Edward Marston - The Amorous Nightingale

Coming out into Portugal Street, he walked quickly past Lincoln's Inn Fields in the direction of Holborn. He was soon overtaken by a horseman who reined in his mount to block his path. Before Eldridge could complain, he had Christopher Redmayne's rapier at his throat.

'Don't run away from me this time, Mr Eldridge.'

'I can explain that.'

'That's what I'm hoping. And by the way,' he said, nodding towards the theatre. 'I'm sorry if my presence hampered your performance just now. I did my best to stay out of sight.'

Eldridge was horrified. 'You saw that travesty of acting?'

'Lysippus was a far more suitable role for you.' Christopher dismounted and sheathed his sword. 'Where shall we talk?'

'In the nearest tavern. I need some wine.'

'Lead the way.'

Christopher had no fear that he would bolt again. The disastrous visit to The Duke's Playhouse had taken all the spirit out of him. Eldridge said nothing until they were sitting at a table in the White Rose. Two glasses of wine were bought at Christopher's expense. The actor sipped his gratefully.

'Thank you, Mr Redmayne,' he said.

'Supposing that you tell me the truth?' suggested Christopher.

'I might say the same about you.'

'Me?'

'When you called at my lodging, you made no mention of the fact that Mary Hibbert has been murdered. I was shocked when I heard.'

'And how did you do that?'

'By talking to Roland Trigg.'

'So that's where you went when you raced off.' Christopher tasted his own wine before he continued. 'Yes, I did conceal certain details from you because I thought it best to do so. But if you know about the girl, you'll realise the predicament that Mrs Gow is in. Unless we can find her very quickly, she may end up on a slab next to Mary Hibbert.'

'Don't say that!' exclaimed the actor.

'I simply want you to understand that time is not on our side. Don't waste any more of it, Mr Eldridge. I think I know what you have to say. Watching you on that stage this evening, it slowly dawned on me.'

'Go on.'

'You were the man in Greer Lane, weren't you?'

'Was I?'

'He went by the name of Bartholomew Gow but he was far too handsome to be Mrs Gow's real husband. When the lady went for an assignation in Greer Lane, she was coming to meet Martin Eldridge.' He put his face close. 'Am I right, sir?'

'You might be,' conceded the actor.

'In other words, on the day that she was abducted outside that house you used, Mrs Gow was on her way to meet you.'

'But she wasn't, Mr Redmayne.'

'Then what was her coach doing there?'

'I've no idea. She called off the rendezvous with me.'

'Called it off?'

'Her coachman brought word early that same morning. It wasn't the first time we'd had to change the arrangements,' he said, staring into his wine. 'Harriet was often in demand elsewhere. I accepted that. What I didn't know was that a kidnap was being set up in Greer Lane.'

'You mentioned arrangements, Mr Eldridge.'

The actor looked up at him before spilling out the truth in a continuous stream. Christopher had no qualms about his sincerity.

'Harriet and I have been close for some time,' he admitted. 'I loved her dearly, that's why she trusted me. I couldn't give her the things that her rich admirers could: Harriet knew that. What I could offer her was tenderness and understanding. She told me that it was in short supply elsewhere. Naturally,' he emphasised, 'we had to be extremely discreet. She could not be seen having assignations with a lowly actor. To cover my tracks, I used a false name.'

'Bartholomew Gow.'

'It seemed appropriate in the circumstances.'

'While you were playing the part of her husband, you mean?'

'I've told you, Mr Redmayne. I loved her. And I believe that she loved me. Why else would she take the risk on such a regular basis? We met twice a month in Greer Lane at specific times. It may not sound much to you but it meant everything to me. And to Harriet. She insisted on paying for the room in that house.'

'Who else knew about this arrangement?'

'Nobody apart from her coachman. And he was discreet.'

Christopher was less certain about that but he said nothing.

'Why did you run out on me at your lodging?' he asked.

'Because of the situation,' said the actor. 'I didn't want to admit that we had assignations – and I'm relying on you to say nothing of them to anyone else. Please, Mr Redmayne. I beg of you.' Christopher gave an affirmative nod. 'Thank you. I shouldn't have bolted like that but I was in a panic, afraid that I was somehow responsible for the kidnap because I wasn't in Greer Lane when I should have been.'

'You were told not to go there.'

'I begin to see why now.' He took a longer sip of his wine. 'I was different from the others, you see. That's what Harriet liked about me. I wasn't just another part of her collection.'

'Collection?'

'All those wealthy admirers. Harriet enjoyed collecting them like pieces of porcelain. She's a wonderful lady, Mr Redmayne,' he said fondly, 'but she has her weaknesses as well. Harriet was so proud when she added the most illustrious admirer of all to her collection. Even then, she would still meet me for an hour in Greer Lane.'

'Didn't you mind sharing her with someone else?'

'Why should I? A tiny piece of Harriet Gow is worth far more than the whole of another woman. I never aspired to own her like the others,' he explained. 'That was something she could never be. The exclusive property of one man.'

'Tell me more about this collection of hers.'

'It was rather extensive.'

'We've already found that out.'

'Besides, I'm not the person to ask, Mr Redmayne. There's someone who knows far more about it because he had to stand by and watch his wife putting her collection carefully together. That's the Bartholomew Gow you ought to speak to. The real one,' he said with a twinkle in his eye. 'Not the impostor.'

Jonathan Bale was simmering with quiet excitement when he left Newgate Gaol. He was so eager to pass on what he had discovered that he all but broke into a run. When he reached Fetter Lane, however, he found that Christopher Redmayne was not there. Jacob suggested an alternative address.

'He said that he would go back to his brother's house, Mr Bale.'

'That's in Bedford Street, isn't it?'

'Number seventeen,' confirmed the servant. 'That was the message he left for you. Mr Redmayne was worried about his brother's condition. You're to meet him there.'

'Oh, I see.'

Jonathan's step had lost its spring by the time he reached the larger and more imposing abode of Henry Redmayne. He hesitated before knocking, wishing that he could speak with Christopher at the latter's home but necessity compelled him to swallow his feelings of social awkwardness. Since he was still in his shipwright's attire, he was looked at askance by the servant who answered the door. Loath to admit him, the servant was amazed when Jonathan's name was sent upstairs and brought Christopher tripping down them. Delighted to see the constable, he escorted him into the house and up to his brother's bedchamber.

Henry Redmayne was sitting up in his capacious fourposter.

'Goodness!' he protested as the visitor was brought in. 'Am I some kind of peepshow that you bring people in off the street to stare at me?'

'Mr Bale is entitled to be here,' said his brother. 'He's the brave man who captured one of your attackers and, I hope to hear, has tracked the other to his lair. Is that correct?'

'More or less, Mr Redmayne.' Hat in hand, Jonathan managed a polite enquiry of the patient. 'How are you now, sir?'

'All the better for the news of your bravery,' said Henry. 'Who are the villains? And why did they have to pick on me when I was wearing one of my best coats? It was sodden with blood afterwards.'