Charles Todd - A Bitter Truth

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"Highly recommended – well-rounded, believable characters, a multi-layered plot solidly based on human nature, all authentically set in the England of 1917 – an outstanding and riveting read." – Stephanie Laurens
Already deservedly lauded for the superb historical crime novels featuring shell-shocked Scotland Yard inspector Ian Rutledge (A Lonely Death, A Pale Horse et al), acclaimed author Charles Todd upped the ante by introducing readers to a wonderful new series protagonist, World War One battlefield nurse Bess Crawford. Featured for a third time in A Bitter Truth, Bess reaches out to help an abused and frightened young woman, only to discover that no good deed ever goes unpunished when the good Samaritan nurse finds herself falsely accused of murder. A terrific follow up to Todd's A Duty to the Dead and An Impartial Witness, A Bitter Truth is another thrilling and evocative mystery from 'one of the most respected writers in the genre' (Denver Post) and a treat for fans of Elizabeth George, Anne Perry, Martha Grimes, and Jacqueline Winspear.

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“Lydia, you’re letting your imagination run away with you. There was no woman. There is no child. Miss Crawford here can tell you how impossible it is to get leave, even when you’re wounded.”

“Leave her out of this.” She was looking up at him now, such misery in her eyes that I could have wept for her. I didn’t want to be a witness to this scene. But there was nothing I could do, except watch in silence, pretending I wasn’t there after all.

Finally Lydia said tiredly, “I don’t know what to believe. In London I’d believed that you struck me because of what I’d said about Juliana. I blamed myself for using such a vile weapon to make my point. I came home to apologize and beg your forgiveness. Well, if the truth has come out finally, it’s just as well. If Bess will have me, tomorrow I’ll be returning to London with her, until I can make other arrangements. Under the circumstances, I shall expect you to give me an allowance, so that I can live at least with dignity, if not comfort.”

“You can’t leave. We have guests. Mother and Gran-”

“Our only guests are Eleanor and members of your own family. They will understand-this time-why I need to go away and not think about anything for a while, until I’m able to decide what this has done to our marriage.”

She rose, walking to the door. “What’s more,” she said, with an overtone of spite, “before I went to London the first time, you were all but accusing me of having an affair with Davis Merrit. And you made me feel guilty, when I had done nothing more than read to the poor man. And all the while, you knew what you yourself were guilty of. I think that’s the most disgusting part of all this.” Her voice finally broke on the last words, and she left, not bothering to shut the door behind her.

“Damn it,” Roger began, but it was too late, she was gone. He turned to me then, and said, “I don’t know how to reach her. It’s impossible.”

“Is it?” I prepared to leave as well. “We all heard what Lieutenant Hughes said. You can pretend he wasn’t speaking to you. He can swear that he was drunk and talking to his dead brother. But neither will satisfy your wife.”

“There is no child!” he exclaimed, angry now.

“Sadly I’m not one of the people you must convince. Good night, Captain Ellis.”

“Wait!”

I stopped but didn’t turn.

“I must ask you,” he went on, as if the words were forced from him, “what Lieutenant Hughes said to Dr. Tilton.”

“He stood by what he’d said before he left the drawing room.”

“And Dr. Tilton? Did he pry?”

There was nothing for it but to tell the truth. “I’m afraid he tried. But I reminded him that we had done our duty and ought to return to the other guests, and he stopped.”

“Yes, damn it, that’s precisely what I was afraid he would do. Even what little he knows will be all over Ashdown Forest before tomorrow is out. That’s why I asked you to go with him. I couldn’t-it would look too much like I was trying to rush George away before he could say more.” He hesitated. “Thank you, Miss Crawford. I appreciate your loyalty.”

I turned then. “It wasn’t so much a matter of loyalty,” I said. “It was disliking the doctor’s taking advantage of Lieutenant Hughes when he was vulnerable. And to tell you the truth, I didn’t want to know any more. For Lydia’s sake.”

“What was the thrust of Tilton’s questions?”

“Coloring. If the child was fair, like Juliana, then in theory neither George nor his brother could be the father. While you are fair, and very like your dead sister, if we can draw such a conclusion from that painting.”

He took a deep breath. “Yes. I understand. Thank you all the same. Go on to bed. It’s very late.”

It was dismissal, and I was glad to take it.

I couldn’t read Roger Ellis. Either he was a consummate liar, or he was telling the truth. And I was fairly sure he wasn’t telling the whole truth.

I went slowly up the stairs, remembering that Lydia was determined to leave in the morning. I didn’t know what advice to give her-to go, or to stay and get to the bottom of what if anything her husband was hiding. She had been deeply hurt for a second time, and she couldn’t convince herself that this time it was largely her fault. And I couldn’t imagine Lydia taking Gran’s advice to look the other way. In an arranged marriage, that might be possible, but in a love match, it was the destruction of trust.

I opened the door to my room, glad to have the night to consider what to do in the morning.

Instead I found Lydia lying across my bed, crying.

For an instant I hesitated. And then I backed out as quietly as I’d come in. The wind rattled the window just as I was closing the door as gently as possible. I waited for several seconds, but Lydia didn’t call to me. Turning, I walked down the passage.

Where was I to go? All the bedrooms were occupied. And Lydia was safer where she was. With luck, no one would think to look for her in my room.

The hall was too large and empty and uncomfortable. I wasn’t particularly happy with the thought of sleeping in the room above the hall. Those long windows would be drafty and I’d be cold before morning. In the end I went down to the family sitting room and pulled two chairs together. There was a woolen lap rug over the back of another chair, and I pulled that round my shoulders. The fire here had died down to ashes, but there was still enough of a glow from the embers that I didn’t need to light a lamp. I was just as glad, thinking that at least no one would believe anyone was in here, if the room was dark.

I’d been there for well over two hours, unable to sleep, when George Hughes, in his dressing gown, quietly opened the door. He was looking for the brandy, I thought, but found me instead. He fumbled for the lamp and struck a match, the smell of sulfur strong in the air. Just as the light bloomed, I spoke, so that he wouldn’t be startled seeing me there.

“Can’t sleep?” he asked, his eyebrows raised. As if the entire household had no reason to lie awake.

“Lydia is in my room. I think you’d better tell me, Lieutenant. Before this breaks up Lydia’s marriage. I won’t ask you who the father is. Only, where is this child?”

He sighed. “Her mother is dead. She was put into an orphanage. No one seems to know where. That’s all I can tell you.”

“In France?”

“Yes. In France.”

“Do you know her name?”

“No. But I saw her when she was only a year old. And she is so like Juliana it makes one’s heart stop. If I’d known-if I’d had any idea-I’d have claimed her myself. Brought her to England and raised her as my own. To hell with Roger. But that’s water over the dam. I remember Juliana, you see. Roger never really got over her death. Nor did I, if you want the truth. I thought when I saw Lydia for the first time that she must have reminded him of Juliana in a way. But he said not. I don’t know.”

“Did he have an affair?”

“I expect he did. How else do you explain the child? My God.”

“And the mother? Who was she?”

“I haven’t any idea.”

“But you said you saw the child?”

“Quite by accident, actually. I was-” He broke off, turning toward the door. “There’s someone outside.”

I got up and went quietly to the door, opening it quickly. But if someone had been there, he or she was gone now. There was no one in the passage outside.

“I shouldn’t have brought it up,” he said as I closed the door again. He looked with longing at the brandy decanter, then sighed. “I was sitting there, staring up at Juliana’s portrait, and I couldn’t stop myself. I had to know what happened to that child.” He took a turn about the room, fretful and angry. “I’d waited for Ellis to say something. I’d given him every opportunity. When we were alone in the motorcar. Before dinner. I even mentioned the portrait that first night, to signal that Juliana-and by extension, the child-was on my mind. Instead he avoided the subject. I began to believe there was something he didn’t want to tell me. Had something happened to her? Was she dead? When he sat down near me at the end of the evening tonight, I thought, this was my chance. There might not be another. I intend to leave tomorrow. It will be less embarrassing all round.”

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