Edward Marston - Trip to Jerusalem

Firethorn drank deep from his cup and moaned aloud.

'What a world of pain is this touring! I do nor like it, sirs, and I fear it does not like me. Nothing but dire calamity has conic of it. We have faced rain, robbery and ruin. And the worst of it is that I am far from home and can draw no comfort from the soft bosom of my wife.'

Gill and Hoode traded a glance of tired amusement. With one woman upstairs in his bed and another featuring prominently in his fantasies, Lawrence Firethorn could still indulge in a bout of marital sentimentality with every sign of complete sincerity. Happiness was his ability to expel Margery entirely from his thoughts. It was only at moments of stress that she reappeared in his considerations and reminded him that he was her husband.

His colleagues listened to his maudlin reminiscences with a measure of cynicism. Their situation was drastic but there was yet some humour to be drawn from it. As Firethorn reached a crescendo of uxoriousness, he was interrupted by the arrival of the tentative George Dart.

'What is it?' growled Firethorn.

'I bring you a message from the lady, sir.'

'Mistress Becket?'

'Mistress Budden.'

'Speak it forth.'

'We sat beside each other on the waggon, Master, and I was bold enough to praise you in her hearing.' He finally put a smile on Firethorn's face. 'I talked about your fine voice, sir, and how you could recite the prayer book as if it were the music of Heaven.'

'So it is, George. So it is.'

'Mistress Budden was much taken with all this.'

'What is her message?'

'She sits in bed,' said Dart. 'It is her dearest wish that you should read to her from the psalms ere she closes her eyes in Christian slumber.'

Lawrence Firethorn felt the reassuring surge of his lust. An opportunity which he believed would never come had now presented itself to him. Eleanor Budden was lying in her bedchamber with complete trust in the sound of his voice. Psalms could lead to sighs of love. As temptation licked at his loins, he saw the obstacles. Susan Becket was waiting in the next bedchamber. A costume basket had to be traced. Plans had to be made. Work would keep him downstairs for several hours.

Disappointment gnawed at his entrails but there was no way out for him. Ignoring the smirks from Hoode and Gill, he turned to the messenger with lofty calm.

'Tell her I may not come tonight,' he said. 'But I will pray for Mistress Budden most heartily.'

And he left it on that ambiguous note.

The first thing he noticed was the smell. It assaulted his nostrils. The outhouse had been used to stable a donkey and its droppings were mixed freely with the straw. When he tried to move, he felt as if someone were trying to pound the back of his skull to gain entrance. Nicholas Bracewell remained absolutely still until his head began to clear. Something was tickling the end of his foot. He opened a misty eye to make out the sad figure of Richard Honeydew, stretching out a leg to make contact with him. The boy was still bound and gagged. Nicholas's first impulse was to release him and he jerked forward, only to be held by ropes of his own that were tied to an iron ring in the wall. The lump on the back of his head ached anew but the gag in his mouth muffled his groan.

Nicholas waited till the pain eased off then he took stock of the situation. He was seated upright against a rough stone wall, unable to move because of his bonds. Opposite him was Richard Honeydew, who had been secured to the iron bars across the window. His delight at seeing the boy was shadowed by the condition in which he found him. Honeydew's face was besmirched with blood and his clothes were torn and stained. He did not look as if he had eaten very much since he had been abducted. Nicholas was seized with remorse. Instead of riding to the rescue of the apprentice, he had let himself be captured as well.

He struggled hard but his bonds held firm. When he tried to speak, his words came out as faint grunts. There was so much to ask but he had no means of asking it. He looked around for help and saw the old stone walls with their flaking coat of whitewash. An idea formed. Angling himself over so that he could swing his legs up, he used his toes to scrape one big question on the wall.

"Who?"

Richard Honeydew responded in kind. Pulling himself up on the bars, he swung his legs across until they just made contact with the whitewash. In the half-dark of their stinking cell, he slowly and laboriously traced a name on the wall. The letters were ragged and indistinct but their impact was Mill potent.

Nicholas Bracewell was' absolutely stunned. It was incredible.

Christopher Millfield remained cheerful in the midst of adversity. Long faces and short tempers surrounded him but his resilence was remarkable. Instead of being dragged down by the general mood of gloom, he was chirpy and positive. Sharing a room with George Dart and the three apprentices gave these qualities ample scope.

'It will all seem better in the morning,' he said.

'It could hardly be worse,' sighed Dart.

'There is a solution to every problem.'

'We have so many, Master Millfield.'

'Let hope into your heart, George.'

'There is no room for it.'

Christopher Millfield leaned over to pat him on the shoulder. Healing snores from the other bed, he lowered his voice so that he did not rouse the sleepers.

'We are players,' he argued softly, 'and nothing must be allowed to smother our art. If one of our apprentices be taken, why, then we fill his role with another voice. If all our costumes be stolen, we beg, borrow or make some more. These are setbacks only and can all be overcome.'

'You forget Master Bracewell.'

'By no means, sir. I have the utmost faith in him.'

'What if he does not come back?'

'Nick Bracewell will return,' said Millfield with confidence. 'I have never met a more capable man in the theatre. This whole company revolves around him and he would never desert it in its hour of need.'

'I thought you did not like him,' said Dart.

'There is nobody in Westfield's Men I respect more and that includes Master Firethorn. I admit that I was hurt when our book holder recommended Gabriel Hawkes in place of me but that is all past now. I have come to accept the truth of it, George.'

'Truth?'

'Gabriel was the better man.'.

'He was always kind to me.'

Millfield sighed. 'It pains me that we were such rivals. In other circumstances, Gabriel and I could have been close friends. He has been a great loss.' The positive note returned. 'That is why I am so grateful for the chance to travel with the company. I have prospered from Gabriel's death and that grieves me, but it also fills me with determination to make the most of my opportunity and to be undaunted by any mishap. We are fortunate men, George. We are employed. Think on that.'

The other did as he was advised and soon drifted off to sleep in a haze of consolation. Millfield was a true son of the theatre. Whatever disasters befell it, the company simply had to press on regardless. George Dart's snores joined the wheezing slumber of the other innocents.

Christopher Millfield waited half an hour before he moved. Then he got up, dressed quietly and left the room. A few minutes later, he was saddling a horse and leading it out into the yard with shreds of sacking around its hooves to muffle their clatter on the cobblestones.

He rode off happily into the darkness.

Nicholas Bracewell was still quite groggy. His head was pounding, his vision was impaired and blood was trickling down the back of his neck. The stench in the outhouse was almost overpowering and his stomach heaved, Trussed up tightly, every muscle in his body was aching away. What hurt him most, however, was the fact that Richard Honeydew should see him in this state. The boy was desperately in need of help and all that his would-be rescuer could do was to get himself into the same parlous condition. Guilt burned inside Nicholas like a raging fire. It served to concentrate his mind on their predicament.