philadelphus Neos Dionysus, better known as Auletes, the flute-player, for his realm of greatest competence. At the same time, for incredibly complicated dynastic reasons comprehensible only to Egyptians, they made his brother king of Cyprus. Since that time, several cousins had laid claim to the throne of Egypt. Since it was generally understood that the legitimate king in Egypt was the one who had Roman support, all of them, cousins, ambassadors and frequently the Flute-Player himself, were in Rome, passing extravagant bribes and entertaining lavishly. This was a source of great fun and profit for us Romans, and I was a frequent guest there, as was every man likely to reach high office.

The villa itself was a wonderful mishmash of architectural motifs, with Greek sculptures, landscaping in the Roman fashion, Egyptian lotus and papyrus pillars, shrines to the Roman gods, to the Divine Alexander, to Isis and a horde of animal-headed Egyptian divinities. There was a beautiful fishpond in the gardens with a huge obelisk in its center, and another pond full of crocodiles, presided over by a loathsome crocodile-headed god named Sobek. There was a rumor in the city that the Egyptians fed these huge reptiles on un-claimed corpses they obtained by bribing the attendants at the public burial pits, but I never saw any proof of this.

The ambassador at that time was a fat old degenerate named Lisas, an Alexandrian. Alexandria was virtually a nation in itself, the most cosmopolitan of cities, and Lisas was typical of its inhabitants: a nameless mixture of Greek, Egyptian, Nubian, Asiatic and Jupiter alone knows what else. It is a blend of races that produces exotically beautiful women and some of the ugliest men to blight the face of the earth. Of Alexandria it is said that few cities are so beautiful, but it must be viewed from a distance.

Lisas greeted me in his usual fashion, all smiles and oil. "My friend, Decius Caecilius Metellus the Younger! How your presence brightens this house of the king! How generous of you to look with favor upon my humble invitation! How splendid of you…" He went on breathlessly in this vein for some time.

"And most pleased I am to be here," I assured him. The smells drifting from within almost made up for the scent in which he was drenched. Effusively, he led me inside and announced me to the guests, of which there were some thirty or so. Since large-scale currying of favor was the whole purpose of the embassy, Lisas did not restrict himself to the Roman custom of inviting no more than nine guests for dinner-"not fewer than the Fates, nor more than the Muses," as some wit or other once said.

The gathering ran the gamut of social and political life, with as many elected officials as he could persuade to come, some fashionable poets and scholars for dignity, and a sprinkling of clowns for levity. There were a number of women noted for beauty and social graces and for less reputable accomplishments. It looked like a good party.

The musicians played exotic instruments such as harps and sistra, garbed in pleated Egyptian linen, while dancers, clad in less of the same material, clapped and gyrated, swinging their weighted braids orgiastically. The servitors were all black Nubians dressed in animal skins and paint. Many of them were carved with ritual scars and had their teeth filed to points. These offered the thick, sweet wines of Egypt as well as the more palatable vintages of the civilized world.

These evenings were always leisurely, beginning early and running far later into the night than was the Roman custom. The thoughtful Lisas maintained a whole corps of linkboys and guards to escort his guests safely to their homes.

The atrium where the guests assembled was a large, circular room, drawn from no architecture with which I was familiar. Its floor mosaics depicted a menagerie of Egyptian fauna, with crocodiles and hippos disporting themselves among water and reeds, ostriches, cobras and lions frolicking in the desert, vultures and hawks soaring through the skies. The wall paintings depicted Nile pygmies fighting a battle with long-beaked cranes. Travelers insisted that these tiny folk actually existed, somewhere near the source waters of the great river, but I never saw any.

I did see one thing that interested me. The beautiful Sempronia was present. She was one of those infamous women of whom I made mention earlier. That is to say, she was educated, outspoken, independent, intelligent and rich enough to carry it all off. She was of matronly years but still one of Rome's great beauties, combining a fine-boned, aristocratic face with that arrogance of bearing that Romans find most admirable. Her husband, Decimus Junius Brutus, was a busy drudge who took no interest in his wife's doings, and the two had not lived together in years. She was also on the best of the terms with Rome's lowest and most prodigal reprobates, finding them far more stimulating company than her husband's respectable friends.

"Decius!" she said, when I approached her. "How good to see you again!" She offered me her cheek, which I kissed, amazed to find that it bore no makeup. Her complexion was adornment enough. She held me by the shoulders at arm's length. "You are even handsomer than you were last week, although I shouldn't say it, having a son near your age."

"Please," I said, taking her hand, "say it as often as you like. And you exaggerate the disparity in our years, since young Decimus is surely no more than seven years old."

She laughed her wonderful, honking laugh. "How good of you to say that!" With a fingertip she traced the ragged scar that decorates my face. "You never told me how you got that. Most men brag about their scars."

"Spanish spear," I said. "That was when I served with Metellus Pius, during Sertorius's insurrection. I don't brag about it because I acquired it very foolishly. It embarrasses me to this day."

"It's good to find a Roman who doesn't think getting cut up is a fine idea." She surveyed the room. "Isn't this a delightful gathering?"