Iain Pears - Stone's Fall

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Stone's Fall: краткое содержание, описание и аннотация

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A tour de force in the tradition of Iain Pears' international bestseller,
,
weaves a story of love and high finance into the fabric of a page-turning thriller. A novel to stand alongside
and
.
A panoramic novel with a riveting mystery at its heart,
is a quest, a love story, and a tale of murder — richly satisfying and completely engaging on many levels. It centres on the career of a very wealthy financier and the mysterious circumstances of his death, cast against the backdrop of WWI and Europe's first great age of espionage, the evolution of high-stakes international finance and the beginning of the twentieth century's arms race. Stone's Fall is a major return to the thriller form that first launched Iain Pears onto bestseller lists around the world and that earned him acclaim as a mesmerizing storyteller.

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'Hard. It's not as if they advertise themselves. But there can't be many of them. Most are Lithuanian or Latvian, most would be executed or imprisoned if they went home. They hate Russia and all things Russian. And everyone else. They seem to have money. Presumably from robberies. More than that, I cannot tell you. I don't know. They are not interested in listening to speeches or theoretical discourses. They think that is bourgeois. They think violent action is the only true revolutionary activity. I think that if they could, they would happily murder Kropotkin as well as any other Russian.'

'What is all this to you, Stefan?' I asked. I was genuinely curious. 'Why are you part of all this rigmarole?'

He frowned as he turned to look at me. 'I'm Jewish and I'm Polish,' he said. 'Why do I need to say any more? I do not wish to kill anyone, Matthew. I want to set the world free, so mankind can realise its full potential and live in harmony. An aspiration you no doubt think is foolish, naïve and absurd.'

I shrugged. 'As aspirations go it is not a bad one. I am merely sceptical about its chances of success.'

'You are not alone. But compromise . . .' Here he turned with a smile playing over his mouth, which made quite a change. He had a pleasant smile. He really should have used it more often. 'Compromise is a weapon of oppression wielded by capitalists to ensure nothing ever changes.'

'Of course it is,' I said heartily. 'Damn good thing too.'

He grinned. 'And now we understand each other. I'm glad. I've always appreciated your efforts to be kind. Do not think I was unreceptive. But I grew up in a world of suspicion and it is not a habit I can abandon easily. You are a good man. For a lackey of the system.'

'I will take that as a compliment,' I said. 'And I in turn appreciate your willingness to talk to me. I will use the information – cautiously, shall we say. And one day I will give you a proper explanation.'

He nodded. 'If you know what is good for you, you'll steer clear of Jan the Builder and anyone associated with him.'

'We're old drinking mates,' I said.

'And whatever you do, don't start making eyes at Jenny Mannheim. She'd eat you for breakfast and pick her teeth with your bones.'

He nodded, and strode off to his work, leaving me pondering his last words. They had brought me back to the subject of my obsession.

I had forgotten about her for the time I was talking to him. Now she came flooding back to my mind. An associate of Jan the Builder. I had information, but no understanding. In fact, I was worse off than before. Every time I added a nugget of information to my paltry hoard, it made the rest seem the more confusing. So I now knew more about this band of anarchists; knew a small amount more about this woman I had encountered the previous day. But I still knew nothing about their connection with Ravenscliff. What was more I did not care; my obsession with Elizabeth had grown to the point that it was almost uncontrollable. I agonised over whether I would go and see her, as I had been asked to do.

I knew I would, sooner or later. I knew I would not be able to keep away. But I put up a fight. I did not embrace my fate eagerly or without resistance. Even as my feet took me down Fleet Street, past Charing Cross, up Haymarket and to Piccadilly Circus, I told myself I had not made up my mind. I could, at any moment, hop on to a bus and go home. I had free will. I would decide, in my own good time. I went through all the reasons for treating her command with the disdain it deserved, and they were overwhelming. Went through all the reasons for obeying her, and they were paltry. And still I walked on, hands in pockets, eyes looking down at the pavement, getting ever closer, with each step, to St James's Square.

I still told myself that I had not yet made up my mind as I stood on the doorstep, and as I rang the bell. And it was true. I had decided nothing. The only decision I could take was to walk in the other direction; indecision made me sleepwalk towards her, go through the door when it was opened by the housemaid, climb up the stairs to the little sitting room where she was waiting for me. Had my heart given way then, I would not have been surprised, and might not have been ungrateful. But it did not; and I walked in to see her sitting on the settee by the fire, a book on her lap, looking at me gravely. And I felt that familiar flood of emotion coursing through my being, as I knew that I was back, exactly where I needed to be.

'Sit down, Matthew,' she said softly, gesturing to the place beside her. With an immense effort of will, I sat in the armchair opposite, so I would not have to suffer her perfume, the sound of her clothes as she moved or the feeling that, with the slightest gesture, I could reach out and touch her. I was safe, immune there. She noticed, of course, and knew why I had done it: it was a gesture of weakness, not of defiance; she understood it all.

She continued to look gravely at me, but was not trying to fascinate; there was a seriousness in her glance which hinted at sympathy and understanding, although I knew all too well that I read far too much into such things, and always tried to give the best possible interpretation.

'You asked, so here I am,' I said.

'I wrote because I received this distressing message from you. I thought the least I could expect was some sort of explanation.'

'Do you really think you need one?'

'Of course. I was entirely perplexed by it.'

I searched her face intently, trying desperately to see through to the thoughts underneath. I knew that everything depended on what I said next. Why, I do not know. I was simply certain.

'Do you ever tell the truth?'

'Do you ever do as you are told? If you remember, I told you quite plainly that you should not give any attention to the anarchists. You agreed, promised, and immediately broke your promise. I think I have more of a right to be cross than you, as your misdeed was premeditated.'

'That was you, last night?' I asked, still somewhat incredulous.

'Yes. It is necessary,' she said, and instantly, her voice, her expression, her face were all transformed. It was eerie and frightening, like seeing a wax puppet melt and reconstitute itself as a different character. The changes were infinitely subtle, but the effect was total. The lines of the frown around the bridge of the nose, the set of the jaw, the slightly hooded look of the eyelids, the tilt of the head and the hunched-up, wearied pose of the shoulders. Fragments of movement changed her from a society lady of aristocratic bearing into a grim, hard-living, independent revolutionary from the East End. I still could not believe it, and even worse could not see how she did it.

Then, in a twinkling of the eye, the anarchist Jenny vanished, and Elizabeth reappeared, smiling mockingly at me. 'It is really not so difficult,' she said. 'I always had a talent for mimicry and acting. It was merely a question of studying, to get the clothes and the look and the opinions just so. And I have spoken German since birth. It is my first language.'

'I suppose it would be too much to ask for an explanation – an honest, truthful one – of what you were doing there?'

She considered. 'No. I think it might well be a good idea. Do you want the long version, which would indicate a willingness to forget about that unfortunate letter of yours? Or the short one?'

'The long one,' I said in a tone lightly tinged with reluctance.

She rang the little silver bell on the table, and asked for refreshments, then picked up my letter and tossed it onto the fire.

'I think I told you that John was preoccupied in the last few months of his life. One of the reasons was this. He always kept a careful eye on his businesses; it was his duty, he believed, to ensure that they were run well. Obviously, he could not watch everything. For this he had managers, on whom he relied to tell him what was happening and to implement his wishes. At the same time, he would often make visits to various plants and factories, to see for himself, so he could take the temperature, as he called it. He loved these trips. You think of him, no doubt, as a financier, a man who sat far away from everything, dealing with the abstractions of capital. He wasn't like that at all. What he liked was putting it into operation, in the shipyards and the foundries and the engineering plants. He liked to see how a decision on his part could galvanise thousands of people into action. He loved his factories and, although you would no doubt not believe it, he loved the people who worked in them. The engineers, the fitters, the builders, the skilled workmen. He valued them far more than the people of his own society. Jenny the anarchist hates him; he was the worst sort of capitalist because he believed it was more than mere exploitation. He was proud of paying more than his competitors, proud of providing decent accommodation for those he employed.

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