John Roberts - Temple Of Muses

I could not understand why a legion of cocks was crowing in my ear. Surely, with all their strange tastes, these pseudo-Egyptian Macedonians didn't keep livestock in the Palace. Then my head began to clear and I realized that it was the embassy slaves raising the racket. Some of them were eunuchs and these added a falsetto quality to the uproar. What on earth had them so upset?

I struggled to a sitting position, rubbing my eyes to get them into focus. Right away, I knew that I had the sort of hangover that makes you certain that the gods robbed you of your youth in your sleep. My mouth tasted like the bottom of a garum vat. The resin from the Greek wine lent a certain dockside element to the foulness, as if my mouth had been tarred and caulked.

I glared blearily at the slave who stood in the doorway pointing at me and gabbling something in Egyptian. Others behind him stared wide-eyed.

"What are you pointing at?" I demanded. I intended to sound forceful, but my voice came out in a croak. "Have you all gone mad?"

Then I realized that he was not pointing at me. He was pointing just to one side of me. With a prickling scalp I turned to see, then squeezed my eyes shut. It didn't help. When I opened them again, she was still there. It was Hypatia, and she was quite dead. Were I a poet, I would say that her staring eyes were full of reproach, but they expressed nothing at all. The eyes of the dead never do.

She was naked, and the bone hilt of a dagger pro-traded from just below her left breast. There was a small wound below her left ear, and her lovely black hair was matted with blood. I saw her bloodstained gown on the floor by her.

"What is this?" Creticus came storming in and went pale when he saw the little tableau. Behind him were Rufus and the others.

"It isn't: " I cursed my thick tongue.

Creticus pointed at me. "Decius Caecilius Metellus, I arrest you. Bind him and throw him in the cellar."

A pair of burly, shaven-headed men came forward and aid hands on me. These were the Binder and the Whipper, the slave disciplinarians belonging to the embassy. They didn't often get a chance to practice their skills on a free man and they made the most of it. They jerked my arms behind me and slapped manacles around my wrists. Then they hauled me to my feet.

"At least let me get dressed!" I hissed.

"Decius, you are not only a degenerate but a madman," Creticus said. "I will go to talk to the king. Since you are part of the embassy, he can't call for your head, but rest assured I'll have you tried before the Senate and banished to the smallest, most barren island in the sea!"

"I'm innocent!" I croaked. "Bring Asklepiodes!"

"What?" Creticus said. "Who?"

"Asklepiodes, the physician! I want him to examine that body before these Greeks cremate it! He can prove that I am innocent!" Actually I was confident of no such thing, but I was desperate. "Rufus! Go to the Museum and fetch him." His shocked face nodded minutely. I was not even sure he understood my words.

The Whipper and the Binder hustled me through the halls and past goggling slaves, then down a flight of steps to the cellar. There they bolted a neck-ring on me and chained me to the wall. They talked to each other merrily in some barbarous tongue, their bronze-studded belts scraping my abused hide as they disposed of me. With their big bellies and thick, leather-banded arms, they looked like apes imitating men. Well, one doesn't employ disciplinarians for their refinements. With a final test of my bonds, they left me to my thoughts. These were not pleasant.

Somehow, I had been neatly bagged. I was not sure how this had been done, but it seemed to have been done with my fullest cooperation. I was now assumed by everyone to be a murderer. The victim had been a free woman and a resident of Alexandria, although of foreign origin. At the very best, Ptolemy would allow me to be quietly shipped off to Rome. I had no doubt that Creticus would make good on his threat to impeach me before the Senate. Roman officials were allowed a certain license in foreign lands, but for a member of a diplomatic mission to disgrace the Republic was unconscionable.

How to get out of this? It had all been so sudden, and my mind so benumbed, that I had not been able to take in the circumstances, much less devise a defense. I knew a few basic facts: The woman was Hypatia, she was in my bed and she was unquestionably dead. What, if anything, was in my favor?

The knife buried in her body was not mine. I remembered with relief that I had locked my weapons away before retiring. Perhaps something could be made of that. I certainly had no reason to kill her, but I had enough experience with murder trials to know that a motive is the least of considerations, especially when evidence of culpability is strong. It was certainly strong in this case.

How had this been carried out? All too easily. The whole Palace had been sound asleep, and I had been too sodden to notice the arrival of marauding Gauls. Poor Hypatia had simply been deposited in my bed and the murderers or their lackeys had strolled away, all of it as casual as tradesmen making a delivery.

But why had they not simply killed me? If Achillas and Ataxas were determined to put an end to my investigation, it seemed to me that the simplest thing would have been to deposit the dagger in my heart, not in some innocent woman's. Not that Hypatia had been terribly innocent, either in her professional life or in her intentions toward the conspirators. A dungeon is an excellent place to mull over questions like this, free as it is from distractions. I don't recommend it as a regular practice.

I wished that I could consult my friends Cicero and Milo on this. Between Cicero's legal expertise and Milo's criminal genius, they would have cracked this problem within minutes. Cicero had once told me that many men in legal difficulties failed to understand their situation because they always assumed themselves to be the focus of the problem. Each man exists at the center of his own personal cosmos and believes that he must be the foremost concern of gods and men. This is a grievous fallacy and must be guarded against.

I suspected that Achillas was behind everything. Ataxas was his accomplice and cat's-paw. Milo had told me that he overcame the other gang leaders in Rome by simply thinking like them. In this way he could anticipate their every attack. The difficult part, he said, was in duplicating the thought processes of someone more stupid than oneself, which was always the case.

Achillas wanted me out of the way, but was I all that important? This was a man who lusted for the throne of Egypt. My investigation was causing him annoyance, threatening to upset his plans, but what was that in the context of his greater agenda? For more than a century it had been understood that the ruler of Egypt would be the one favored by Rome, and Rome had, for the sake of stability and consistency, opted to support the weak, foolish but traditional Ptolemies. I was not Achillas's problem. Rome was his problem. And I had very thoughtfully given him a wonderful weapon to use against Rome. I, a Roman diplomat, had murdered a free woman of Alexandria. And I had done it, not merely in the city, but within the Palace itself. The city was already poised to erupt in anti-Roman riots, and I had poured oil on the coals.

And there was that old Gaulish saying about two birds with one arrow or something of the sort. The traitorous Hypatia had to be disposed of anyway, so why not let her be my poor, innocent victim? And that turned my mind down other channels. Had her treachery been detected, or had it been planned by Achillas from the start?

She might have been given a role to play, not understanding, of course, that she was to be paid with a dagger through the heart. An Athenian hetaira receives training comparable to an actor's, and she knew well how to keep me off guard, lusting for the mysterious book and her skilled body alternately. And she knew that a beautiful woman cannot fail to control a young man by letting him know that she finds him irresistible. Or an old one either, for that matter.