Paul Doherty - The White Rose murders
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- Название:The White Rose murders
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I came out, shaking with fright, and watched the cowled figure sweep towards me. I saw a white hand draw back the hood and my master's innocent face grinned at me.
'Benjamin Daunbey!' I snarled. 'My arse and thighs are sore from a day's hard riding. I have lurked like some ghost in this cold, dank church, and now you appear, making a merry jest of it all!'
He laughed and clasped my hand. 'Roger,' he quipped, 'you look as frightened as a gargoyle! I'm sorry I scared you.' He beckoned me closer. 'Did you see anyone come in? I mean, go to the tomb over there? Pay their respects or place a white rose?'
I shook my head angrily. 'Nothing, Master. Why should they?'
He linked his arm through mine and we walked over to the tomb. Benjamin tapped it gently with his boot.
'Here, Roger, lie the mortal remains of King Richard III. His body was brought back to Leicester after the battle of Bosworth Field and thrown into the horse trough at the Blue Boar. The present King's father, his conscience pricked, had the corpse buried here and later erected this tomb.'
[Oh, by the way, when Bluff King Hal broke with Rome because he wanted to get amongst Boleyn's petticoats, the tomb was wrecked and Richard's corpse dumped into the River Stour.]
'So, Master,' I blurted out, 'King Richard lies here? What did you expect?'
Benjamin chewed on his lip and stared up into the darkness.
'What did I expect? Well, here we are in Leicester at the final resting place of the White Boar himself. Members of Les Blancs Sangliers, the Guardians of the White Rose, are supposed to be amongst our party. Yet no one comes here to pay their respects…'He rubbed the side of his face. 'I find that strange.' He put an arm round my shoulder and walked me back towards the church door. 'See, what do we have here, Roger? A Scottish doctor murdered in the Tower. Why? Because he spoke riddles in verse, or because he didn't believe the story of Flodden? What really happened at that battle? Why did Queen Margaret re-marry so quickly? Why does my good uncle send us to plead for her?' He waved his hand. 'There's a mystery here, Roger, something quite terrible. I don't trust my uncle, and I certainly don't trust Queen Margaret!'
'And Doctor Agrippa?' I asked.
Benjamin let his arm fall away. 'I'm not sure,' he murmured. 'Who is spying on whom? Agrippa is reputedly the agent of the Cardinal, as Carey, Moodie and Catesby are of Queen Margaret. But whom do they really work for? Is it in truth the Cardinal, or our gracious sovereign, or the Earl of Angus? Or even some other foreign potentate
…? After all, the present Regent of Scotland is by education a Frenchman. He, too, might be involved in this macabre, mysterious dance.'
We left Leicester and reached Royston Manor late the next afternoon. As a weak sun died and the shadows closed in around us, we saw the high pointed gables and turreted walls of the fortified manor house beckoning darkly to us over the treetops. Royston was a cold, sombre place which blighted our spirits as soon as we glimpsed it. Benjamin and I had been entertaining the group with a French madrigal, my deep bass a smooth foil to my master's well-modulated tenor: a stupid little song about a maid who lost her wealth and her virtue in the great city. Queen Margaret declared the sound was sweet and despatched a small purse of silver in token of her thanks.
As we entered the main causeway which snaked through the trees to the manor's main door, the sight of Royston killed the song on our lips and the joy in our hearts.
My master deepened my unease with a story about the stark, square building's previous owners, the Templars; the monks of war who, two centuries previously, had been brutally crushed by the papacy and the French crown because of their alleged involvement in witchcraft, dabbling in the Black Arts as well as such unnatural vices as sodomy and the worship of a huge black cat. As we dismounted and the grooms hurried about gathering the reins of our horses, Benjamin continued his low-voiced description of the fallen order. (Sometimes, I think, my master liked to frighten me.)
'Do you know, Roger, the Templars worshipped a mysterious image, a dreadful face printed on a cloth.'
At the time I smiled wanly and wished Benjamin would leave me alone. [I only mention this because he was in fact wrong. The Templars were crushed but some of them remained as a secret coven and I have crossed swords with them over the years. I have seen their dreadful face and the stories are true – strong men have lost their reason and wits once they have looked upon it. My chaplain begs me to say more but I shan't satisfy him!]
The inside of Royston Manor was equally grim: it usually stood empty, being used by the court as a place to rest during royal progresses and then left in the tender care of an old steward and a bustling, aged retainer. The steward answered Agrippa's insistent knocking and took us into the main hallway. The house was built in a square, with a broad staircase sweeping up into the darkness. At the top were two galleries, one to the left, the other to the right, which turned again to form a perfect square. On each gallery were chambers and our group was directed into these, servants being left to sleep in the hall, buttery or stables behind the manor house. Sconce torches were fixed in the wall but only a few of these were lit. Now and again we came across the signs and secret symbols of the Templar Order: huge black crosses, thinly covered with whitewash, whilst the arms and escutcheons of long dead knights still hung high on the walls.
The chambers themselves were bleak, containing truckle beds, a few pieces of furniture, a table and a bowl and jug for washing. The windows were mere arrow-slits now blocked by wooden shutters; the air was so damp with a pervasive chill that Queen Margaret insisted fires be lit in her rooms before she retired for the night. A cold meal was hastily served, a few words exchanged, and everyone speedily retired as Catesby insisted that on the morrow we would rise early as there was a great deal of business to be done.
Now it is important for me to tell the story correctly. At first there was a period of confusion as porters, cursing and sweating, brought up bags, chests and coffers. Ruthven was placed in the chamber next to ours and came upstairs just after us. I heard him lock the chamber door and, a few minutes later, the mewing of his cat scratching at the wood for admittance. I went out into the gallery, Ruthven's door opened, the Scotsman came out, picked up the cat, smiled at me and went inside. I heard the key turn. I was going to knock for I was still intrigued by him but Benjamin called me so I let the matter rest.
We retired to bed but I couldn't sleep. I felt restless, uneasy in that haunted, creaking manor house. My terrors would have increased if I had known how once again Murder was stalking us, in that Godforsaken place.
Chapter 5
We were up early next morning. A heavy mist had fallen, drowning the countryside in its white vapour and making Royston Manor even more sinister. We breakfasted in the dingy Great Hall. Queen Margaret came in, leaning heavily on Catesby's arm. The desultory conversation faded. Catesby looked around.
'Where's Ruthven? I ordered everyone to rise early.' He glanced across at me. 'Shallot, be so courteous as to tell Master Ruthven we await him here.'
Carey heard this as he marched in, his bad temper apparent.
'Yes, go and tell him. Hurry up!' he snapped.
Now I would have stood my ground, I wasn't a dog to be sent running hither and thither, but Benjamin added his plea with his eyes.
'Melford, go with him,' Catesby added.
We went back up the staircase and I hammered on the door. There was no answer though I heard the faint mewing of the cat. We tried the door but it was locked.
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