Paul Doherty: The Gallows Murders

I shook myself from my reverie. I admit, ‘I’d stood gaping there like some ploughboy. (Ah, I see my little chaplain snigger. I quickly rap him across the knuckles with my cane.) I hurried on down. Benjamin lay on top of Sir Edward Kemble, the wind fair knocked out of him. I helped Benjamin to his feet, and we both grasped the constable by the arms.

‘I thought you'd return,' Benjamin gasped, trying to catch his breath. Kemble stared back, his lips moving wordlessly.

The guards outside are in my pay,' Benjamin explained. They were given explicit instructions to tell you that we'd left for the city.'

We bundled the constable through the doorway into the darkness. Benjamin, sword drawn, pushed Kemble away.

'Light the candles and torches, Master Constable. Let's see what this pit contains.'

As Kemble fumbled for his tinder, I became aware of the deathly quiet in that secret chamber. The air was stale and fetid, but something gripped my heart and chilled my soul, as if Death itself had swept into that chamber and was now watching us from the darkness. At first my eyes found it difficult to adjust to the flickering light, whilst the dancing shadows increased my fear. Kemble stood in a corner, arms crossed, staring fearfully at us. I shifted my gaze. Oh, horror upon horror! What a dreadful chamber that was! Now you know old Shallot, I have seen the terrors. I’ve been pursued by the demon which stalks at midday; but even now, decades later, I still have nightmares about that sinister place. It was shaped in the form of a box, the walls made of brick: no window, no decoration, nothing to ease the eye. The floor was wooden; someone had laid down a very thick woollen carpet but this had begun to decay and rot. A huge beam stood upright in the centre of the room, with hooks driven into it: tattered, dusty, cobwebbed cloths hung there. There was a rickety table, stools and chairs, yet the real horror was the bed partly obscured by the beam. Only when I moved away did I understand my master's gasp of surprise. Oh, heaven forfend! Oh, Lord have pity! The bed was broad, standing on four stout wooden legs, the mattress was covered in dust and huge cobwebs stretched across the headboard. However, in the centre, lying side by side, were the pathetic remains of the two Princes: small skeletons lying together. I walked across and knelt beside the bed, holding the hilt of my sword before me like a cross. 'O Jesus miserere!' I muttered.

I have seen the destruction of princes, the end of noble lives at the gibbet or block. Men of power struck down by the assassin's dagger or the poisoner's cup. I have seen palaces in flames and the marble halls of Constantinople flowing in blood. But, nothing can compare to the silent horror of those two pathetic little skeletons still dressed in the tarnished remnants of their former glory. I glimpsed mother-of-pearl on one jerkin, a jewelled dagger beneath the yellowing robes of another. A silver cross hung awry between the ribs, a jewelled bonnet, mildewed and rotten, lay between the two skulls. I stood up and peered closer. Both the jaws slightly sagged. I noticed one had teeth all rotting along the top. God be my witness, I didn't know whether to scream, cry or pray. Instead I took my cloak off and covered them. ‘You bastard!' Benjamin walked across to Kemble and, bringing his hand back, gave him a stinging slap across his face. ‘You son of Satan! Had you no pity?' Again Benjamin's hand came back, drawing a trickle of blood from Kemble's lips.

The constable's face never changed. Benjamin pushed the constable against the wall and ran his hand over his doublet, looking for some concealed dagger or weapon. He then went across and, taking a stool, jammed it in the door to keep it open. rWhy blame me?' Kemble's voice was soft and slow. 'Did our noble King really want to find his precious Princes?'

'Had you no pity?' Benjamin retorted. 'Did you not think these little boys deserved decent burial?' Benjamin looked round the chamber. 'But now we have our proof: caught red-handed. You cannot disprove my accusations. Sir Edward Kemble, constable of the Tower, and once keeper of the King's royal palace at Woodstock, the same place where Robert Sakker, an Oxford clerk, also worked. Two dark souls who formed a friendship forged with the evil one.'

'Of course,' I interrupted, 'Pelleter told us how Sakker had been a clerk at a royal palace. They were born there?'

"The records will prove my guess,' Benjamin replied. 'And when Kemble came here, he was intrigued by the stories and did his own private search. He gathered all the maps and plans and discovered two things. First, the entrance to the postern-gate over the moat, and secondly this secret chamber. He then destroyed that map and gave Spurge others which did not betray his newly found secrets.' He paused to clear the dust from his throat. 'Spurge drew new maps up, certainly at our constable's behest, and this chamber and the postern-gate became Kemble's secret. He could not confess he'd come here and found a pouch made of the finest leather, fastened at the top, containing the Privy and Great Seal of Edward the Fifth, who only reigned for a few months.' Benjamin paused. "You did find them here, didn't you, Kemble? Kept in a pouch and probably placed in a cedarwood casket, they would have stood the passage of time and been in pristine condition.'

"But how?' I interrupted. "Why were the seals and the Princes left here so many years ago?'

"What I suspect,' Benjamin replied, still keeping his eyes on Kemble, 'is that the Princes were not murdered by Richard the Third. They were imprisoned here, but in the summer of 1485, when the King's father landed at Milford Haven, Richard the Third mustered to meet him at Bosworth Field. The Princes were hurriedly moved to this secret chamber, probably under the care of his henchmen, Dighton and Greene. Now, as Kemble knows, Richard was desperate for troops and Robert Brackenbury, then constable of the Tower, took most of the garrison to meet the King in Leicestershire, thinking they would be victorious.' Benjamin leaned against the wooden pillar. 'Of course all went wrong. Richard was killed, as was Brackenbury, at Bosworth. Any Yorkist left in the Tower would have fled at the Tudor's approach, and that included Dighton and Greene.' 'And Mallow is Dighton?'

Benjamin shook his head. ‘No, no, that was a little mummery I concocted last night. I had glimpsed the panelling before and, remembering Undershaft was a carpenter, wondered if this had provoked his interest. Of course, I couldn't break into it without alarming Kemble here, whom I wished to trap. I went to Mallow and persuaded him, in return for royal preferment, to act out the nonsense you witnessed before.' 'So, where is Dighton?'

'Probably dead,' Benjamin replied. ‘I suspect the Princes here may have been poisoned by Greene, whom we knew as Dr Quicksilver. The room was then locked and sealed. Greene went into hiding until memory faded and people had forgotten.' He pointed at Kemble. ‘Until this villain appeared. He finds this secret chamber, takes the seals, and begins to plot how to become a very wealthy man. As keeper of the royal palace at Woodstock, he would know of the King's secret fears about anyone with Yorkist blood in them. The visitation of the sweating sickness provided him and Sakker with the ideal opportunity' Benjamin walked towards the constable. ‘You arranged Allardyce's murder at Maidstone: you saw it as a marvellous opportunity to bring Sakker into the Tower. If that hadn't presented itself, you would have found another way. You arranged Sakker's arrival during Yuletide – when you were absent – so no one would ever suspect.' Benjamin tapped Kemble on the chest. 'And where to then, eh? Sakker could not remain Allardyce for ever. Moreover, he wanted his revenge, whilst you desired the King's gold. I'm sure you had a plan, but then the sweating sickness arrived.'