Steven Saylor - Arms of Nemesis

'News of their rebellion spread like wildfire across the island, inciting other slaves to revolt. Rival groups of rebel slaves rose up, and it was hoped they would turn against one another. Instead, they banded together, taking into their army all sorts of bandits and outlaws. Word of their success spread beyond Sicily and encouraged widespread unrest — a hundred and fifty slaves conspired to revolt in Rome, more than a thousand rose up in Athens, and there were similar disturbances all over Italy and Greece. All these were quickly suppressed, but the situation in Sicily deteriorated into utter chaos.

'Sicily was overwhelmed by rebelling slaves, all proclaiming Eunus their king. The common folk, in an access of hatred against the rich, actually sided with the slaves. For all its madness, the revolt was conducted with a certain intelligence, for while many a landowner was tortured and killed, the slaves took thought for the future and avoided destroying harvests and property that would be useful to them.'

'How did it end?' asked Gelina.

'Armies were sent from Rome. There was a series of battles all over Sicily, and for a time it seemed that the slaves were invincible, until at last the Roman governor, Publius Rupilius, managed to trap them in the city of Tauromenium. The siege continued until the insurgents were reduced to conditions of unspeakable hunger, and finally cannibalism. They began by eating their children, then their women, and at last each other.'

'Oh! And the wizard?' Gelina whispered.

'He escaped from Tauromenium and hid himself in a cave, until at last Rupilius flushed him out. Just as the slaves had consumed one another, so the king of the slaves was discovered half-eaten by worms — yes, just such worms as were said to have plagued the great Sulla in his last years here on the Cup, before his death from apoplexy, which demonstrates that these devouring worms, like the lower grade of humans, will take sustenance from any leader, high or low. Eunus was dragged from his cave, screaming and clawing at his own flesh, and put in a dungeon at Morgantina. The wizard continued to see visions, which became more and more horrible; at the end he was raving. At last the worms consumed him, and so the first of the great slave revolts came to its miserable end.'

There was a deep silence. The faces of Gelina's guests were impassive, except for Eco, who sat wide-eyed, and young Olympias, who seemed to have a tear in her eye. Mummius fidgeted on his couch. The silence was broken by the soft shuffling footsteps of a slave retreating towards the kitchens with an empty platter. I looked about the room at the faces of the table slaves, who stood rigidly at their posts behind the guests. None of them would meet my eyes, nor would they look at one another; instead they stared at the floor.

'You see,' said Metrobius, his voice sounding unnaturally loud after the stillness, 'you have all the elements for a divine comedy right at your fingertips, Dionysius! Call it "Eunus of Sicily" and let me direct it for you!'

'Metrobius, really!' protested Gelina.

'I'm serious. All you need to do is cast it with the standard roles. Let me see: a bumbling Sicilian landowner and his son, who of course will be love-struck by a neighbour's daughter; add to that the son's tutor, a good slave who will be tempted to join in this slave revolt but will choose virtue instead and save his young master from the mob. We can bring this Eunus onto the stage for a few grotesque comedy turns, spitting fire and babbling nonsense. Introduce the general Rupilius as a bombastic braggart; he mistakes the good slave, the tutor, for Eunus, and wants to crucify him; at the last instant the young master saves his tutor from death and thus repays him for saving his own life. The revolt is suppressed offstage, and all ends with a happy song! Really, Plautus himself never came up with a better plot.'

'I believe you're half-serious,' said Iaia shrewdly.

'It all sounds a bit distasteful,' complained Orata, 'considering current circumstances.'

'Oh, dear, you might be right,' admitted Metrobius. 'Perhaps I've been away from the stage too long. Go on, then, Dionysius.

I only hope your next account of past atrocities will be as amusing as that last one.'

The philosopher cleared his throat. 'I fear you will be disappointed, Metrobius. Since Eunus there have been a number of slave revolts in Sicily; something about the island seems to encourage depravity among the rich and insurrection among the slaves. The last and greatest of these revolts was centred in Syracuse, in the days when Marius was consul, thirty-five years ago. Its scale was as great as the first uprising under Eunus, but I fear that the story is not nearly as colourful.'

'No fire-breathing wizards?' said Metrobius.

'No,' said Dionysius. 'Only thousands of dangerous slaves rampaging across the countryside, raping and pillaging, crowning false kings and defying the power of Rome, and in the end a general comes to crucify the ringleaders and put the rest in chains, and law and order are restored.'

'So it shall always be,' said Faustus Fabius darkly, 'as long as slaves are foolish enough to upset the natural order.' At either side of him, Orata and Mummius nodded sagely in agreement.

'Enough of this gloominess,' said Gelina abruptly. 'Let's move to another subject. I think it's time we had an amusement. Metrobius, a recitation?' The actor shook his white head. Gelina did not press him. 'Then perhaps a song. Yes, a song is what we need to lift everyone's spirits. Meto… Meto! Meto, fetch that boy who sings so divinely, you know the one. Yes, the handsome Greek with the sweet smile and the black curls.'

I saw a strange expression cross Mummius's face. While we awaited the slave's arrival, Gelina drank a fresh cup of wine and insisted that we all follow her example. Only Dionysius declined; instead, a slave brought him a frothy green concoction in a silver cup.

'What in Hercules' name is that?' I asked.

Olympia laughed. 'Dionysius drinks it twice a day, before his midday meal and after his dinner, and he's tried to convince the rest of us to do likewise. An awful-looking potion, isn't it? But of course, if Orata can drink urine…'

'It wasn't urine, it was fermented barley. I only said it looked like urine.'

Dionysius laughed. 'This contains nothing as exotic — or should I say as common? — as urine.' He drank from the cup and then lowered it, revealing green-stained lips. 'Nor is it a potion; there's nothing magical about it. It's a simple puree of watercress and grape leaves, together with my own blend of medicinal herbs — rue for sharp eyes, silphium for strong lungs, garlic for stamina…'

'Which explains,' said Faustus Fabius affably, 'how Dionysius can read for hours, talk for days, and never feel faint — even if his audience does!'

There was a round of laughter, and then the young Greek arrived carrying a lyre. It was Apollonius, the slave who had attended Marcus Mummius in the baths. I glanced at Mummius. He yawned and showed little interest, but his yawn seemed too elaborate and his vacant gaze was uneasy. The lamps were lowered, casting the room in shadow. Gelina requested a song with a Greek name — 'a happy song,' she assured us — and the boy began to play.

Apollonius sang in a Greek dialect, of which I could apprehend only scattered words and phrases. Perhaps it was a shepherd's song, for I heard him sing of green fields and great mountains of fleecy clouds, or perhaps it was a legend, for I heard his golden voice shape the name of Apollo and sing of sunlight on the shimmering waters of the Cyclades — 'like pebbles of lapis in a sea of gold,' he sang, 'like the eyes of the goddess in the face of the moon.' Perhaps it was a love song, for I heard him sing of jet-black hair and a glance that pierced like arrows. Perhaps it was a song of loss, for in each refrain he sang, 'Never again, never again, never again.'