Steven Saylor - The Triumph Of Caesar

Next came a band of trumpeters, blaring the ancient summons to arms, as if a hostile enemy approached. In fact, behind the trumpeters, an enemy did approach-the captive chiefs of the conquered Gauls. There were a great many of these prisoners; the Gauls were divided into scores of tribes, and Caesar had subdued them all. These once-proud warriors were dressed in rags. They shambled forward with their heads bowed, chained to one another. The crowed laughed and jeered and pelted them with rotten fruit.

At their head was Vercingetorix. He was as I had seen him in the Tullianum, nearly naked and covered with filth, but his appearance was even more appalling under bright sunlight. His eyes were hollow. His lips were dry and cracked. His hair and his beard were as tangled as a bird's nest. His fingernails were like claws, so long they had begun to curl. His shoes had disintegrated while he walked; bits of shredded leather trailed from his ankles, and each step left a bloody footprint on the paving stones.

Confused and exhausted, he suddenly came to a halt. A soldier pacing alongside the prisoners, like a herd dog, ran up and struck him with a whip. The crowd roared.

"Fight back, Gaul!" someone yelled.

"Show us what you're made of!"

"King of the Gauls? King of the cowards!"

Vercingetorix lurched forward and almost fell. One of the other chieftains reached out to steady him. The soldier struck the man across the face and sent him reeling back. Spectators jeered and clapped and jumped up and down with excitement.

The chastened prisoners quickened their pace. A moment later, they passed beyond my sight. Bethesda touched my arm and gave me a sympathetic look. I realized I was gripping the edge of the shelf so firmly that my knuckles had turned white.

So this was the end of Vercingetorix. For him, the day would end where it began, back at the Tullianum, where he would be lowered into the pit and strangled. In quick succession, the other chieftains would meet the same fate. There would be no last-minute rescue. There would not be even a final show of defiance or pride or anger, only submission and silence. He had been broken to the ultimate degree that could still leave him breathing and able to walk. Caesar's torturers were exquisitely skilled at obtaining exactly what they wanted from a victim, and Vercingetorix had proved to be no exception.

Next came musicians and a troupe of mincing mimes who mocked the chieftains who had just passed. The tension aroused in the crowd by the sight of their enemies melted into screams of laughter. The mime who played Vercingetorix-recognizable by a ludicrously oversized version of the warrior's famous winged helmet, which almost swallowed his head-confronted a mime meant to be Caesar, to judge by his glittering armor and red cape. Their mock swordfight, attended by a great deal of buffoonery, excited squeals of laughter from the children watching and ended when the Caesar mime appeared to plunge his sword up the fundament of the Vercingetorix mime, who first gave a high-pitched scream, then cocked his head to one side and started rolling his hips, as if he enjoyed the penetration. The crowd loved this.

Dancers, musicians, and a chorus of singers followed. People clapped their hands and sang along to marching songs they had learned from their grandparents. "Onward Roman soldiers, for Jupiter you fight! The way of Rome is forward, the cause of Rome is right…"

Next came the spoils of war. Specially made wagons, festooned with garlands, were loaded with the captured armor of the enemy. Superbly crafted breastplates, helmets, and shields were mounted for display, as were the most impressive weapons of the enemy, including gleaming swords with elaborately decorated pommels, fearsome axes, and iron-tipped spears hewn from solid oak and carved with strange runes.

The grandest wagon was reserved for the armor and weapons of Vercingetorix. The crowd applauded the sight of his famous bronze helmet with massive feathered wings on either side. There was also a display of his personal belongings, including his signet ring for sealing documents, his private drinking cup of silver and horn, a fur cloak made from a bear he himself had killed, and even a pair of his boots, crafted of fine leather and tooled with intricate Celtic designs.

More wagons rolled by, carrying captured booty from every corner of Gaul, artfully displayed so that the crowd could take in each object as it slowly passed by. There were silver goblets and pitchers and vases, richly embroidered fabrics, woven goods with patterns never before seen in Rome, magnificent garments made of fur, elaborately wrought bronze lamps, copper bracelets, torques and armbands made of gold, and clasps and pins and brooches set with gemstones of remarkable size and color. There were bronze and stone statues, crude by Greek or Roman standards, depicting the strange gods who had failed to protect the Gauls.

More wagons passed, stuffed with coffers overflowing with gold and silver coins and bullion. At the sight of so much lucre, people gasped with excitement and their eyes glittered with greed. Word had spread that Caesar intended to distribute a considerable portion of the captured wealth of Gaul to the people of Rome. Every citizen could expect to receive at least three hundred sesterces. We would all profit from the pillaging of Gaul.

As impressive as were these displays of bullion and jewels and metalwork, the human booty of Gaul far exceeded its other plundered wealth. Caesar had gone to war on borrowed money, but from the sale of humans he had become phenomenally wealthy. His enslavement of the population had taken place on a vast scale; in his memoirs, he boasted of selling over fifty thousand of the Aduatuci tribe alone. In celebration of this achievement, a small sampling of the most striking of Caesar's captives was presented. By the hundreds, with hands chained behind their backs and constrained by the shackles on their ankles to take baby steps, giant warriors with long red mustaches and naked youths with flowing locks shuffled past, their heads hung in shame. Looking even more miserable, a seemingly endless succession of beautiful girls draped in sheer veils were made to prance and twirl for the amusement of the crowd. These slaves would be sold at a special auction the next day. Their display in the triumph was a preview for interested buyers. Those who could not afford such exquisite merchandise could at least stare at them with amazement and be proud that Caesar had made slaves of such outstanding human specimens.

Having satisfied the crowd's prurient interest in death, greed, and lust-showing off the doomed and humiliated leaders, then the magnificent spoils of war, then an assortment of the flesh made available for purchase, thanks to Caesar-the procession continued with its educational component.

The crowd was shown a series of painted placards made of cloth stretched across wooden frames. Some of these placards, mounted on poles, were small enough to be held aloft by a single man, but others were quite large and required several men to carry them. Placards proclaimed the name of every vanquished tribe and captured city; accompanying these were models of the most famous cities and forts of the Gauls, crafted from wood and ivory. More placards depicted notable features of the Gallic landscape-its rivers and mountains, forests and bays. Other placards were painted with vivid scenes of the war, in which Caesar was usually at the center, mounted atop his white charger and wearing his red cape.

Speakers recited vivid episodes from Caesar's memoirs extolling his own ingenuity and the bravery of the Romans legions. Large models of siege towers rolled by, along with actual battering rams, catapults, ballistae, and other machines of conquest, with signs identifying the battles in which they had been used. In his campaign against the Gauls, Caesar and his engineers had greatly advanced the science of war; the many battles and sieges had allowed them to perfect new methods of inflicting mayhem and death, and here were the artifacts of the unstoppable war machine that had crushed not only the Gauls but also every one of Caesar's rivals.